Selected Bibliography

Books and Catalogues

Delahunty, Gavin, Mark Godfrey, and Charles Ray. Charles Ray. Athens: The George Economou Collection, 2017.

Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. New Haven: Yale University Press, 2015.

Vo, Danh, Caroline Bourgeois, Elizabeth Lebovici and Amy Zion. Slip of the Tongue. Venice: Marsillio Editori, 2015.

Bankowsky, Jack, Thomas Crow, Nicholas Cullinan, and Michael Fried. Sculpture After Sculpture: Fritsch, Koons, Ray. Ostfildern, Germany: Hatje Cantz, 2014.

Bürgi, Bernhard, Douglas Druik, Michael Fried, and Charles Ray. Charles Ray: Sculpture, 1997 – 2014. Ostfildern, Germany: Hatje Cantz, 2014.

Kries, Mateo, Janna Lipsky. Konstantin Grcic – Panorama. Weil am Rhein, Germany: Vitra Design Museum, 2014.

Ray, Charles. Young man by Charles Ray. New York: Olympic Productions/Matthew Marks Gallery, 2014.

Gioni, Massimiliano, Gary Carrion-Murayari, Jenny Moore, and Margot Norton, eds. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum, 2013.

McElheny, Josiah, Michael Lobel, and Siri Engberg. Lifelike. Minneapolis: Walker Art Center, 2012.

Roselione-Valadez, Juan, ed. Beg, Borrow, and Steal. Miami: Rubell Family Collection, 2011.

Bonami, Francesco, and Gary Carrion-Murayari. 2010 Whitney Biennial. New York: Whitney Museum of American Art; New Haven, Conn.: Yale University Press, 2010.

Bonami, Francesco, and Alison Gingeras, eds. Mapping the Studio: Artists from the François Pinault Collection. Venice: François Pinault Foundation and Mondadori Electa, 2009.

Ray, Charles. Charles Ray. New York: Matthew Marks Gallery, 2009.

________. Log. Los Angeles: Self-published, 2009.

Arte Contemporanea. Electa, Spain: La Biblioteca di Republica-L'espresso, 2008.

Dennison, Lisa. Wall Rockets. New York: The FLAG Art Foundation, 2008.

Heiser, Jörg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press, 2008.

MoMA Contemporary Highlights. New York: The Museum of Modern Art, 2008.

Rales, Emily Wei, and Jeffrey Weiss. If we could imagine. Potomac, Md.: Glenstone Foundation, 2008.

Schimmel, Paul, et al. This is Not to be Looked At. Los Angeles: The Museum of Contemporary Art, 2008.

Coetzee, Mark, ed. Red Eye: L.A. Artists from the Rubell Family Collection. Miami: Rubell Family Collection, 2007.

de Corral, María, and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas: Dallas Museum of Art, 2007.

Living in the Material World: "Things" in Art of the 20th Century and Beyond. Tokyo: National Art Center, 2006.

Bankowsky, Jack, and Alison Gingeras, eds. Where Are We Going?: Selections from the François Pinault Collection. Venice: Palazzo Grassi, 2006.

Barron, Stephanie, and Michael Draguet, eds. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art, 2006.

Grenier, Catherine. Los Angeles 1955-1985. Paris: Centre Pompidou and Panama Musées, 2006.

Kvaran, Gunnar B., ed. Charles Ray: Black & White. Oslo: Astrup Fearnley Museum of Modern Art, 2006.

Loock, Ulrich. The 1980s: A Topology. Porto, Portugal: Serralges Museum of Contemporary Art, 2006.

Ray, Charles. A four dimensional being writes poetry on a field with sculptures. New York: Matthew Marks Gallery; Göttingen: Steidl, 2006.

Blume, Eugen. Friedrich Christian Flick Collection Im Hamburger Bahnhof. Cologne: SMB Dumont, 2005.

Bonafoux, Pascal. Moi Je, par soi-meme: L’autoportrait au Xxe siècle. Paris: Diane de Selliers, 2005.

Druker, Johanna. Sweet Dreams: Contemporary Art and Complicity. Chicago: The University of Chicago Press, 2005.

Glimcher, Marc. Logical Conclusions: 40 Years of Rule-based Art. New York: PaceWildenstein, 2005.

Moorhouse, Paul, ed. Anthony Caro. London: Tate Publishing, 2005.

Not Afraid: The Rubell Family Collection. London: Phaidon Press, Inc., 2004.

Rinder, Lawrence. Tim Hawkinson. New York: Whitney Museum of American Art and Harry Abrams Inc., 2004.

Spector, Nancy et al. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. New York: Solomon R. Guggenheim Museum, 2004.

Arnason, H.H. History of Modern Art. Upper Saddle River, N.J.: Prentice Hall, 2003.

Bonami, Francesco, and Raf Simons. The Fourth Sex. Florence: Fondazione Pitti Immagine Discovery, 2003.

Campany, David. Art and Photography. London: Phaidon Press, Inc., 2003.

Dreams and Conflicts: The Dictatorship of the Viewer, la Biennale di Venezia, 50th International Art Exhibition. Venice: Marsilio Editori, 2003.

Fairbrother, Trevor. Family Ties: A Contemporary Perspective. Salem, Mass.: Peabody Essex Museum, 2003.

Gerdts, William H., Susan Landauer, and Patricia Trenton. The Not-So-Still-Life: A Century of California Painting and Sculpture. Berkeley, Calif.: University of California Press, 2003.

Hickey, Dave. Subjective Realities: Works from the Refco Collections of Contemporary Photography. New York: Refco Group, Ltd., 2003.

Fogle, Douglas. The Last Picture Show. Minneapolis: Walker Art Center, 2003.

Weaver, Suzanne and Lane Relyea. Come Forward: Emerging Art in Texas. Dallas: Dallas Museum of Art, 2003.

Weintraub, Linda. In the Making: Creative Options for Contemporary Art. New York: DAP, 2003.

Anderson, Maxwell L. American Visionaries: Selections from the Whitney Museum of American Art. New York: Abrams, 2002.

Crewdson, Gregory. American Standard: (Para)Normality and Everyday Life. New York: Barbara Gladstone Gallery, 2002.

Tempo. New York: The Museum of Modern Art, 2002.

Wolf, Sylvia, and Andy Grundberg. Visions from America: Photographs from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2002.

Ardenne, Paul. L’image Corps: Figures de l’humain dans l’art du 20e siècle. Paris: Éditions du Regard, 2001.

Blistène, Bernard. Au-dela du spectacle. Paris: Centre Pompidou, 2001.

Crow, Thomas, et al. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection. Los Angeles: The Los Angeles County Museum of Art; New York: Harry Abrams Inc., 2001.

Barron, Stephanie, et al. Made in California: Art, Image, and Identity, 1900 – 2000. Los Angeles: Los Angeles County Museum of Art and University of California Press, 2000.

Kertess, Klaus. 00. New York: Barbara Gladstone Gallery, 2000.

Vergne, Phillipe, ed. Let’s Entertain: Life’s Guilty Pleasures. Minneapolis: Walker Art Museum, 2000.

The American Art Book. London: Phaidon Press Limited, 1999.

Grosenick, Uta, and Burkhard Riemschneider, eds. Art at the Turn of the Millennium. Cologne: Taschen, 1999.

Bonami, Francesco. L.A. Times: Arte da Los Angeles nella Collezione Re Rebaudengo Sandretto. Turin: Fondazione Sandretto Re Rebaudengo per L'Arte, 1998.

Bonami, Francesco and Jose Lebrero Stals. Artificial: Figuracions contemporanies. Barcelona: Museo d'Art Contemporani de Barcelona, 1998.

Janus, Elizabeth and Marion Lambert, eds. Veronica's Revenge: Contemporary Perspectives on Photography. Zürich: Scalo, 1998.

Philips, Lisa and Paul Schimmel. Charles Ray. Los Angeles: The Museum of Contemporary Art, 1998.

1997 Biennial Exhibition. New York: Whitney Museum of American Art, 1997.

Bubmann, Klaus, Kasper Konig and Florian Matzner, eds. Sculpture. Projects in Munster 1997. Munster: Verlag Gerd Hatje, 1997.

Crenzien, Helle, and Lars Nittve. Sunshine & Noir: Art in L.A.1960-1997. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1997.

Guidi, Anna Cestelli. American Art 1975-1995 from the Whitney Museum: Multiple Identity. Milan: Charta, 1997.

La "documenta" di Kassel. Milan: Costa & Nolan, 1997.

Rowell, Margit. Objects of Desire: The Modern Still Life. New York: The Museum of Modern Art, 1997.

Sobel, Dean. Identity Crisis: Self-Portraiture at the End of the Century. Milwaukee: Milwaukee Art Museum, 1997.

Benezra, Neal and Olga Viso. Distemper: Dissonant Themes in the Art of the 1990s. Washington, D.C.: Smithsonian Institute Hirshhorn Museum and Sculpture Garden, 1996.

Deitch, Jeffrey. Young Americans: New American Art in the Saatchi Collection. London: Saatchi Gallery, 1996.

Drucker, Johanna. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1996.

Ferguson, Bruce. NowHere. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1996.

Flynn, Leo. "Law and the Erotic." Abstract Eroticism: Touch Me (London: Art & Design, 1996).

Narcissism: Artists Reflect Themselves. Escondido, Calif.: California Center for the Arts, 1996.

Deitch, Jeffrey, ed. Everything That's Interesting is New. Athens: DESTE Foundation for Contemporary Art, 1995.

Feminin-masculin: le sexe de l'art. Paris: Centre Georges Pomidou and Gallimard/Electa, 1995.

Kertess, Klauss. 1995 Whitney Biennial Exhibition. New York: Whitney Museum of American Art, 1995.

Perchuk, Andrew and Helaine Posner. The Masculine Masquerade. Cambridge, Mass.: MIT List Visual Arts Center and MIT Press, 1995.

Still Leben. Stockholm: Nationalmuseum, 1995.

Tannenbaum, Judith. PerForms: Janine Antoni, Charles Ray, Jana Sterbak. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1995.

Yksityinen/Julkinen (Private/Public): Ars 95. Helsinki: National Museum, 1995.

Consey, Kevin E. Radical Scavenger(s): The Conceptual Vernacular in Recent American Art. Chicago: Museum of Contemporary Art, 1994.

Face-Off: The Portrait in Regent Art. Philadelphia: Institute of Contemporary Art, 1994.

Ferguson, Bruce W. Charles Ray. Malmo, Sweden: Rooseum - Center of Contemporary Art, 1994.

Jahresbericht des Vereins Kunsthalle Bern. Bern, Switzerland: Kunsthalle Bern, 1994.

1993 Whitney Biennial Exhibition. New York: Whitney Museum of American Art and Abrams, 1993.

Gudis, Catherine. Helter Skelter: L.A. Art in the 1990s. Los Angeles: Museum of Contemporary Art, 1992.

Sangster, Gary. Cadences: Icon and Abstraction in Context. New York, The New Museum of Contemporary Art, 1991.

Mechanika. Cincinnati: The Contemporary Arts Center, 1991.

The Savage Garden. Madrid: Fundation Caja de Pensiones, 1991.

Charles Ray. Newport Beach, Calif.: The Newport Harbor Art Museum, 1990.

Freeman, Phyllis. New Art. New York: Abrams, 1990.

Recent Drawings. New York: Whitney Museum of American Art, 1990.

1989 Whitney Biennial Exhibition. New York: Whitney Museum of American Art, 1989.

Farm. Chicago: Feature and the Institute of Contemporary Ideas, 1987.

The Louis Comfort Tiffany Foundation Award Catalogue. New York, 1987.

Nature. Chicago: Feature, 1987.

Tucker, Marcia. Choices: Making an Art of Everyday Life. New York: The New Museum of Contemporary Art, 1986.

Selected Articles

Doupas, Vassillios. “Charles Ray: The George Economou Collection / Athens.” Flash Art, February 22, 2018.

Kennicott, Philip. “The Met looks at the body, stripped of its old ‘whiteness.’” The Washington Post, March 21, 2018.

Masello, David. “Favorite.” Fine Art Connoisseur, February 2018, 25.

Schjeldahl, Peter. “‘Life Like’ Shows Seven Hundred Years of The Body.” The New Yorker, April 2, 2018.

Lipsky-Karasz, Elisa. “A Museum of the Ages.” The Wall Street Journal Magazine, December 2017, 112-119.

Povoledo, Elisabetta. “Charles Ray Unveils Sculpture in Rome.” The New York Times, May 27, 2017, C3.

Dunne, Carey. “All in the Smooth, White, Vacant-Eyed Family of Contemporary Figurative Sculpture.” Hyperallergic, July 21, 2016.

Hine, Thomas. “‘Embracing the Contemporary’ a glimpse into PMA’s ambitious expansion plan.” Philadelphia Inquirer, June 26, 2016.

Johnson, Ken. “51 Contemporary Artists, but Just Three Women.” The New York Times, August 26, 2016, C25.

Ray, Charles. “Making and Looking.” The Wall Street Journal, February 6-7, 2016, C12.

Salisbury, Stephan. “Major Philadelphia Museum of Art donors talk about some of their favorite works.” Philadelphia Inquirer, June 28, 2016.

Sussman, Elisabeth. “Mission Statements.” Artforum, Summer 2016, 135-136.

Benson, Frank. "The Artists' Artists." Artforum, December 2015, 107.

Bankowsky, Jack. "Best of 2015." Artforum, December 2015, 210-211.

“Charles Ray.” Time Out New York, February 4, 2015.

“Charles Ray.” The New Yorker. February 23, 2015, p. 65.

Cothier, Peter. “Charles Ray: Edgy, Provocative Presences.” ARTnews, July 3, 2015.

Gioni, Massimiliano. “Human and All Too Human.” Artspace, July 22, 2015.

Golden, Thelma. "Best of 2015." Artforum, December 2015, 200-201.

Farago, Jason. “Charles Ray: Sculpture review – Chicago’s figurative king crashes through art taboo.” The Guardian, June 13, 2015.

Foumberg, Jason. “Charles Ray’s Controversial Sculpture Debuts at the Art Institute of Chicago.” Chicago Magazine, June 16, 2015.

Johnson, Ken. “Charles Ray at Matthew Marks Gallery.” The New York Times, March 12, 2015.

Johnson, Ken. “’Charles Ray: Sculpture 1997-2014’ Is at the Art Institute of Chicago.” The New York Times, May 22, 2015.

Johnson, Steve. “Art Institute of Chicago gets its largest gift ever, including 9 Warhols.” Chicago Tribune, April 22, 2015.

Knight, Christopher. “Charles Ray’s sculptures cast a forceful modern eye on antiquity.” Los Angeles Times, June 12, 2015.

Kordic, Angie. “Charles Ray at Matthew Marks Gallery.” Widewalls, February 4, 2015.

Nagel, Alexander. "Charles Ray with Alexander Nagel." The Brooklyn Rail, September 8, 2015.

Plagens, Peter. “’Charles Ray: Sculpture, 1997-2014’ Review.” The Wall Street Journal, June 30, 2015.

Reiman, Joshua. “The Space in Between.” Sculpture Magazine, July 2015, p. 38-45.

Tomkins, Calvin. “Meaning Machines.” The New Yorker, May 11, 2015, p. 54-63.

Waxman, Lori. “Charles Ray gets a major survey at the Art Institute.” Chicago Tribune, June 9, 2015.

Wagner, Anne M. “Sculpture After Sculpture.” Artforum, February 2015, p. 226-227.

Yood, James. “’Charles Ray: Sculpture 1997-2014’ at the Art Institute of Chicago.” Art Ltd. Mag, July 2015.

Mizota, Sharon. “Evolving sculptural ideas from Charles Ray.” Los Angeles Times, December 12, 2014.

Pop, Andrei. “Charles Ray.” Artforum, October 2014, p. 272.

Doran, Anne. "Charles Ray, Matthew Marks." Art in America, February 2013.

Fried, Michael. "Charles Ray." Artforum. February 2013, 242.

Genta, Umberta. "Using Time." Flash Art. January-February 2013, 50-52.

Kerr, Merrily. "Charles Ray." Time Out New York. 10-16 January 2013, 44.

Self, Will. "Charles Ray." Interview. February 2013, 120-129.

Mizota, Sharon. "Visual links to the past." Los Angeles Times. 11 May 2012, D12.

Russeth, Andrew. "Shoeless Ray." Observer Arts. 26 November, 2012, B1 & B10.

Smith, Roberta. "Charles Ray." The New York Times. 23 November 2012, C32.

Wilkinson, A. "No Substitute at Glenstone." Here l Elsewhere. 29 May, 2012

Wilkinson, A. "Los Angeles: Charles Ray at Matthew Marks…" Art Observed. 18 May, 2012.

Johnson, Ken. “Bringing Heavy Metal to the Met’s Roof.” The New York Times, 30 April 2011, C1.

"Getty Museum Puts Sculpture by Celebrated…Artist Charles Ray on View." 27 July 2011.

"Charles Ray." Artforum. October, 2011, p. 265

Akers, W.M. “It’s Members-Only at These Museum Events.” The New York Observer, 12 April 2010, 46.

Aletti, Vince. “Critic’s Notebook: Medium of Exchange.” The New Yorker, 30 August 2010, 16.

Bruck, Connie. “The Art of the Billionaire: How Eli Broad took over Los Angeles.” The New Yorker, 6 December 2010, 50-61.

Conner, Jill. “Breaking Through Cultural Amnesia: A Review of 2010, the Whitney Biennial.”, April 2010.

Crow, Kelly. “The Whitney Biennial Lightens Up.” The Wall Street Journal, 19 February 2010.

Davis, Ben. “It’s not the Size.”, 12 March 2010.

Dezeuze, Anna. “Exhibitions.” Art Monthly, September 2010, 22-24.

Gartenfeld, Alex. “The Incredible Shrinking Art World.” Interview, March 2010, 82.

________. “Whitney Museum of American Art.”, 30 May 2010.

Goldstein, Andrew M. “What ‘Skin Fruit’ Says About Jeff Koons.”, 5 April 2010.

Goodman, Jonathan. “Charles Ray: Matthew Marks.” Sculpture, April 2010, 74-75.

Graffeo, Christopher. “Briefly-Loved Things: reviewing the 2010 Whitney Biennial.”, 5 April 2010.

Halle, Howard. “2010, Whitney Biennial.” Time Out New York, 4-10 March 2010, 34-35.

________. “ ‘Skin Fruit: Selections from the Dakis Joannou Collection.’” Time Out New York, 18-24 March 2010, 44.

“Jeff Koons Details Controversial New Museum Show.”, 12 February 2010.
Johnson, Paddy. “Curators on Display.” City Arts, 23 February 2010, cover, 9.

Katz, Marisa Mazria, et al. “Objects of Desire.” The Art Newspaper-Art Basel Miami Beach Daily Edition, 4-5 December 2010, 6.

Levin, Todd. “Whitney Biennial: The Voices of Silence, An Art Advisor’s Opinion.” Flash Art, May-June 2010, 61-62, 64.

Martínez, Chus. “Whitney Biennial: Whitney Museum of American Art, New York.” Artforum, May 2010, 240-241.

Pollack, Barbara. “A Review of ‘2010.’” ARTnews, March 2010.

Ray, Charles. “The Artist’s Artists: Best of 2010.” Artforum, December 2010, 97.

Saltz, Jerry. “Change We Can Believe In: The Whitney Biennial is thoughtful, humanly scaled, and blessedly low on hype.” New York Magazine, 8 March 2010, 62-63.

Schjeldahl, Peter. “Big Time: ‘Skin Fruit,’ at the New Museum.” The New Yorker, 1 March 2010, 78-79.

________. “No Offense: The Whitney Biennial.” The New Yorker, 8 March 2010, 80-81.

Smith, Roberta. “Anti-Mainstream Museum’s Mainstream Show.” The New York Times, 4-10 March 2010, 33-35.

Wolff, Rachel. “March Madness.” Manhattan, January/February 2010, 4, 41.

Carey-Kent, Paul. “Fragile at Frieze.” Art World, December 2008-January 2009, 124.

“Charles Ray.” The New Yorker, 22 June 2009, 14.

Conte, Paolo. “Il Ragazzo con la Rana cambia Venezia.” Corriere Della Sera (Italy), 3 June 2009, 1, 35.

Johnson, Ken. “Charles Ray: ‘Ink Line, Moving Wire, Spinning Spot.’” The New York Times, 15 May 2009, C27.

Johnson, Paddy. “Magic vs. Mystery in the Art Worlds.” The L Magazine, 6 July 2009.

Kelsey, John. “Field and Factory.” Charles Ray. New York: Matthew Marks Gallery, 2009, 57-63.

Levi, Anna. “Venetian Canvas.” Art & Auction, June 2009, 31.

Poirier, Agnès. “How the French Charles Saatchi became the merchant of Venice.”, 3 June 2009.

Rich, Sarah K. “Port Authority.” Artforum, September 2009, 246-247.

Rothkopf, Scott. “Best of 2009.” Artforum, December 2009, 182.

Russeth, Andrew. “Charles Ray, ‘Ink Line, Moving Wire, Spinning Spot,’ at Matthew Marks Gallery.”, December 2009.

Saltz, Jerry. “Dude, You’ve Gotta See This: Charles Ray’s Minimalist Installations Are As Mind-blowing As Any Hallucinogen.” New York Magazine, 15-22 June 2009, 138-139.

Smith, Roberta. “Grand and Intimate Modern Art Trove…” The New York Times, 14 May 2009, C1, C5.

Tully, Judd. “To Bling or Not to Bling?”, 9 June 2009.

Vogel, Carol. “Frog in Hand (Worth Two Glances).” The New York Times, 5 June 2009, C25-C26.

Volk, Gregory. “Pinault’s Value-Based Initiative.” Art in America, September 2009, 118-121.

Wilson, Michael. “Charles Ray.” Time Out New York, 18-24 June 2009, 54.

Art in America, May 2008, 69.

“The Art of Persuasion.” Vogue, May 2008, 247.

Carey-Kent, Paul. “Cubes.” Art World, February/March 2008, 49-52.

Kaiser, Phillip. "Charles Ray" This is Not to be Looked At. Los Angeles: The Museum of Contemporary Art, 2008.

“LACMA to Remove Popular Sculptures Due to Damage.”, 15 April 2008.

Levin, Kim. "Charles Ray: Matthew Marks." ArtNews, March 2008, 132.

Sleek Magazine, Spring 2008, 66.

Velthuis, Olav. “Accounting for Taste.” Artforum, April 2008, 305-309.

Baker, R.C. “Best in Show.” The Village Voice, 12-18 December 2007, 59.

Bankowsky, Jack. “Best of 2007.” Artforum, December 2007, 305, 334-335.

Bedford, Christopher. “Charles Ray: Regen Projects.”, May 2007.

Belcove, Julie L. “Charles Ray.” W, November 2007, 346-353.

Cantor, Melissa. “Look Out ‘Helter Skelter.’” White Wall, Winter 2007, 63-72.

Dambrot, Shana Nys. "Los Angeles: Charles Ray: Regen Projects." Modern Painters, September 2007, 95.

Finch, Charlie. “Weekday Update.”, 4 December 2007.

Goddard, Peter. “Lots of Life Amid the Gloom.” The Toronto Star, 17 May 2007.

Holte, Michael Ned. "Charles Ray: Slow Dissolve." ArtReview, February 2007, 10, 62-67.

Kazakina, Katya. “Home Depot Sculpture; Picasso and Lover Circled: Chelsea Art.”, 5 July 2007.

Kiehl, David. “Charles Ray.” Art on Paper, November/December 2007, 60.

Knight, Christopher. "A wooden creation, as lovely as a tree.” Los Angeles Times, 11 May 2007, E14.

Martens, Anne. "Charles Ray: Regen Projects II." Flash Art, July/September 2007, 133.

Mizota, Sharon. "Looks almost like Mother Nature's." Los Angeles Times, 5 May 2007, E20.

Montreuil, Gregory. “Making Photographic Meaning.”, 28 June 2007.

Morton, Tom. "The Shape of Things." Frieze, November/December 2007, 120-127.

Ollman, Leah. "Los Angeles: Charles Ray at Regen Projects II." Art in America, December 2007, 166.

Schechter, Fran. “Dead!’s a living wonder.”, 28 June 2007.

Smith, Roberta. "Charles Ray." New York Times, 30 November 2007, B36.

Viveros-Fauné, Christian. “The Anxiety of Realism.”, 28 November – 4 December 2007, 44.

Wehr, Anne. “Charles Ray: Matthew Marks Gallery.” Time Out New York, 6-12 December 2007, 71.

Wolin, Joseph R. “Equal, That Is, to the Real Itself.” Time Out New York, 5-11 July 2007, 76.

Young, Paul. "It's Alive: A New Generation of Eco Artists Plants Itself in the Urban Jungle." Angeleno, October 2007, 86-88.

“A Four Dimensional Being Writes Poetry on a Field with Sculptures.” The New Yorker, 7 & 14 August 2006, 17.

Berman, Ann. “Developments in Art: How Much is That Cindy Sherman on the Wall?” The Shuttle Sheet, July 2006, 8-11.

Demos, T.J. “Charles Ray: Astrup Fearnley Museum of Modern Art, Oslo.” Artforum, September 2006, 197.

Gingeras, Alison M. “Best of 2006.” Artforum, December 2006, 292.

Heartney, Eleanor. "Ecstasy Now." Art In America, March 2006, 46-51.

Johnson, Ken. "A Four Dimensional Being Writes Poetry on a Field with Sculptures." New York Times, 7 July 2006, E28.

Knight, Christopher. "Classic Paint Jobs." Los Angeles Times, 21 June 2006, S32.

Paterson, Carrie. "Ecstasy: Museum of Contemporary Art, Los Angeles." Flash Art, January-February 2006, 52.

Kvaran, Gunnar B. “Charles Ray—black & white.” Astrup Fearnley Museum of Modern Art, September 2006, 1.

Rochette, Anne, and Wade Saunders. “Place Matters: Los Angeles Sculpture Today.” Art in America, November 2006, 168-172.

Smith, Roberta. “Chelsea Is a Battlefield: Galleries Muster Groups.” New York Times, 28 July 2006, E27, E33.

________. “The Body, Electric: Text and, Yes, Videotape.” The New York Times, 4 August 2006, E25, E31.

Yablonsky, Linda. “Show Stopper.”, 4 July 2006.

Cohen, David. “When the Rule Ruled.” New York Sun, 3 March 2005.

Cotter, Holland. “Probing Fringes, Finding Stars.” New York Times, 15 April 2005, B29-B31.

Fried, Michael. “Early One Morning…” Tate Etc., Spring 2005, 50-53.

Knight, Christopher. “Take a Mind Excursion.” Los Angeles Times, 11 October 2005, E1, E5.

Larson, Kay. “Take Two. Worlds and Views: Contemporary Art from the Collection.” ARTNews, November 2005, 176-177.

Muchnic, Suzanne. “Mind-bending Visions.” The Los Angeles Times, 2 October 2005, E1, E34-E35.

Smith, Roberta. “Along the Blurry Line Between Blotto and Buzzed.” New York Times. 26 August 2005, B27.

Yablonsky, Linda. “Take Two. Worlds and Views: Contemporary Art from the Collection.” Time Out New York. 13 – 19 October 2005, 71.

Bankowsky, Jack. “Best of 2004, Charles Ray.” Artforum, December 2004, 162-163.

Deitcher, David. “The Last Picture Show.” Artforum, February 2004, 144.

Gaines, Malik. “Charles Ray.” Contemporary Issue 64, 2004, 86-89.

Garcia, Camille. “Albright-Knox Opens Renowned Sculpture Exhibit.“ Buffalo Rocket, 21 April 2004, 1, 5.

Halle, Howard. “Minimum effect.” Time Out New York, 18-25 March 2004, 71.

Hoban, Phoebe. “7BRs, Ocn Vu, WorldClass Art.” The New York Times, 14 March 2004, 1, 30-31.

Huntington, Richard. “Body of Work.” Buffalo News, 18 May 2004, 1-4.

Kimmelman, Michael. “How Not Much Is a Whole World.” The New York Times, 2 April 2004, B29, B31.

Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture.” Artforum, Summer 2004, 220-228.

“Confetti: Charles Ray.” Label, Autumn 2003, 23.

Harvey, Doug. “Don’t Look Back: Mike Kelley’s Proposal.” LA Weekly, 12-18 December 2003, 68.

Littlefield, Peter. “The Mother of us All.” San Francisco Opera Program, 2003-04 Season, 10-11.

Rimanelli, David. “Entries.” Artforum, September 2003, 33-34.

Rondeau, James. “50th Venice Biennale.” Frieze, September 2003, 96-97.

Trebay, Guy. “Miami Puts on an Arty Party.” The New York Times, 7 December 2003, 1, 6.

Vetrocq, Marcia. “Venice Biennale, ‘Every Idea But One.’” Art in America, September 2003, 136.

Yablonsky, Linda. “To Thine Own Selves be True.” ARTnews, 2003, 138-143.

Bankowsky, Jack. “September 1992.” Artforum, September 2002, 39-40.

Glueck, Grace. "Five by Five." New York Times, 14 June 2002, B36.

Kimmelman, Michael. "Queens, The New Modern Mecca." The New York Times, 28 June 2002, 29, 31.

Muchnic, Suzanne. “With all its hang-ups, the L.A. gallery scene thrives.” Los Angeles Times, 24 November 2002.

Myers, Julian. "American Standard." Frieze, October 2002, 86.

Ray, Charles. “If You Ask Me.” The New York Times, 29 December 2002, 39.

Schwendener, Martha. "American Beauty." Time Out New York, 8-15 August 2002.

Turner, Jonathan. “Italy’s Mini-Boom.” ARTnews, September 2002, 90.

Adrenne, Paul. "L'image Corps." Editions Du Regard, 2001, cover, 385, 410, 429, 435.

Cotter, Holland. "Retrieving Magic From the Vault." The New York Times, 5 January 2001, B35.

Gioni, Massimiliano. "New York Cut Up." Flash Art, January-February 2001, 68.

Ray, Charles. "Thinking of Sculpture As Shaped by Space." The New York Times, 7 October 2001.

Psychiatric Services 51, No. 10, cover.

Ray, Charles. "Picture." Frieze, January-February 2000, 56-57.

Ritter, Peter. "Let's Entertain." Flash Art 214, October 2000, 98.

Scanlan, Joe. "Funs Not Dumb." Art Issues 64, September-October 2000, 20.

"Almost Warm & Fuzzy." Des Moines Art Center News, September-October 1999, cover, 3.

Benezra, Neal. "Mind Over Matter." ARTnews, May 1999, 143.

Darling, Michael. "Michael Darling's Top 10 Plus 1." Artforum, January 1999, 101.

Dietrich, Kornelia. "Kunst in Los Angeles." Geo Saison, May 1999, 84 -97.

Feavar, William. "Reawakening Beauty." ARTnews, October 1999, cover, 216.

Frimbois, Jean-Pierre. "Charles Ray." Art Actuel, March-April 1999, 8-11.

Intra, Giovanni. "La Struttura Mobile." Teme Celeste, February 1999, 51 - 55.

Knight, Christopher. "Taking Issues With Ideas About Art." Los Angeles Times, 7 January 1999, 7, 52.

Miles, Christopher. "Charles Ray." Art/Text, May-July 1999, 84-85.

"Out of Town: Minneapolis." Los Angeles Times, 16 September 1999, W39.

Rawsthorn, Alice. "Best of the world: Five Galleries." Wallpaper, December 1999, 250.

________. "L.A. Story: The most exciting art is now produced in Los Angeles." British Vogue, April 1999, 79-82.

Schjedahl, Peter. "Beauty Contest: The Perils of Pleasure." The New Yorker, 1 November 1999, 108-109.

Snodgrass, Susan. "Staying Alive." Art in America, April 1999, 81-87.

Solomon, Deborah. "How to Succeed in Art." New York Times Magazine, 27 June 1999, 38-41.

Stafford, Barbara Maria. "Seeing Double: A Meditation on Errant Perception." Art Issues, Summer 1999, 22 - 26.

Tully, Judd. "The Contemporary Sales." Art & Auction, November 1999, 76.

Vincent, Steven. "Impact Players." Art & Auction, 15 May 1999, 75-81.

Vogel, Carol. "A Sensation of Sorts: Auction Sets Records for 18 Artists." The New York Times, 17 November 1999, A27.

________. "Records Set for 11 Artist in Contemporary Sale." New York Times, 20 May 1999, B7.

Wagner, Anne. "Charles Ray: Museum of Contemporary Art, Los Angeles." Artforum, May 1999, 170-172.

Blake, Nayland. "Defying the Style." Interview, July 1998, 56-57.

"Charles in Charge." Detour, June-July 1998, 52-53.

Cooper, Dennis. "Charles Ray with Dennis Cooper." Index, January-February 1998, 38-46.

Dellinger, Jade."Cityscape Florida: Donald and Mera Rubell." Flash Art, March-April 1998, 71.

Duncan, Michael. "Charles Ray at Regen Projects." Art in America, March 1998, 110.

Goodman, Jonathan. "Constant Confusion, Charles Ray at the Whitney Museum." Contemporary Visual Arts 20, 1998, 42-47.

Hainley, Bruce. "Charles Ray: Regen Projects." Artforum, January-February 1998, 91.

Halle, Howard. "Charles in charge." Time Out New York, 18-25 June 1998, 54-55.

Harvey, Doug. "Charles Ray at Regen Projects." Art Issues, January-February 1998, 36.

________."Pos. and Neg.; Up and Down with Sunshine & Noir. " LA Weekly, 6-12 November 1998, 56.

________."The Charles Ray Experience: At MoCA and Beyond." LA Weekly, 4-10 December 1998, 45-46.

Hughes, Robert. "Sculptural One-Liners." Time, 29 June 1998, 73.

Hultkrans, Andrew. "Surf and Turf." Artforum, Summer 1998, 106-113, 146.

Intra, Giovanni. "Charles Ray: Regen Projects." Flash Art, January-February 1998, 117.

Kimmelman, Michael. "Sending Up Fashion, Sex, Art and His Own Sheepish Persona." The New York Times, 12 June 1998, B31.

Knight, Christopher. "A Wealth of Shows and Fund-Raising." Los Angeles Times/Calendar, 27 December 1998.

________."Charles Ray, Mind-Bender." Los Angeles Times, 17 November, 1998, F1, F5.

Koestenbaum, Wayne & Robert Rosenblum. "The Best of 1998." Artforum, December 1998, cover, 100-103.

Madoff, Steven Henry. "The Animated Mind Behind the Mannequin." The New York Times, 31 May 1998, 36.

McKenna, Christine. "More than Meets the Eye." Los Angeles Times Magazine, 26 July 1998, cover, 8-11.

"MoCA Entertains International Audiences." The Contemporary, Fall 1998, 3.

Morgan, Susan. "What's the big idea? Charles Ray's sculptures exaggerate to make their point." Elle, June 1998, 62.

"New York and the opening of 'Charles Ray'." The Contemporary, Spring 1998, 10.

Pollack, Barbara. "Leaping off the Pedestal." ARTnews, June 1998, 106-110.

Rian, Jeff. "Sunshine & Noir and L.A. Times." Flash Art, October 1998, 61, 67.

Rutledge, Virginia. "Ray's Reality Hybrids. " Art In America, November 1998, 96-100, 142-143.

Schimmel, Paul. Excerpt from " Beside One's Self.” The Contemporary, 2004, 6-9.

Schjeldahl, Peter. "Car Talk." Village Voice, 30 June 1998, 161.

Sherlock, Maureen P. "Moral Minimalism and the Suburban Spectacle." Art Papers, May-June 1998, 22-25.

Steinke, Darcey. "Ray Tripping." Spin, June 1998, 112-113.

Storr, Robert. "Charles Ray: Ghosts and Dolls." art press, July-August 1998, 19-25.

Storr, Robert, and Charles Ray. "Anxious Spaces." Art In America, November 1998, 101-105, 143.

“Thomassahn Can't Ruin My Summer." The New York Observer, 22 June 1998, 39.

Tomkins, Calvin. "Mind Games: Charles Ray and Andrew Wyeth collide at the Whitney." The New Yorker, 20 July 1998, 70-73.

Vincent, Steven. "What's the Hurry." Art & Auction, 16-29 November 1998, 44-49.

Auerbach, Lisa Anne. "Charles Ray at Regen Projects. " L.A. Weekly, 31 October-6 November 1997, 51.

Castello di Rivoli, Museo d'Arte Contemporanea. Edizioni Charta, 1997.

Conti, Rena, and Ivan Moskowitz. "The Salad Years?" L.A. Muscle, February-March 1997, 19.

Ericsson, Lars O. "Ljus och svarta fran L.A." Dagens Nyhoter, 23 May 1997.

“Faces to Watch in '98: Here's Who'll Be Who." Los Angeles Times, 28 December 1997, 5.

Jonsson, Dan, "LA: s obarmhartiga ljus," Sydsvenska Dagbladet, 21 May 1997.

Knight, Christopher. "Lots of 'Sunshine', Little Light." Los Angeles Times Calendar, 27 July 1997, 4, 5, 85.

________."Sculpted Wreck Turns Gallery Patrons Into Looky-Loos." Los Angeles Times, 28 October 1998, F1, F9.

"Konsten och varldsstadens sjal,” Arbetet Nyheterna, 18 May 1997.

McKenna, Kristine. "It Happens Every Two Years." Los Angeles Times Calendar, 9 March 1997, 3, 78.

Movin, Lars. "California dreamin'." Information, 17 May 1997.

Muchnic, Suzanne. "Art Windfall." The Los Angeles Times, 30 January 1997, A1, A21.

Ohman, Richard. "Konstscen Los Angeles." Norvastra Skanes Tidningar, 18 May 1997.

"Permanent Collection: New Acquistions." Museum of Contemporary Art, Los Angeles. The Contemporary, Spring 1997, 10-11.

Rian, Jeff. "Biennale de Lyon: The Other." Flash Art, October 1997, 94-95.

Schorr, Collier. "A Pose is a Pose is a Pose: Fashion and Art and Fashion." Frieze, March-April 1997, 60-65.

"Szene Los Angeles: Charles Ray." ART: das Kunstmagazin, December 1997, 39.

Vogel, Carol. "Inside Art." The New York Times, 3 January 1997. B18.

Wilson, William. "The 'Gift' Unwrapped." Los Angeles Times Calendar, 1997, 59, 61.

Birnbaum, Daniel. "Walking and Thinking and Walking Incandescent." Frieze 30, September-October 1996, 52-53.

Birnbaum, Daniel and Lars Nittve. "Ultra Swede." Artforum, January 1996, 23-24, 99.

Csaszar, Tom. "PerForms: Janine Antoni, Charles Ray, Jana Sterbak." Sculpture, March 1996, 57.

Duncan, Michael. "Just Aghast: The temporary in MOCA's permanent collection." L.A.Weekly, 8-14 November 1996, 55-56.

Ferguson, Bruce. "Everything That's Interesting is New." Flash Art, March-April 1996, 108-109.

Fricke, Harald. "'NowHere' Louisiana Museum." Artforum, November 1996, 95, 127.

Jermanok, Stephen. "In Profile: Robert Storr." Art & Antiques, Summer 1996, 144.

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Morgan, Anne Barclay. "Donald and Mera Rubell." Sculpture, May-June 1996, 16-17.

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Vine, Richard. "Report from Denmark: Part I: Louisiana Techno-Rave." Art in America, October 1996, 41-47.

Watkins, Eileen. "Rutgers artists throw housewarming party." The Star Ledger, 20 March 1996, 39, 50.

Brown, Gerard. "Discussion After The Show: The ICA's exhibit of objects created by performance artists begs for interpretation." Philadelphia Weekly, 25 October 1995, 38.

Callahan, Joe. "Controversial Art Exhibit Shocks." The Bi-College News, 30 September 1995, 12.

Dickerson, Paul. "Charles Ray." Bomb 52, Summer 1995, 42-47.

Erickson, Peter. "Seeing White." Transition: An International Review 67, Fall 1995, 166-185.

Goldberger, Paul. "Klauss Kertess: The Art of His Choosing." The New York Times Magazine, 26 February 1995, 30-39, 52, 55, 61-62.

Hoving, Thomas. "Art for the Ages." Cigar Aficionado, Summer 1995, 214-226.

Kazanjian, Dodie. "Ray Beyond Cool." Vogue, September 1995, 556-606.

Kimmelman, Michael. "A Whitney Biennial That's Generous, Sensuous and Quirky." The New York Times, 24 March 1995, B1, B6.

________."A Wrapped Reichstag: That's the Spirit." The New York Times, 31 December 1995, 37.

Knight, Christopher. "Toning it Down at the Whitney." Los Angeles Times Calendar, 16 April 1995, 5, 54.

Marincola, Paula. "Prisons, Temples, and Other Alternative Spaces." ARTnews, October 1995, 61-62.

Rice, Robin. "PerForms: Janine Antoni, Charles Ray, Jana Sterbak." Philadelphia City Paper, 22-29 September 1995, 23.

Rugoff, Ralph. "The Show of Shows." Harper's Bazaar, March 1995, 332-337.

Schjeldahl, Peter. "One Man Show: Klaus Kertess's Biennial Moyen sensuel." The Village Voice, April 1995.

Sozanski, Edward J. "An exhibition that demonstrates how less can indeed be less." The Philadelphia Inquirer, 20 September 1995, G2.

Uimonen, Anu. "Ars 95 avaa pohjoisen nakokulman nykytaiteeseen." Helsingen Sanomat, 11 February 1995.

Verzotti, Giorgio. "Charles Ray." Artforum, February 1995, 99.

Zoviene, Danute. "Kultura: Menas ant amziaus ribos." Respublika Vilnius, Lithuania, 15 March 1995.

Aeschimann, Walter. "Gewagte Kunst für junges Publikum." Tagblatt der Stadt Zurich, 19 September 1994, 1.

Ahlstrom, Crispin "K vinnligt-manligt." Goteborgs Posten, 6 April 1994.

Altgard, Clemens. "Djarvhet och forsiktighet." Sydsvenska Dagbladet, 18 March 1994.

"Baddat for skandal pa Rooseum?" Arbetet, 5 March 1994.

Beck, Kurt. "Entlarvte Familienidylle." Luzerner Neuste Nachrichten, 6 October 1994, 20.

Carlsson, Larsolof. "Alska dig sjalv!" Helsingborgs Dagblad, 8 April 1994.

Castenfors, Marten. "En utstallning utover det vanliga: Den amerikanska konstnaren Charles Ray gor var varld mer oforutsagbar." Suenska Dagbladet, 12 March 1994.

"Charles Ray." Sodermanlands Nyheter, 21 February 1994.

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"Charles Ray pa Rooseum." Norrkopings Tidningar, 22 February 1994.

Dahlqvist, Dennis. "Blickens terrorist." Expressen, 24 April 1994.

Damsgard, Helle. "Charles Ray." Index 2, June 1994.

"Det enda sakra sattet att ha sex." Dag Gt/kvallsposten, 6 March 1994.

Engzell, Stig. "Charles Ray manipulerar verkligheten pa Rooseum." Skanslea Dagbladet, 5 March 1994.

Ergard, Manda. Arbetet, 12 March 1994.

Eriksson, Bengt. "Se men inte rora . . ." LO-Tidningen, 13 March 1994.

"Forskjutna proportioner." Konstvarlden, January 1994.

Hansen, Jorgen. "Og kunsten kort." Tylkandsposten, 8 March 1994.

Hansen, Malene Vest. "Kildt og foruroligende: Charles Rays glasfiber-skulpturer er en oplevelse af de usaedvanlige." Politiken, 13 March 1994.

Hasli, Richard. "Der Puppenspieler." Neue Zurcher Zeitung, 9 September 1994, 45.

Hedberg, Bertil Kaa. "Utmanande amerikansk skulptor: Charles Ray gervaneseendeten knack pa Rooseum-utstallning." Norra Skane, 8 March 1994.

Hellmark, Mats. "Ray vacker ur vaneseendet." Sydostran, 25 March 1994.

Hygum, Preben. "Planken ud: Charley, Charley, Charley, again, again - et humoristisk hyperbolisk pikhoved fra L.A. i Malmos Rosseum." Onsdag, 9 March 1994.

"I jamnhojd pa Rooseum." Nordvastra Skanes Tidningar, 5 March 1994.

"Inget konstigt med naken konstnar." Hallands Nyheter, 5 March 1994.

Jonsson, Jan. "En livs levande legend avloser Leonardo." Sydsvenska Dagbladet, 5 March 1994.

Jonsson, Dan. "Vad ar det for fel pa familjen?" IDAG Kvallposten, 19 March 1994.

Klinthage, Jorgen. "Efter motet med Charles Ray ar ingenting langre sig likt." Hallandsposten, 12 April 1994.

Kimmelman, Michael. "Is Duane Hanson the Phidias of Our Time?" The New York Times, 27 February 1994, H39.

Klinthage, Jorgen. "Var granslosa narcissism. " Arbetet, 6 April 1994.

Kokkin, Jan. "Postmodernistisk selvutlevering." Dagens Naeringsliv, 12 March 1994.

"Konst for aids-aldern: Charles Ray staller ut skandalomsusade sexskulpturer pa Rooseum." Arbetet, 5 March 1994.

"Konst-igt varre som beror alla." Skanska Dagbladek, 5 March 1994.

"Konst: Lamnar fa oberorda." Damernas Varld, April 1994.

Kraft, Von Martin. "Selbstportrat des Kunstlers als Schaufensterpuppe." Tages-Anzeiger, 31 August 1994, 77.

Kuoni, Gisela. "Charles Ray in Zurich und Bern." Bundner Zeitung, 9 September 1994, 27.

Kuspit, Donald. "The Decline, Fall and Magical Resurrection of the Body." Sculpture, May-June 1994, 20-23.

Kyander, Pontus. "Arte & Cuerpo." Heterogenesis 7, April 1994, 53.

________. "Konst och kropp." Baras Tidning, 16 April 1994.

Lind, Ingela. "Ode kroppar: Charles Ray pa Rooseum." Dagens Nyheter, 11 March 1994.

Mack, Gerhard. "Puppen, Sex und Wurfelspiel." Cash-Schweiz, 2 September 1994, 90-91.

________. "Puppen und Wurfel: Die Kunsthallen in Bern und Zurich zeigen das spektakulare Werk von Charles Ray." Suddeutsche Zeitung, 18 September 1994, 14.

Martensson, Ulf. "Inget konstigt med naken konstnar." Hallandsposten, 9 March 1994.

________. "Inget Konstigt med en naken konstnar." Nya Wermlands-Tidningen, 24 March 1994.

________. "Inget konstigt med naken konstnar." Trelleborgs Allehanda, 5 March 1994.

________. "Naken konst." Kristianstads - Bladet, 7 March 1994.

________. "Naken konstnar inget konstigt." Gotlands Tidningar, 5 March 1994.

________. "Naket sjalvportratt - gjuten succe?" Ostogoten, 5 March 1994.

________. "Skulptor i egen orgie pa Rooseum." , 7 March 1994.

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Nilson, Stefan. "Hissnande trick som bryter vart vaneseende." Nerikes Allehanda-Nerikes Tidningen, 19 March 1994.

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________. "Charles Ray at Rooseum." Flash Art, May 1994, 124-125.

________. "Det ar inte vad det verkar vara...," Aftonbladet, 15 March 1994.

________. "To break and to push against." Siksi, Nordic Art Review 2, June 1994, 14-15.

Nilsson, Torgny. "Varldsbilden kantrar: Charles Rays konst visas pa Rooseum." Orebrokuriren, 8 March 1994.

Oberholzer, Von Niklaus. "Identitätsfragen - vom Spiel bis zur Horrorvision: Die Kunsthallen von Bern und Zurich zeigen die Plastiken des Amerikaners Charles Ray." Luzerner Zeitung, 30 August 1994, 30.

Parikas, Dodo. "Go Fuck Yourself!: Charles Ray i Malmo." Reporter, May 1994.

"Ray pa Rooseum." Helsingborgs Dagblad, 5 March 1994.

Saltz, Jerry. "L.A. Rising." Art & Auction, April 1994, 88-91, 122.

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Steiner, Juri. "Me, Myself, and I." Zurichsee-Zeitung, 29 September 1994, 8.

Thelander, Eva. "Lek med kanslor: Charles Rays illusionstrick pa Rooseum." Lordagen, 5 March 1994, 32.

________. "I jamnhojd pa Rooseum." Nordvastra Skanes, 5 March 1994.

Tobler, Konrad. "Staunen uber verschobene Sinnbezuge." Berner Zeitung, 27 August 1994, 22.

Volkart, Von Yvonne. "Der Kunstler und seine Doubles." Die WochenZeitung WoZ, 9 September 1994, 23.

Wachtmeister, Marika. "Skulpturer i forvrangd skala." Kristianstads – Bladet, 18 March 1994.

Wakefield, Neville. "Out on a Limb." British Vogue, July 1994, 32.

Vinoles, Pepe. "La exagerada realidad." liberacion cultural, 11 March 1994, 4-5.

Zeylon, Hakan. "En drift med schablonerna." Skanska Dagbladet, 15 April 1994.

Zwez, Annelise. "Das Leiden an Luge und Wahrheit.” Colothurner Zeitung, 22 September 1994, 29.

Cameron, Dan. "Backlash" Artforum, May 1993, 12-13.

Cavina, Desideria. "Personaggi delle favole vittoriane per l'Aids." Arte, 18 April 1993, 25.

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Conti, Marina. "Gridatelo con la Horror Art." L'Espresso, 7 March 1993, 114-117.

Corrias, Pilar. MA Dissertation. The Banal That Turns Disquieting: A Discussion on the Work of Charles Ray, October 1993.

Gandee, Charles. "People are talking about." Vogue, March 1993, 101.

Heartney, Eleanor. "Dossier: FIAC 93, New York, dans les galeries." art press 184, October 1993, 24-28.

________. "Identity Politics at the Whitney." Art in America, May 1993, 43-47.

Hess, Elizabeth. "Up Against the Wall." The Village Voice, 16 March 1993, 35, 38.

Hughes, Robert. "A Fiesta of Whinning." Time, March 1993, 68-69.

Kertess, Klaus. "Some Bodies.” Parkett 37, September 1993, 36-45.

Knight, Christopher. "Charles Ray's Still Lifes." Parkett 37, September 1993, 46-51.

________. "Crushed by Good Intentions." Los Angeles Times, 10 March 1993, F10.

Kotz, Liz. "Video Drone." Artforum, May 1993, 15-16.

Melrod, George. "New York." Sculpture, July-August 1993, 55-56.

Ray, Charles. "The Most Beautiful Woman in the World." Parkett 37, September 1993, 52-53.

Ray, Charles, and Franz West. Parkett 37, September 1993, 16-17.

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Rian, Jeff. "Whats all this body Art?" Flash Art, January-February 1993, 50-53.

Schjeldahl, Peter. "Missing: The Pleasure Principal." The Village Voice, 16 March 1993, 34, 38.

________. "Ray's Tack." Parkett 37, September 1993, 18-28.

Smith, Roberta. "At The Whitney, A Biennial With a Social Conscience." The New York Times, 5 March 1993, C1, C27.

Storr, Robert. "All For One and One For All." Parkett 37, September 1993, 29-35.

"Art." The New Yorker, 27 April 1992, 13.

Ayres, Anne. "Kassel Fax." Art Issues, September-October 1992, 34-35.

Bonami, Francesco. "Charles Ray." Flash Art Italian Edition 24 Anno No. 169, 1992, cover, 56-59.

________. "Charles Ray: A Telephone Conversation." FlashArt, Summer 1992, 98-100.

________. "Panorama NYC." FlashArt, October 1992, 130-131.

Drohojowska, Hunter. "L.A. Raw/" ARTnews, April 1992, 78-81.

Ewert, Mark, and Mitchell Watkins, eds. Ruh Roh! 1, Winter 1992, 40-41.

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"Goings on About Town. The New Yorker, 29 June 1992, 10.

"Goings on About Town." The New Yorker, 18 May 1992, 16.

Hackett, Regina. "Charles Ray Still Snubs Convention." Seattle Post-Intelligencer, 3 June 1992, C3.

Hans-Joachim, Muller. "Diekunst in der Zeitdanach." Basler Zeitung No. 136, 13 June 1992, 45.

"Helter Skelter L.A. Art in the 1990's." The MOCA Contemporary, December 1991-January 1992, cover, 7.

"ll Post-Uomo senza quality." Vernissage, November 1992, cover, 1-3.

Jaunin, Francoise. "Posthuman." Voir, June 1992, 26-27.

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________. "Helter Skelter Reveals the Evil of Banality." The New York Times, 22 March 1992.

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________. "Documenta 9." The Los Angeles Times, 12 July 1992, 4, 84.

________. "The Museum as Stage." The Los Angeles Times, 26 April 1992, 85.

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Muchnic, Suzanne. "Art in the City of Angels and Demons." The Los Angeles Times, 26 January 1992, 4-5.

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________. "Charles Ray." Forum International, May 1992, 79-82.

Plagens, Peter. "Welcome to Manson High." Newsweek, 2 March 1992, 65-66.

Politi, Giancarlo and Helena Kontova. "Post-Human: Jeffrey Deitch's Brave New Art." Flash Art, November-December 1992, 66-68.

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________. "Documenta IX." FlashArt Italian Edition 25, 1992, cover, 56-59.

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________. "Vexed Sex." Art Issues, February 1990, 11-16.

Pincus, Robert. "Charles Ray brings art out of the Ordinary." San Diego Union, 29 July 1990, E2-E3.

Rinder, Lawrence. "The Sculpture of Charles Ray." UC Berkeley. University Art Museum Calendar, November-December 1990, 4.

Tumlir, Jan. Art Issues, November 1990, 30.

"Art around Town." 7 Days Volume 2, Number 19, 1989, 69.

"Goings on About Town." The New Yorker, 22 May 1989.

Kelley, Mike. "Foul Perfection: Thoughts on Caricature." Artforum, January 1989, 92-99.

Knight, Christopher. "Bland View of Art served at Biennial." The Los Angeles Herald Examiner, 7 May 1989, E9-E10.

Kunstadt, Theodor von. "The 1989 Whitney Biennial: A Triumphant Co-mingling of Heterogeneity and Blandness." FlashArt, Summer 1990, 139.

Levin, "Choices." The Village Voice, 16 May 1989, 48.

Myers, Terry R. Flash Art, October 1990, 134.

Rankin-Reid, Jane. "Still Trauma." Flash Art, May-June 1990.

Ray, Charles. Spazio Umano/Human Space 4, April 1989, 139-160.

Rian, Jeffery. "Past Sense, Present Sense." Artscribe International, January-February 1989, 60-65.

Schjeldahl, Peter. "The Muses on Strike." 7 Days, 17 May 1989, 67, 69.

Smith, Richard. "Tradition and Transition in Southern California Art." New Art Examiner, March 1989, 25-28.

Smith, Roberta. "Art That Hails From the Land of Déjà vu." The New York Times, 4 June 1989, C34.

Stephens, Richard. "Aspects of Our Corporeal Selves." Artweek, 12 August 1989.

Knight, Christopher. "Beneath Art's Slick, Serene Surface, Danger Lurks." Los Angeles Herald Examiner, 25 March 1988, E4.

Knight, Christopher. "Revolutionary Concept." The Los Angeles Herald Examiner, 25 March 1988, E4.

Muchnic, Suzanne. "The Galleries." The Los Angeles Times, 11 March 1988, 23.

Palmer, Laurie. Artforum, April 1988, 153.

Ray, Charles. Spazio Umano/Human Space 1, January 1988, 47-57.

Salvioni, Daniela. "Feature Gallery." FlashArt, May-June 1988, 97.

Saunders, Wade. "Los Angeles." Bomb, Winter 1988, 102-115.

Selwyn, Marc. "Los Angeles." Art & Auction, September 1988, 60-69.

________. "New Art L.A." Flash Art, Summer 1988, 111-115.

________. "Talk of the Trade: Best in the Show." Art & Auction, September 1988, 60-69.

Vangelisti, Paul. "Relating Appearances and Realities." Artweek, 26 March 1988, 5.

Clothier, Peter. "Charles Ray: Edgy Provocative Presences." ARTnews, December 1987, 97-98.

Gardner, Colin. "The Art Galleries." The Los Angeles Times, 6 March 1987, 18.

"In Defense of Literature." Frank 4, Summer-Autumn 1987, 63.

Knight, Christopher. "Beneath Arts Serene, Slick Surface, Danger Lurks." The Los Angeles Herald Examiner, 22 March 1987, E4.

Obejas, Achy. "Tub of Art." The Reader, 1 May 1987, 53-54.

Ray, Charles. "A Portfolio." Forehead 1, 1987, 86-90.

Ray, Charles. "Four Artists." Forehead 2, 1987, 82-99.

"Artist Gallery." LA Style, July 1986, 38.

Trudeau, Garry. "Doonesbury Cartoon." Los Angeles Times, 1986, 18.

"Calendar Section." NOW, 14 March 1985, 28.

Hugo, Joan. "Between Object and Persona: The Sculpture Events of Charles Ray." High Performance 30, 1985, 26-29.

McFadden, David. "Stephen Schofield, Charles Ray." Vanguard, Summer 1985.

Drohojowska, Hunter. "Pick of the Week." L.A. Weekly, 19 October 1984.

Gardner, Colin. "Four Examples of Illusion." Artweek, 27 October 1984, 1.

Norklun, Kathi. "Run That By Me Again?" Spectacle 2, 1989, 3-4.

Pincus, Robert L. "Room for Improvement in This Show." The Los Angeles Times, 6 November 1984, 5.

"Drohojowska, Hunter. "Charles Ray's Way." L.A. Weekly, 15 April 1983, 12.

High Performance 20, 1984, 48.

Blas, Parrington. "Question About Abstraction." Figaro, 27 October 1980, 28.

Ray, Charles. "New Work." New Orleans Review, Summer 1989, 180-182.

Selected Interviews

Bonami, Francesco. “Francesco Bonami Visits Charles Ray in His L.A. Studio.” Tar 4, Fall 2010, cover, 150.

Israel, Alex. “Charles Ray.” Purple 15, Spring-Summer 2011, 168-175.

Fried, Michael. “Michael Fried and Charles Ray.” Charles Ray. New York: Matthew Marks Gallery, 2010, 45-55.

Kuo, Michelle, Charles Ray, et al. "The Producers." Artforum, October 2007, 352 – 359, 402.

Kushner, Rachel. "1000 Words: Charles Ray: Talks About Hinoki, 2007." Artforum, September 2007, 438-439.

Ray, Charles. "Speaking Volumes: 19 Interviews." Art In America, November 2006, 171-2.

Estep, Jan. "Going Both Ways: An Interview with Charles Ray." New Art Examiner, July-August 1999, 20-25.

Cooper, Dennis. "An Interview with Charles Ray." Grand Street, Winter 1997, 23-34.

Barnes, Lucinda. “Interview with Charles Ray.” Charles Ray. Newport, Calif.: The Newport Harbor Art Museum, 1990, 15.