Brice Marden
Selected Bibliography


Books and Catalogues

2016
Connors, Matt, and Brice Marden. Brice Marden. New York: Matthew Marks Gallery, 2016.

2015
Brice Marden: Notebook Sept. 1964-Sept.1967. New York: Karma, 2015.

Brice Marden: Notebook Feb. 1968-. New York: Karma, 2015.

2013
Costello, Eileen. Brice Marden. New York: Phaidon, 2013.

Galvez, Paul. Brice Marden: Graphite Drawings. New York: Matthew Marks Gallery, 2013.

2012
Anfam, David. Brice Marden: Ru Ware, Marbles, Polke. New York: Matthew Marks Gallery, 2012.

2010
Weiss, Jeffrey. Brice Marden: Letters. New York: Matthew Marks Gallery, 2010.

2006
Garrels, Gary, Brenda Richardson, and Richard Shiff. Plane Image: A Brice Marden Retrospective. New York: The Museum of Modern Art, 2006.

Liebmann, Lisa. Paintings on Marble. New York: Matthew Marks Gallery, 2006.

2002
Criqui, Jean-Pierre. Attendants, Bears, and Rocks with text by Jean-Pierre Criqui. New York: Matthew Marks Gallery, 2002.

Kobayashi, Yotaro. Fuji Xerox Print Collection 1988 – 2002. Tokyo: Fuji Xerox Co., Ltd., 2002.

2000
Dickhoff, Wilfried. After Nihilism: Essays on Contemporary Art. New York: Cambridge University Press, 2000.

1999
Fischer, Peter, ed. Abstraction, gesture, écriture: Paintings from the Daros Collection. New York: Scalo, 1999.

Seidner, David. Artists’ Studios. Paris: Editions Assouline, 1999.

Siegel, Jeanne. Painting After Pollock. Amsterdam: Gordon and Breach Publishing, 1999.

1998
Kimmelman, Michael. Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere. New York: Random House, 1998.

1997
Hay, Jonathan, and Brice Marden. Chinese Work. New York: Matthew Marks Gallery, 1997.

1995
Lebensztejn, Jean-Claude. Ecrits sur l’art récent: Brice Marden, Malcolm Morley, Paul Sharits. Paris: Editions Aldines, 1995.

Rimanelli, David. Brice Marden. New York: Matthew Marks Gallery, 1995.

1996
Bann, Stephen. “A Cold Coming: Brice Marden’s Wager with Tradition.” In Robert Lehman Lectures on Contemporary Art No. 1, edited by Lynne Cooke and Karen Kelly. New York: Dia Center for the Arts, 1996.

1993
Paintings Drawings Etchings. New York: Matthew Marks Gallery, 1993.

1992
Kertess, Klaus. Brice Marden Paintings and Drawings. New York: Harry N. Abrams, Inc., 1992.

Lewison, Jeremy. Brice Marden Prints 1961 – 1991, A Catalogue Raisonné. London: Tate Gallery Publications, 1992.

Richardson, Brenda. Brice Marden, Cold Mountain. Houston: Houston Fine Art Press, 1992.

1991
Bastian, Heiner. Cold Mountain Studies. Munich, Paris, London: Schirmer/Mosel, 1991.

Steir, Pat, and Brice Marden. Recent Drawings and Etchings. New York: Matthew Marks Gallery, 1991.

1984
Reporter’s Notebook: Drawings Made in Greece, Summer 1981. New York: Pace Gallery Publications, 1984.

1978
Nodelman, Sheldon. Marden, Novros, Rothko: Painting in the Age of Actuality. Houston: Institute for the Arts, Rice University, 1978.

1974
Suicide Notes. Lausanne, Switzerland: Editions des Massons s.a., 1974.


Selected Articles

2016
Schwabsky, Barry. "Brice Marden," Artforum. March 2016, p. 272.

2015
"Brice Marden," The New Yorker. November 13, 2015, p. 16.

Francis, Emmie. "Paint to End Painting." The Paris Review, November 13, 2015.

2014
Marden, Mirabelle. "Brice Marden." Interview, December 2014 - January 2015, 114-125, 188.

2012
Goodman, Jonathan. "Eastern Promise: Brice Marden at Matthew Marks." ArtCritical, April 12, 2012.

Martin, Alison. "New Brice Marden works at Chelsea gallery." Examiner, April 17, 2012.

Peck, Aaron. "Critics' Picks: Brice Marden." Artforum, May 13, 2012.

Spence, Rachel. "Painting that could cure diseases." Financial Times, May 19, 2012, 10.

Vogel, Carol. "Week Ahead: Brice Marden." The New York Times, April 15, 2012, A4.

2011
Frederick, Jeff. “Letters from a Painter.” Art in America, January 2011, 98-101.

“The Center gets minimal.” Idaho Mountain Express Online, July 22, 2011.

2010
"Brice Marden." The New Yorker. November 22, 2010, 34.

Collings, Matthew. "Kommt mal runter." Monopol, December 2010, 52-58.

Johnson, Ken. "Brice Marden." The New York Times, November 12, 2010, C30.

2009
Cotter, Holland. "Gaze East and Dream." The New York Times, January 30, 2009, C29 & C33.

Gómez, Edward. "Altered States." Art in America, April 2009, 59-65.

Singer, Fanny. "Marden." The Print Quarterly, June 2009, 195-198.

Solomon, Andrew. "The Third Mind." Artforum, September 2009, 286.

2007
Anfam, David. “Brice Marden.” Artforum, January 2007, 242-243.

Levin, Kim. “Brice Marden.” Artnews, January 2007, 128.

2006
Ayers, Robert. “Brice Marden.” Art & Auction, December 2006, 56-60.

Baechler, Donald. “The Artists’ Artists.” Artforum, December 2006, 115.

Cohen, David. “A Non-Linear Path.” The New York Sun, October 26, 2006, 11.

Dorment, Richard. "Journey from 'Nebraska.'" The New York Review of Books, December 21, 2006, 8-14.

Grosz, David. “Equal Parts Intuition and Doubt.” The New York Sun, October 19, 2006, 1, 26.

Isenberg, Barbara. “For Marden, Seeing is Creating.” The Los Angeles Times, October 15, 2006, E37.

Loos, Ted. “A Subtle Sense of Place.” The New York Times, October 29, 2006, 36.

Mahoney, Robert. “Brice Marden: This is What Things Are About.” Flash Art, November/December 2006, 104-107.

Marto, Karen. “The Lay of the Land.” Culture & Travel, September/October 2006, 128-131.

Ofili, Chris with Brice Marden. “Painters Painting.” Artforum, October 2006, cover, 218, 225, 286.

Plagens, Peter. “An Old School Radical.” Newsweek, October 30, 2006, 58-59.

Rosenberg, Karen. “Taking the Long View.” New York Magazine, September 4-11, 2006, 62-64.

Saltz, Jerry. "The Brice is Right." The Village Voice, December 12, 2006.

Schjeldahl, Peter. “True Colors.” The New Yorker, November 6, 2006, 130.

Smith, Roberta. “The Man Who Persevered When Painting Stalled.” The New York Times, October 27, 2006, 29, 32.

Stevens, Mark. “The Big Chill.” New York Magazine, November 6, 2006, 360-365.

2005
Glueck, Grace. “Art in Review; Theme and Variations.” The New York Times, October 28, 2005.

2004
Godfrey, Mark. “Dimensions Variable.” Frieze, August 2004, 117-121.

Karmel, Pepe. “The Year of Living Minimally.” Art in America, December 2004, 90-101, 149.

Loos, Ted. “Brush with Frame.” Town & Country, August 2004, 64.

Yau, John. “Drawing a New Line.” Art on Paper, January/February 2004, 56-61.

2002
Aletti, Vince. “Best of 2002.” Artforum, December 2002, 112-113.

Baird, Daniel. “Attendants, Bears, and Rocks: Brice Marden at the Matthew Marks Gallery.” The Brooklyn Rail, August/September 2002, 10-11.

Burton, Johanna. “Brice Marden: Attendants, Bears, and Rocks.” Time Out New York, June 13-20, 2002, 56.

Bussagli, Marco. “In Vetrina le carte espressive di Marden.” Avvenire, January 20, 2002.

Clerici, Dedi Ferrari. “Un artista moderno nell’Antica Stamperia.” Esperienza, February 2002.

Coen, Ester. “Marden, Alla ricerca della purezza con l’energia emotiva del segno.” La Repubblica, January 21, 2002.

Corbett, William. “From Boston University, A Look East.” ArtsMedia, February 15 -March 15, 2002, 10-13.

Curto, Guido. “Marden, astrattista lirico che guarda alla grecia classica.” Torino Sette (LaStampa), March 8-14, 2002.

Faxon, Alicia. “Boston: Looking East: Brice Marden, Michael Mazur, Pat Steir.”
Art New England, June/July 2002, 31-32.

Franceschetti, Gianni. “I calligrammi de Brice Marden.” Rinascita, January 4, 2002.

Green, Hope. “Bringing the East to the West Where the Twain Meet in Art.”
Boston University Bridge, February 1, 2002, 12.

Kernan, Nathan. “Exhibition Review.” Burlington Magazine, August 2002, 519-520.

“Kurze Wege.” Kreiszeitung Syker Zeitung, August 9, 2002.

Lambertini, Luigi. “Guardando all’oriente.” Corriere della Sera, January 7, 2002.

Lazzarino, Silvana. “Brice Marden, disegni e incisioni al confine tra realtà e fantasia.” Il Giornale, January 28, 2002.

Lüddemann, Stefan. “Schaltplan der Weltkultur.” Neue Osnabrücker Zeitung, July 4, 2002.

Matuszczyk, Franz. “Brice Marden: Das bewusste Werden des Ganzen.” Die Glocke, June 6, 2002.

McQuaid, Cate. “Capturing Eastern Spirit in a Spectacle of Paint.” The Boston Globe, January 24, 2002, D1, D8.

Müller, Sabine. “Die Nase voll von schwarzen Quadraten.” Ruhr-Nachrichten, June 6, 2002.

Naves, Mario. “An Excess of Refinement.” New York Observer, June 3, 2002, 20.

Newhall, Edith. “Body Painting (Brice Marden at Matthew Marks Gallery).”
New York Magazine, May 6, 2002, 91.

Paglieri, Marina. “L’arte di due metropolis per un omaggio a Marden.” La Repubblica, March 13, 2002.

Positano, Anna Maria. “Brice Marden: Works on Paper 1964 – 2001. Istituto Nazionale per la Grafica.” Art on Paper, September/October 2002, 99.

Rose, Andrea. “Die Liebe des Künstlers zum Detail.” Westfälische Nachrichten, June 6, 2002.

Saltz, Jerry. “Circuit Party, Brice Marden’s Subway Maps from Shangri-La.”
The Village Voice, June 4, 2002, 65.

Schjeldahl, Peter. “Into the Rainbow, Brice Marden’s Abstractions.” The New Yorker, June 3, 2002, 96-97.

Siegel, Katy. “Brice Marden.” Artforum, September 2002, 204-205.

Smith, Roberta. “A Profusion of Painting, Very Much Alive.” The New York Times, May 10, 2002, E31, E43.

Stevens, Mark. “Skin Deep (Brice Marden at Matthew Marks Gallery).” New York Magazine, May 27, 2002, 48.

“Vier Mal Landesmuseum.” Westfälische Nachrichten, July 12, 2002.

von Hase, Bettina. “Full Beam.” Art Review, March 2002, 66-71.

Weis, Matthias. “Papiergesten.” Westfälischer Anzeiger, June 27, 2002.

2001
Blanc, Dominique. “Quand les artistes collectionnant.” Oeil, July/August 2001, 60-67.

Bruschi, Valentina. “Marden, tra classicità e filosofia Zen.” Il Messaggero, December 23, 2001.

Civello, Renato. “L’opera grafica da Brice Marden.” December 30, 2001.

Goodman, Wendy. “A Lofty Marriage.” New York Magazine, April 9, 2001, 47–53.

Loyaute, Benjamin. “Avignon: Collections d’artistes.” Connaissance des Arts, July/August 2001, 17.

Mario de Candia. “Astria minimali una vetrina su Marden.” Trovaroma, December 7, 2001.

Pratesi, Ludovico. “Brice Marden, 40 anni d’arte Usa in settanta disegna.” La Repubblica, December 14, 2001.

Salustri, Marco. “Vetrine all Calcografia, arriva Marden.” Il Tempo, December 14, 2001.

Sassi, Edoardo. “Il lato lugubre di Marden.” Corriere della Sera, December 29, 2001.

2000
Baker, Kenneth. “Method to His Monochromes.” San Francisco Chronicle, February 2, 2000, C1, C3.

“Brice Marden.” Das Kunstmagazin, December 2000, 26.

Cappellazzo, Amy. “A Modern Master Comes to Miami.” Ocean Drive, January 2000, 280-281.

Carroll, Sandi. “Marden Finds Life of Art a Joy.” New Smyrna Beach Observer, January 26, 2000, 11, 3A.

Cork, Richard. “Richard Cork’s Choice: Brice Marden.” The Times, November 18, 2000, 27.

Criqui, Jean-Pierre. “Handmade’s Tale, International Shorts Preview.” Artforum, September 2000, 77.

Cumming, Laura. “The Brice is Right: After a 20 Year Gap, Brice Marden’s Abstracts Go on Display in London. About Time.” The Observer, November 19, 2000, 10.

Darwent, Charles. “Shy, Assertive, Even Lonely, His Wiggly Lines Are Moody Trails; Brice Marden Serpentine Gallery, London.” The Independent on Sunday, November 26, 2000, 5.

Dorment, Richard. “One Look and You Feel You Could Look Forever.” The Daily Telegraph, November 15, 2000, 26.

Glover, Michael. “Abstraction’s Rich Possibilities . . .” The Independent, November 21, 2000, 10.

Goedhuis, Michael. “Michael Goedhuis Talks to Brice Marden.” Asian Art News, March 2000, 16-18.

Gregg, Gail. “An Offhand Sublime.” Artnews, March 2000, 130-133.

Hackworth, Nick. “Toeing A New Line, Brice Marden, Serpentine Gallery.” The Evening Standard, November 23, 2000.

Hay, David. “The Scene Heats Up Under the Miami Sun.” The New York Times, February 27, 2000, Arts and Leisure, I51, I52.

Hemming, Sarah. “Brice Marden, Serpentine Gallery.” Daily Express, November 17, 2000.

Kent, Sarah. “Line Dancing, A Decade of Brice Marden’s Spiky Abstracts.” Time Out London, November 29 - December 6, 2000, 57.

Lambirth, Andrew. “Weaving Like A Serpent.” Royal Academy Magazine, Winter 2000.

McEwen, John. “Nature Makes the Abstract Seem Almost Natural.” Sunday Telegraph Review, December 3, 2000, 8.

Packer, William. “Curls and Loops Wriggle Their Way.” Financial Times, November 28, 2000, 13.

Searle, Adrian. “Give Us A Swirl . . . ” The Guardian, November 21, 2000, 12.

Hamlin, Jesse, and James Sullivan. “It’s Party Time at Yerba Buena and SF MoMA.” San Francisco Chronicle, January 31, 2000, D3.

Taylor, Tanis. “Art, Brice Marden (Serpentine Gallery).” Metro, November 17, 2000.

Thomas, Mary. “Marden’s Meditative Side Shines in Vibrant Exhibit at Carnegie.” Pittsburgh Post-Gazette, May 13, 2000, B10.

Wilson, Ellen S. “An Artist Reinvents Himself: Brice Marden, Work of the 1990s.” Inside Carnegie, May/June 2000, 16.

Wood, Tony. “A Twist Away from the Edge (Brice Marden at the Serpentine Gallery).” The Times Literary Supplement, December 8, 2000, 20.

1999
“Brice Marden, Works of the 1990s: Paintings, Drawings, and Prints (Hirshhorn Museum and Sculpture Garden.” Journal of the Print World, Summer, 1999, 21.

Cohen, David. “New York and Washington: Brice Marden.” Burlington Magazine, August 1999, 504-506.

Cotter, Holland. “Monumental Pleasure in a Capital of Art Treasures.” The New York Times, August 6, 1999, E37, E39.

Dietsch, Deborah K. “Forward Motion.” South Florida Sun-Sentinel, December 19, 1999, D1, D10.

Koldehoff, Stefan. “Georg Baselitz, Cy Twombly, Brice Marden, Sigmar Polke.” Das Kunstmagazin, December 1999, 22-27.

Kutner, Janet. “Strokes of Genius.” The Dallas Morning News, February 12, 1999, 57.

———. “Marden Explores Brushes with Freedom.” The Dallas Morning News, February 14, 1999, C1, C10.

———. “Marden Show Gives DMA a Welcome Jolt of the Current.” The Dallas Morning News, February 21, 1999, C7.

Mason, Brook S. “Marden’s Momentum.” Artnews, June 1999, 66.

Naves, Mario. “Five Painters (Brice Marden Drawings at the Whitney Museum of American Art).” New Criterion, February 1999, 48-52.

O’Sullivan, Michael. “What you Make of It – and More.” The Washington Post, June, 51.

Richard, Paul. “Putting It All on the Lines.” The Washington Post, May 30, 1999, G1, G10.

Richardson, Brenda. “What Happens When A Revered Minimalist Radically Changes?" Vogue, February 1999, 154, 156.

Richardson, John. “Brice Marden’s Abstract Heart.” Vanity Fair, May 1999, 168-177, 201-203.

Shiff, Richard. “Brice Marden, Dallas Museum of Art.” Artforum, May 1999, 173.

Schwabsky, Barry. “Brice Marden, Work of the 1990s (at the Dallas Museum of Art).” Artforum, January 1999, 47.

Spagnesi, Licia. “Marden: la mia Danza con le Muse.” Arte, April 1999, 106-109.

Turner, Elisa. “Accomplished Abstract Career Comes into Focus.” Miami Herald, December 19, 1999, M5.

Tyson, Janet. “Poetry in Paint.” Fort Worth Star-Telegram, February 23, 1999, E1, E2.

Weil, Rex. “Brice Marden, Hirshhorn Museum and Sculpture Garden.” Artnews, November 1999, 197.

1998
Cotter, Holland. “Exhibitions in the Boston Area (Brice Marden at the Fogg Art Museum).” The New York Times, August 7, 1998, E33.

Hayt, Elizabeth. “Brash American Intruders Amid l’Élégance.” The New York Times, January 25, 1998, 41, 46.

Mundy, Michael. “Mogul Home (Peter Morton).” W Magazine, October 1998, 374.

Tuchman, Phyllis. “Behind the Lines, The Art and Spirit of Brice Marden.” Bostonia, Spring 1998, 15-19.

Vogel, Carol. “Building a Collection (Whitney Museum of American Art).” The New York Times, October 30, 1998, E32.

1997
Bryson, Norman. “XLVII Venice Biennale.” Art/Text, November 1997 - January 1998, 32-35.

“Brice Marden (at Kunstverein, München).” Architectural Digest, June/July 1997.

“Brice Marden (at Matthew Marks Gallery).” The New Yorker, June 9, 1997, 24.

Gilbert-Rolfe, Jeremy. “Editor’s Choice, Brice Marden’s ‘The Muses’ at the Venice Biennale.” BOMB Magazine, Fall 1997, 18.

Gopnik, Adam. “The Repressionists.” The New Yorker, July 14, 1997, 86-88.

Reginato, James. “Marden’s Retreat.” W Magazine, November 1997, 246-253.

Shone, Richard. “Venice Biennale and Other Exhibitions.” Burlington Magazine, September 1997, 651-653.

Trepp, Judith. “Brice Marden, Winterthur Kunstmuseum.” Artnews, November 1997, 241.

1996
Desai, Vishakha N. “Reorienting Ourselves to Asian Art.” Artnews, November 1996, 152.

Jones, Ronald. “Brice Marden.” Frieze, February 1996, 73-74.

Levin, Kim. “Brice Marden (at Matthew Marks Gallery).” The Village Voice, January 16, 1996, 8.

Rosenblum, Robert. “Painters’ Drawings.” Architectural Digest, October 1996, 164.

Schwabsky, Barry. “Brice Marden (at Matthew Marks Gallery).” Artforum, January 1996, 80.

Wei, Lilly. “Brice Marden at PaceWildenstein and Matthew Marks.” Art in America, March 1996, 95.

1995
Busse, Klaus-Peter. “’I am Nature,’ Forms of Interpretation of Nature III, Brice Marden.” Kunst + Unterricht, June 1995, 10-11.

Karlins, N.F. “Snail Trails Across Flagstones: The Latest Work of Brice Marden.” The Westsider, December 28, 1995 - January 3, 1996, 13.

Karmel, Pepe. “Alternative Versions II.” The New York Times, February 17, 1995, C30.

Kertess, Klaus. “The Art of the Matter: Curating the Whitney Biennial,” interview by Jack Bankowsky, Artforum, January 1995, 66-71, 104, 109.

Koepplin, Dieter. “Zu Ende gezeichnet.” Basler Magazin, July 8, 1995, 9.

Lewis, Jim. “Maximum Marden.” Bazaar, October 1995, 270-272, 290, 294.

Mitchell, Deborah. “The Brice of Fame.” Vanity Fair, December 1995, 13.

Plagens, Peter. “The Impossible Exhibition (1995 Biennial at the Whitney Museum of American Art).” Newsweek, April 3, 1995, 68.

Siegel, Jeanne. “Brice Marden, Art and Place, ‘Souvenir de Grèce.’” Art International/Art Today, September/October 1995, 71-82.

Smith, Roberta. “Brice Marden (at Matthew Marks Gallery).” The New York Times, November 17, 1995, C28.

Stein, Karen. “Brice Marden (at Matthew Marks Gallery).” New York Magazine, September 11, 1995, 60-61.

Varnedoe, Kirk, with Franceso Clemente, Brice Marden, and Richard Serra. “Cy Twombly: An Artist’s Artist.” Res, Autumn 1995, 163-180.

“Whitney Biennial.” Atelier, July 1995, 2-18.

Wylie, Charles. “Brice Marden: ‘Uxmal,’ 1992-1993.” St. Louis Art Museum Bulletin, Winter 1995, 32-33.

Yablonsky, Linda. “Brice Marden (at Matthew Marks Gallery).” Time Out New York, October 25 – November 1, 1995.

1994
Gardner, Paul. “‘Call It a Mid-Life Crisis.’” Artnews, April 1994, 140-143.

Hofleitner, Johanna. “Brice Marden: Weiner Secession, Vienna.” Flash Art, Summer 1994, 134.

Lorent, Claude. “Dématérialisation spatialiste de Marden à Meyer.” Art & Culture, April 1994, 22-23.

Zaya, Octavio. “El proceso creativo entrevista con Brice Marden.” Atlantica, Spring 1994, 34-39.

1993
Bass, Ruth. “Brice Marden (at Matthew Marks Gallery).” Artnews, September 1993, 169.

Drolet, Owen. “Brice Marden, Matthew Marks Gallery.” Flash Art, October 1993, 86.

Fernandez-Santos, Elsa. “El Reina Sofia abre el ano artístico con 74 obras de Brice Marden inspiradas en China.” El País, January 13, 1993.

Hindry, Ann. “Brice Marden, les rigueurs de couleur.” Beaux-Arts Magazine, June 1993, 44-49.

Kimmelman, Michael. “Brice Marden, Matthew Marks Gallery.” The New York Times, May 21, 1993.

Mead, Andrew. “A Full Emptiness, Klaus Kertess’s Brice Marden: Paintings and Drawings.” Modern Painters, Spring 1993, 107.

Pearl, Jed. “Mostly Marden.” The New Criterion, September 1993, 60-63.

1992
“Brice Marden, ‘Cold Mountain Series Zen Studies 1-6.’” Print Collectors Newsletter, January/February 1992, 211-215.

Burn, Guy. “Brice Marden, Tate Gallery, London.” Arts Review, April 1992, 106.

Cuvelier, Pascaline. “Des projecteurs, des chiffres, des tortillons. . .et quelques batons.” Liberation, July 24, 1992.

“The Documenta of the Dog.” Art in America, September 1992, 88-89.

Dorsey, John. “Brice Marden’s Point of View.” Baltimore Sun, October 25, 1992.

———. “Retrospective shows Brice Marden’s Many Artistic Styles.” Baltimore Sun, October 27, 1992.

Francis, Richard. “Brice Marden, Tate Gallery, London.” Burlington Magazine, May 1992, 321-322.

Gilmour, Pat. “The Prints of Brice Marden.” Print Collector’s Newsletter, May/June 1992, 49-52.

Gopnik, Adam. “What Comes Naturally (Brice Marden at Dia Center for the Arts).” The New Yorker, July 20, 1992, 66-69.

Kuspit, Donald. “Brice Marden, Dia Center for the Arts.” Artforum, January 1992, 97-98.

Mahoney, Robert. “Brice Marden/Dia Center for the Arts.” Flash Art, January/February 1992, 129.

Marchand-Kiss, Christophe. “Brice Marden, Portrait.” Beaux-Arts Magazine, July/August 1992, 91-93.

Richard, Paul. “Caught in the Mirror of a Black Square.” The Washington Post, November 27, 1992.

Richardson, Brenda. “Heart Print: Brice Marden’s ‘Cold Mountain’ Paintings.” Tricycle: The Buddhist Review, Fall 1992, 58-63. (Excerpted from Brice Marden, Cold Mountain. Houston: Houston Fine Art Press, 1992).

Spears, Dorothy. “Brice Marden.” Arts, January 1992, 63.

Westfall, Stephen. “Marden’s Web.” Art in America, March 1992, 95-99.

Yau, John. “Brice Marden’s Cold Mountain: Drawing from Pollock.” Artspace, January/April 1992, 48-50.

1991
Anfam, David. “Brice Marden at Matthew Marks.” Burlington Magazine, August 1991, 570.

“Art: Brice Marden (‘Grove Group’ at Gagosian Gallery).” The New Yorker, February 4, 1991, 9.

Gardner, Paul, ed. “What Artists Like About the Art They Like When They Don’t Know Why (Pat Steir on Brice Marden).” Artnews, October 1991, 116-121.

Gookin, Kirby. “Brice Marden, Gagosian Gallery.” Artforum, April 1991, 119-120.

Handy, Ellen. “New York in Review: Brice Marden (at Matthew Marks).” Arts, October 1991, 92.

Hirsch, Faye. “Brice Marden, Gagosian Gallery.” Arts, April 1991, 76.

Hughes, Robert. “Lines That Go for a Walk.” Time Magazine, November 4, 1991, 96-97.

Kertess, Klaus. “Painting Hot Staying Cool.” Elle, November 1991, 118-122.

Kimmelman, Michael. “Brice Marden Reveals His Connections.” The New York Times, April 14, 1991, 35.

———. “Brice Marden.” The New York Times, May 24, 1991, 26.

Larson, Kay. “Art (Brice Marden at Matthew Marks Gallery).” New York Magazine, June 10, 1991, 65-66.

———. “Different Strokes,” New York Magazine, October 21, 1991, 74-83.
(reprinted in Japanese in Atelier, February 1992, 46-56).

———. “Far Out (Brice Marden at Gagosian Gallery).” New York Magazine, February 25, 1991, 111-113.

———. “Six Threads.” Atelier, October 1991, 39-44.

Maschke, Kathy L. “The Revelation of Brice Marden: Designs for the Stained Glass Windows of the Basel Cathedral.” Glass Magazine, Summer 1991, 28-35.

Rubenstein, Meyer Raphael. “Brice Marden.” Artnews, September 1991, 123.

Schjeldahl, Peter. “Out of Yourself.” The Village Voice, November 12, 1991, 104.

Smith, Roberta. “Brice Marden Moves Ahead by Turning Back.” The New York Times, October 20, 1991, 37.

———. “Revisiting the 70s in Brice Marden’s ‘Grove Group.’” The New York Times, January 18, 1991, C28.

Spitz, Bob. “Different Strokes.” Mirabella, November 1991, 95-96.

Taylor, Paul. “Marden’s Metamorphosis.” Connoisseur, October 1991, 20-25, 108-111.

Tuchman, Phyllis. “Marden’s Latest Abstracts Achieve Unusual Animation.” New York Newsday, June 14, 1991, 80.

Yau, John. “Brice Marden, Shell Drawings, Venus.” Grand Street, no. 40, 1991, 65-81.

1990
Bell, Tiffany. “Les peintures monochromes de Robert Mangold et Brice Marden.” Artstudio, Spring 1990, 98-107.

Cohen, Ronny. “Minimal Prints.” Print Collector’s Newsletter, May/June 1990, 42-46.

DeLynn, Jane. “Traditional Life, Non-Traditional Art: Helen and Brice Marden.” Avenue, February 1990, 72-73.

Moritz, Charles, ed. “Brice Marden.” Current Biography, August 1990, 42-45.

Russell, John. “No, the Louvre Wasn’t Broke, but Fixing It Is a Fine Idea.” The New York Times, August 5, 1990, 29, 31.

Yarrow, Andrew L. “Minimalism and the Guggenheim.” The New York Times, February 17, 1990, I15.

1989
Clark, Vicky A. “Post-Modernism in the 1988 International.” Carnegie Magazine, July/August 1989, 12-16.

Endres, Uela. “Brice Marden, Galerie Werner, Cologne.” Das Kunstwerk, September 1989, 93.

Loock, Ulrich. “Brice Marden-Plane Image.” Artis, November 1989, 30-35.

Winter, Peter. “Cologne-Dusseldorf: Corrective Measures.” Art International, Autumn 1989, 59-62.

Yau, John. “Making His Mark.” Vogue, July 1989, 190-95.

1988
Adams, Brooks. “Un Leger pour les années 80.” Art Press, July/August 1988, 4-9.

Batchelor, David. “Brice Marden, Anthony D’Offay.” Artscribe, November/December 1988, 4-9.

Brenson, Michael. “Brice Marden’s Webs in Action over a Void.” The New York Times, April 15, 1988, C29.

Ellis, Stephen. “Brice Marden at Mary Boone.” Art in America, June 1988, 157-158.

McGeown, Martin. “Brice Marden, Galerie Anthony d’Offay,” Art Press, July 1988, 78.

Yau, John. “Brice Marden.” Flash Art, October 1988, 92-95.

1987
Bann, Stephen. “Brice Marden: Vom Materiellen zum Immateriellen.” Kunstforum International, March/April 1987, 170-176. (Reprinted from Brice Marden: Paintings, Drawings, Etchings 1975 – 1980. Amsterdam: Stedelijk Museum, 1981)

Caley, Shaun. “Brice Marden, Mary Boone Gallery.” Flash Art, Summer 1987, 92.

Cameron, Dan. “Seven Types of Criticality.” Arts, May 1987, 14-17.

Draxler, Helmut. “Vienna: ‘Abstrakte Malerie,’ Galerie Nachst St. Stephan.” Artforum, May 1987, 163.

Flam, Jack. “Old Artists, New Styles.” Wall Street Journal, March 25, 1987, 28.

Mahr, Peter. “European and American Abstract Painting, Nachst St. Stephan.” Artscribe, March/April 1987, 89-90.

Poirer, Maurice. “Brice Marden, Mary Boone.” Artnews, Summer 1987, 201-202.

Schiess, Robert. “Glasscheiben fur das Basler Munster: ein Sterben auf Amtswegen.” Kunst-Bulletin des Schweizerischen Kunstvereins, December 1987, 16-19.

Schwabsky, Barry. “Brice Marden, Mary Boone.” Artscribe, September/October 1987, 77-79.

Smith, Roberta. “Art: New Oil Paintings by Brice Marden at Boone.” The New York Times, March 20, 1987, C23.

Yau, John. “Brice Marden, Mary Boone Gallery.” Artforum, Summer 1987, 118.

1986
Bell, Tiffany. “Drawing with Respect to Painting.” Arts, June 1986, 123-124.

Brenson, Michael. “They Seek Spiritual Meaning in an Age of Skepticism.” The New York Times, May 11, 1986, 2, 37, 41.

Christoph, Horst. “Die Leibe zur geometrie.” Profil, November 10, 1986, 88-89.

Hindry, Ann. “Brice Marden: l’orée du tableau.” Artstudio, Summer 1986, 48-55.

Madoff, Steven Henry. “The Return of Abstraction.” Artnews, January 1986, 80-85.

Wilson, William. “A MoCA Show to Hold Your Breath By.” The Los Angeles Times, June 22, 1986, 110.

1985
Harris, Susan A. “Brice Marden.” Arts, January 1985, 40.

Hughes, Robert. “Careerism and Hype Amidst the Image Haze.” Time Magazine, June 17, 1985, 78-83.

Imhoff, Paul. “Neue Glasfenster für Basler Münster: Welcher Kunstler bekommt den Auftrag?” Basler Zeitung, July 24, 1985, 17.

Liebmann, Lisa. “Brice Marden-The ‘Duse’ of Minimalism.” Parkett, no. 7, 1985, 37-44.

Meyer, Franz. “Brice Marden’s Design for Stained Glass.” Parkett, no. 7, 1985, 44-49.

Pellizzi, Francesco. “For Brice Marden: Twelve Fragments on Surface (and Some Afterthoughts).” Parkett, no. 7, 1985, 50-63.

Poirer, Maurice. “Color-Coded Mysteries.” Artnews, January 1985, 52-61.

Ratcliff, Carter. “How to Study the Paintings of Brice Marden.” Parkett, no. 7, 1985, 22-36.

Raynor, Vivien. “An Invitational (Condeso/Lawler Gallery).” The New York Times, July 26, 1985, C22.

Ricard, Rene. “An Art of Regret.” Artforum, Summer 1985, 86-91.

Russell, John. “Modern Art Museums: The Surprise is Gone.” The New York Times, August 4, 1985, 2, 125.

Schjeldahl, Peter. “98A Boundary Road.” House and Garden, June 1985, 136-139, 210.

Storr, Robert. “Brice Marden: Double Vision.” Art in America, March 1985, 118-125.

1984
Migayrou, Frédéric. “Brice Marden: Les Tonalités du Contact.” Artistes, October 1984, 4-15.

Russell, John. “Art: Brice Marden’s Building Blocks of Color.” The New York Times, October 12, 1984, C22.

1983
Baker, Kenneth. “The Elective ‘Affinities’: Taking Stock of Anti-Expressionism.” The Boston Phoenix, June 21, 1983, 3, 5.

Henry, Gerrit. “Brice Marden, Pace.” Artnews, January 1983, 20-22.

Price, Aimée Brown. “Artist’s Dialogue: A Conversation with Brice Marden.” Architectural Digest, May 1983, 50, 54, 58-59.

“Prints and Photographs Published.” Print Collectors Newsletter, September/October 1983, 144.

Ratcliff, Carter. “Manet et l’Amerique.” Art Press, July/August 1983, 20-22.

Smith, Roberta. “Reductivism Redux.” The Village Voice, February 22, 1983, 89.

Storr, Robert. “Brice Marden at the Pace Gallery.” Art in America, January 1983, 120-121.

1982
Millberg, Steve. “What’s an Art Gallery Doing in this Factory?” Omaha-World Herald, December 12, 1982, 4, 6-7, 11.

Russell, John. “Art: Marden on Marble, on Canvas and on Paper.” The New York Times, November 12, 1982, C20.

Smith, Roberta. “Abstraction: Simple and Complex.” The Village Voice, November 23, 1982, 106.

1981
Bumpus, Judith. “Brice Marden: Paintings, Drawings and Prints 1974-80.” Connoisseur, May 1981, 14.

Cork, Richard. “Art on Show.” New Standard, June 11, 1981, 18.

Frank, Elizabeth. “Brice Marden at Pace.” Art in America, January 1981, 123-124.

French-Frazier, Nina. “Brice Marden.” Art International, January/February 1981, 140-142.

Gilmour, Pat. “Brice Marden, Whitechapel Art Gallery.” Art Review, May 22, 1981, 215.

Godfrey, Tony. “Brice Marden at the Whitechapel.” Artscribe, June 1981, 57.

Januszczak, Waldemar. “Brice Marden, Whitechapel Art Gallery.” The Guardian, May 20, 1981.

Lucie-Smith, Edward. “London Letter: Brice Marden.” Art International, August/September 1981, 70-72.

McEwen, John. “Par Excellence.” Spectator, June 13, 1981, 111-131.

Petzal, Monica. “Brice Marden, Robert Mangold.” Art Monthly, June 1981, 10-11.

Phillips, Antonia. “Squares for the Spirit: Brice Marden, Whitechapel Art Gallery.” The Times Literary Supplement, June 12, 1981, 670.

Ratcliff, Carter. “Mostly Monochrome.” Art in America, April 1981, 111-131.

Zutter, Jorg. “Brief aus den Niederlanden: Kunst als Resultat Kultureller und Politischer Energien.” Kunstforum International, May/August 1981, 341-345.

1980
“Art & Language I: Brice Marden, Over J. Gilbert-Rolfe’s ‘Brice Marden’s Schilderkunst,’ (Artforum, Oktober 1974).” Museumjournaal, August 1980, 200-209.

Ashbery, John. “Art: Brice Marden.” New York Magazine, October 13, 1980, 60.

Cavaliere, Barbara. “Brice Marden: Pace.” Arts, December 1980, 54-55.

Foster, Hal. “Brice Marden, Pace Gallery.” Artforum, December 1980, 72-73.

Hale, Niki. “Marden’s Greek Landscape: Minimalist Lay of the Land.” Art/World, October 17 - November 14, 1980, 1, 13.

———. “Of a Classic Order: Brice Marden’s ‘Thira.’” Arts, October 1980, 152-153.

Kramer, Hilton. “Brice Marden (The Pace Gallery).” The New York Times, October 10, 1980, C24.

Larson, Kay. “Avant to Be in Style.” The Village Voice, October 8-14, 1980, 85.

Lebensztejn, Jean-Claude. “Mumû: autour de cinq ‘Annonciations’ de Marden.” Avant-Guerre sur l’art etc., no. 1, 1980, 9-20.

Staniszewski, Mary Anne. “Brice Marden (The Pace Gallery).” Artnews, December 1980, 190.

Zimmer, William. “Brice Marden, Pace Gallery.” SoHo Weekly News, October 15-21, 1980, 78.

1979
Buonagurio, Edgar. “Brice Marden.” Arts, February 1979, 32.

Godfrey, Tony. “The Human Presence in Recent Abstract Painting.” Aspects, Autumn 1979.

Keeffe, Jeffrey. “Generation.’ Susan Caldwell Gallery,” Artforum, May 1979, 60-61.

Lawson, Thomas. “Painting in New York: An Illustrated Guide.” Flash Art, October/November 1979, 4-11.

Leder, Dennis. “Five Annunciations.” America, February 3, 1979, 74-75.

“Prints and Photographs Published.” Print Collectors Newsletter, November 1979, 162.

1978
Ashbery, John. “A Few Choice Openings: Brice Marden.” New York Magazine, October 2, 1978, 130.

Bell, Jane. “Brice Marden (The Pace Gallery).” Artnews, November 1978, 183-84.

Cavaliere, Barbara. “Art Reviews: Brice Marden (The Pace Gallery).” Arts, December 1978, 22-23.

Gibson, Eric, “Brice Marden, The Pace Gallery.” Art International, November/December 1978, 69-70.

Kasher, Steven. “The Substance of Paper.” Artforum, March 1978, 26-28.

Zimmer, William. “Vehicles for Rare Color.” SoHo Weekly News, October 5, 1978, 96.

1977
Betz, Margaret. “New Editions.” Artnews, September 1977, 104.

“Brice Marden, ‘Five Threes.’” Print Collector’s Newsletter, November/December 1978, 145.

Findley, Elizabeth. “All Life’s Stages Intriguing to Him.” Providence Sunday Journal, November 27, 1977, H9.

Larson, Philip. “Aquatints Again.” Print Collector’s Newsletter, July/August 1977, 61-65.

1976
Ashbery, John. “A Few Choice Openings (Brice Marden at Pace).” New York Magazine, October 2, 1976, 130.

Bann, Stephen. “Adriatics à propos of Brice Marden.” 20th Century Studies, December 1976, 116-29.

Bourdon, David. “Art: Brice Marden.” The Village Voice, April 19, 1976, 104.

Kutner, Janet. “The Visceral Aesthetic of a New Decade’s Art,” Arts, December 1976, 100-103.

Perrone, Jeff. “Brice Marden, Sperone Westwater Fischer.” Artforum, June 1976, 65-66.

Robins, Corinne. “Empty Paintings.” SoHo Weekly News, April 22, 1976, 19, 20.

Russell, John. “Brice Marden (Sperone Westwater Fischer Gallery).” The New York Times, April 10, 1976, 13.

Sargent-Wooster, Ann. “Brice Marden (Sperone Westwater Fischer Gallery).” Artnews, Summer 1976, 177.

Smith, Roberta. “Drawing Now (and Then).” Artforum, April 1976, 52-59.

1975
Battcock, Gregory. “Art in America: Confusione.” Domus, March 1975, 55.

Blok, Cor. “Holland.” Studio International, July/August 1975, 74-75.

Bourdon, David. “You Can’t Tell a Painter by His Colors.” The Village Voice, March 24, 1975, 94.

Bremer, Nina. “Brice Marden.” Pantheon, July/August/September 1975, 276.

Crichton, Fenella. “Hester van Royen Gallery, London: Exhibit.” Art International, April 1975, 39-40.

Davis, Douglas. “Keeping the Eye Busy.” Newsweek, March 31, 1975, 68-69.

Dippel, Rini. “Fundamental Schilderkunst: Aspekten van Recente Ontwikkelingen in de Abstrakte Kunst.” Museumjournaal, April 1975, 57-62.

Evett, Kenneth. “Kenneth Evett on Art: Death Wish.” The New Republic, May 17, 1975, 30-32.

Helfer, Judith. “Abstrakte Kunst-Reduziert, Brice Marden: Guggenheim Museum.” Aufbau, March 28, 1975, 10.

Hess, Thomas B. “Brice Marden.” New York Magazine, April 7, 1975, 70.

“Knoedler Contemporary Prints Gallery, New York: Exhibit.” Arts, March 1975, 12.

Kramer, Hilton. “Marden Art at the Guggenheim, Painter Points Way for Color-Field Abstraction.” The New York Times, March 15, 1975, 15.

Kutner, Janet. “Brice Marden, David Novros, Mark Rothko: The Urge to Communicate Through Non-Imagistic Painting.” Arts, September 1975, 61-63.

———. “Scene in Art: Three Artist Show Spans Forty Years.” The Dallas Morning News, May 4, 1975, C8.

Larson, Philip. “Minneapolis: Brice Marden at Locksley/Shea.” Arts, January 1975, 23.

Perreault, John. “Color: Problems & Solutions.” SoHo Weekly News, March 13, 1975, 15.

Pleynet, Marcel. “De Pictura, ‘De la couleur à la ligne,’ De la peinture comme enseigne.” Peinture: Cahiers, Theoriques, December 1975, 13-53.

Ramsden, Mel. “Jeremy Gilbert-Rolfe’s As-Silly-As-You-Can-Get ‘Brice Marden’s Painting,’ (Artforum, October 1974).” The Fox, April 1975, 8-14.

Ratcliff, Carter. “Abstract Painting, Specific Space: Novros and Marden in Houston.” Art in America, September/October 1975, 84-88.

Smith, Roberta. “Brice Marden, Bykert Gallery.” Artforum, January 1975, 63-64.

von Hoesterey, Ingeborg. “Brice Marden (Guggenheim Museum).” Art International, June 15, 1975, 77.

Wortz, Melinda. “Fourteen Abstract Painters.” Artweek, May 3, 1975, 1, 20.

1974
Ashton, Dore. “The Fort Worth Art Museum, Brice Marden: Drawings 1963-1973.” Fort Worth Star-Telegram, November 10, 1974, A25.

Bell, Jane. “Ten Painters in New York, Michael Walls.” Arts, October 1974, 62.

Bourdon, David. “The Mini-Conceptual Age.” The Village Voice, October 17, 1974, 40, 43.

Cane, Louis. “Sur la Peinture de Brice Marden.” Peinture: Cahiers, Theoriques, February 1974, 46-49.

Dreiss, Joseph. “Brice Marden.” Arts, June 1974, 58-59.

Gilbert-Rolfe, Jeremy. “Brice Marden, Bykert Gallery.” Artforum, June 1974, 68-69.

———. “Brice Marden, David Novros, Bykert Gallery Downtown.” Artforum, May 1974, 64.

———. “Brice Marden’s Painting.” Artforum, October 1974, 30-38.

Herrera, Hayden. “Brice Marden (Bykert, Uptown).” Artnews, Summer 1974, 110-11.

———. “David Novros, Brice Marden (Bykert, Downtown).” Artnews, April 1974, 97-98.

Hess, Thomas B. “Hello, Old Paint.” New York Magazine, 22 April 1974, 72-74.

———. “On the Sunny Side of the Street.” New York Magazine, March 11, 1974, 74-75.

———. “Rules of the Game, Part II: Marden and Rockburne.” New York Magazine, November 11, 1974, 101-102.

Hughes, Robert. “Eight Cool Contemporaries.” Time Magazine, November 1974, 98, 100.

“Huit Jeunes Artistes au MoMA.” Art Press, December 1974/January 1975, 22-23.

Kozloff, Max. “Traversing the Field. . . Eight Contemporary Artists at MoMA.” Artforum, December 1974, 44-49.

Morris, Lynda. “Strata: Paintings, Drawings and Prints.” Studio International, February 1974, 92-93.

Nemy, Enid. “Artists’ Families Needing Aid Get It from Rauschenberg’s Group.” The New York Times, September 25, 1974, 46.

Prokopoff, Stephen. “A Logic of Vision.” Arts, September 1974, 45-47.

Russell, John. “8 of Today’s Artists Exhibit at the Modern.” The New York Times, October 9, 1974, 52.

Schjeldahl, Peter. “New Abstract Painting: A Variety of Feelings.” The New York Times, October 13, 1974, 29.

Shorr, Harriet. “Brice Marden at Bykert.” Art in America, May/June 1974, 104-105.

1973
Anderson, Alexandra C. “Brice Marden at Bykert.” Art in America, May/June 1973, 99-100.

Battaglia, Carlo. “Tre Artisti: Ryman, Marden, Bell.” Qui Arte Contemporanea, June 1973, 24-26.

Borden, Lizzie. “Brice Marden, Bykert Gallery.” Artforum, May 1973, 76-77.

Crimp, Douglas. “New York Letter.” Art International, Summer 1973, 89-90.

Goldberg, Lenore, Whee Kim, Roberta Pancoast Smith, and Paul Stitelman. “The Whitney Biennial: Four Views.” Arts, March 1973, 63-66.

Gruterich, Marlis. “Brice Marden.” Heute Kunst, October 1973, 29.

Hess, Thomas B. “Exhibitions Noted.” New York Magazine, March 19, 1973, 75.

Mayer, Rosemary. “Attitudes Toward Materials, Content, and the Personal.” Arts, May/June 1973, 63-66.

———. “Group Show, Bykert.” Arts, March 1973, 72.

McCann, Cecile N. “Brice Marden’s Classic Rectangles.” Artweek, February 24, 1973, 3.

Pozzi, Lucio. “Colore e Superficie.” DATA, Winter 1973, 86-91.

Rosenbloom, Paul A. “Group Show at 16 Place Vendome, Paris.” Studio International, September 1973, 103-104.

Siegel, Jeanne. “Brice Marden (Bykert).” Artnews, April 1973, 79.

Smith, Roberta Pancoast. “Brice Marden’s Painting.” Arts, May/June 1973, 36-41.

1972
Ashbery, John. “Grey Eminence.” Artnews, March 1972, 26-27, 64-66.

Boice, Bruce. “The Quality Problem.” Artforum, October 1972, 68-70.

Borden, Lizzie. “Cosmologies.” Artforum, October 1972, 45-50.

———. “Group Drawing Show, Bykert Gallery.” Artforum, February 1972, 88.

Kramer, Hilton. “Art: German Documenta.” The New York Times, July 1, 1972, 11.

———. “Documenta 5: The Bayreuth Of the Neo-Dadaists.” The New York Times, July 9, 1972, 15.

Kurtz, Bruce. “Documenta 5: A Critical Preview.” Arts, Summer 1972, 30-37.

Pincus-Witten, Robert. “Ryman, Marden, Manzoni: Theory, Sensibility, Mediation.” Artforum, June 1972, 50-53.

Ratcliff, Carter. “Adversary Spaces.” Artforum, October 1972, 40-44.

———. “New York Letter.” Art International, April 20, 1972, 31.

———. “Once More, with Feeling.” Artnews, Summer 1972, 35-37, 67-69.

Wolmer, Denise. “Brice Marden, Bykert.” Arts, April 1972, 65.

1971
Masheck, Joseph. “Brice Marden, Bykert Gallery.” Artforum, January 1971, 72.

Ratcliff, Carter. “New York Letter.” Art International, February 20, 1971, 69.

1970
Ashton, Dore. “Young Abstract Painters: Right On!” Arts, February 1970, 31-35.

Domingo, Willis. “Brice Marden (Bykert).” Arts, December 1970/January 1971, 58.

———. “Color Abstraction: A Survey of Recent American Painting.” Arts, December 1970/January 1971, 34-40.

Glueck, Grace. “Art: Drawings by All-Star Cast.” The New York Times, March 1970, 25.

———. “From Master to Modular: New York Gallery Notes.” Art in America, November/December 1970, 167-68.

Gruen, John. “Brice Marden (Bykert).” The New York Times, November 30, 1970, 57.

Müller, Grégoire. “After the Ultimate.” Arts, March 1970, 28-31.

Nemser, Cindy. “Marden and Duran at Bykert.” Arts, March 1970, 62.

Ratcliff, Carter. “Brice Marden, Robert Duran (Bykert).” Artnews, March 1970, 63.

———. “Brice Marden (Bykert).” Artnews, December 1970, 58.

———. “New York Letter.” Art International, May 20, 1970, 76.

Richardson, Brenda. “Reports: Bay Area Surveys.” Arts, September/October 1970, 52.

Wasserman, Emily. “Brice Marden, Robert Duran, Bykert Gallery.” Artforum, April 1970, 79.

1969
Ashton, Dore. “New York Commentary.” Studio International, February 1969, 95.

———. “New York Commentary.” Studio International, July/August 1969, 29.

Brunelle, Al. “Brice Marden (Bykert).” Artnews, January 1969, 24.

Davis, Douglas M. “’This is the Loose Paint Generation’: The New Painting Harks Back to Abstract Expressionism.” National Observer, August 4, 1969, 20.

Kritzwiser, Kay. “Other Galleries.” Toronto Globe and Mail, November 29, 1969, 26.

Peppiatt, Michel. “Paris.” Art International, November 1969, 56.

Rosenstein, Harris. “Brice Marden (Bykert).” Artnews, May 1969, 69.

Sable, Jared. “Objects of Contemplation.” Toronto Telegram, November 29, 1969, 4.

1968
Battcock, Gregory. “Brice Marden.” Arts, February 1968, 66.

———. “The Moral Integrity of Smudges.” New York Free Press, January 25, 1968, 10.

“Brice Marden Art in New York.” Time Magazine, January 26, 1968.

Burton, Scott. “Brice Marden (Bykert).” Artnews, February 1968, 14-15.

Constable, Rosalind. “The Gallery of the Year.” New York Magazine, May 20, 1968, 39-42.

Perreault, John. “Art.” The Village Voice, January 18, 1968, 36.

———. “Art.” The Village Voice, June 13, 1968, 15.

Picard, Lil. “Brief aus New York.” Das Kunstwerk, February/March 1968, 77.

Wasserman, Emily. “Brice Marden, Bykert Gallery.” Artforum, March 1968, 57-58.

1967
Kosuth, Joseph. “Bykert Group.” Arts, Summer 1967, 58-59.

Lippard, Lucy R. “Rebelliously Romantic?” The New York Times, June 4, 1967, D25.

———. “The Silent Art.” Art in America, January/February 1967, 58-63.

Rose, Barbara. “Group Show, Bykert.” Artforum, November 1967, 59-60.

Rosenstein, Harris. “Bykert.” Artnews, Summer 1967, 66.

———. “Total and Complex: Three Young Colorists.” Artnews, May 1967, 52-54, 67-68.

1966
Andre, Carl. “Brice Marden Paintings, Bykert Gallery: Two Part Review.” 57th Street Review, November 15, 1966, insert after p. 6.

Glueck, Grace. “Brice Marden (Bykert).” The New York Times, December 3, 1966, 14.

Goldin, Amy. “Brice Marden, Bykert Gallery.” 57th Street Review, November 15, 1966, 7.

———. “Brice Marden (Bykert).” Artnews, December 1966, 14.

Gollin, Jane. “Brice Marden (Bykert).” Artnews, November 1966, 15.

Lippard, Lucy R. “Rejective Art.” Art International, October 20, 1966, 33-36.


Statements, Texts, Reproductions, and Cover Designs by the Artist

1996
[Statement]. Brice Marden. Zurich: Thomas Ammann Fine Art AG, 1996. (exh. cat.)

Selz, Peter, and Kristine Stiles, eds. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Berkeley: University of California Press, 1996.

1993
[Statement]. “Matisse: ‘He’s Kind of Cast a Spell on Me.’” Artnews, April 1993, 150.

1989
[Statement]. “Statements by Alex Katz, Frank Stella, Brice Marden, Elizabeth Murray and Bill Jensen on Willem de Kooning.” Art Journal, Fall 1989, 234-236.

1985
“Collaboration Brice Marden.” Parkett no. 7, 1985, cover, 1, 3-4, 18-19, insert.

1984
“Album: Brice Marden.” (reproductions, Hydra 1 – 4, 1983), Arts, October 1984, 40-41.

[Statement]. American Art Since 1970. New York: Whitney Museum of American Art, 1984, 82. (exh. cat.)

“Notes 1979-82/84.” Brice Marden: Recent Work. New York: The Pace Gallery, New York, 1984. (exh. cat.)

1983
“Two Drawings.” (reproduction), Artforum, September, pp. 58-59.

1982
[Statement]. Ted Castle. “A Bouquet of Mistakes (Artists Talk About Their Work.” Flash Art, Summer 1982, 54-55.

1981
[Statements]. Brice Marden: Paintings, Drawings, Etchings 1975-80. Amsterdam: Stedelijk Museum, 1981, 33, 45-46. (exh. cat.)

[Statements]. Brice Marden: Paintings, Drawings, and Prints 1975-1980. London: Whitechapel Art Gallery, 1981, 54-57. (exh. cat.)

Two Drawings (reproduction). Cover, Winter 1981, 26-27.

1980
[Statements]. In Vision 4: Word of Mouth. Oakland, Calif.: Crown Point Press/San Francisco: The Museum of Conceptual Art, 1980. (set of three LP recordings of prepared talks by twelve artists taped on Ponape, South Pacific, with illustrated booklet)

1979
“5 Lines for Klaus, 4/30/79.” Brice Marden: Zeichnungen/Drawings 1964-1978. Munich: Kunstraum, 1979, 12. (exh. cat.)

1978
[Statements]. Brice Marden: Recent Paintings and Drawings. New York: The Pace Gallery, 1978. (exh. cat.)

1976
[Statements]. Private Notations: Artists’ Sketchbooks, II. Philadelphia: Philadelphia College of Art, 1976. (exh. cat.)

1975
“Technical Statement.” Brice Marden. New York: The Solomon R. Guggenheim Museum, 1975, 28. (exh. cat.)

[Statement]. Fundamentele Schilderkunst/Fundamental Painting. Amsterdam: Stedelijk Museum, 1975, 42. (exh. cat.)

[Statement]. Jean-Claude Lebensztejn, ed. “Eight Statements (on Matisse).” Art in America, July/August 1975, 72-73.

1974
[Statements]. Jennifer Licht, ed. Eight Contemporary Artists. New York: The Museum of Modern Art, 1974, 46. (exh. cat.)

#11, 1974. (cover reproduction). The Paris Review, Winter, 1974.

1973
“Statement and Proposal: ‘Star (for Patti Smith).’” In Options and Alternatives: Some Directions in Recent Art. New Haven, Conn.: Yale University Art Gallery, 1973. (exh. cat.) (Reprinted in Some Recent Americans. New York: The Museum of Modern Art, 1974, 50. (exh. cat.))

1972
[Statement]. Bruce Kurtz, ed. “Documenta 5: A Critical Preview.” Arts, Summer 1972, 43.

“Selected from Notes 1971-72.” Yvon Lambert, Actualité d’un bilan. Paris: Yvon Lambert, 1972, 91-94. (exh. cat.)

1971
“Notes: A Mediterranean Painting.” The Structure of Color. New York: Whitney Museum of American Art, 1971, 20. (exh. cat.)

[Statement]. Invitational. Amherst, Mass.: University Art Gallery, University of Massachusetts, 1971. (exh. cat.)

“Three Deliberate Greys for Jasper Johns.” Art Now: New York, March 1971.

[Cover design]. Clark Coolidge. The So: Poems 1966. New York: Adventures in Poetry, 1971.

1967
[Statement]. Carl Andre, ed. “New in New York: Line Work.” Arts, May 1967, 49-50.

1963
“Statements and Photographs.” Master’s Thesis, Yale University, New Haven, Conn., 1963.


Interviews

2006
Roggeman, Anouchka. “Des tremplins pour l’esprit.” L’oeil, February 2006, 55-56.

2002
Martin, Chris. “In Conversation: Brice Marden.” The Brooklyn Rail, August/September 2002, 12-13.

2000
Brown, Mick. “Driven to Abstraction.” The Daily Telegraph, October 28, 2000, A1, A11.

1999
D’Arcy, David. “Artist’s Interview: Brice Marden, Heir Presumptive to Pollock.” The Art Newspaper, April 1999, 17.

Enright, Robert. “The Sensuous Puritan, The Art of Brice Marden.” Border Crossings, May 1999, 14-27.

1998
Katz, Vincent. “Curiously Determined Objects.” Art On Paper, January/February 1998, 27-31.

Zhang, Yiguo. “Brice Marden and Chinese Calligraphy.” In Brushed Voices: Calligraphy in Contemporary China. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 1998, 125-132. (exh. cat.)

1997
Hay, Jonathan. “An Interview with Brice Marden.” In Chinese Work. New York: Matthew Marks Gallery, 1997, 19-31. (exh. cat.)

1996
Fricke, Marion and Roswitha. “Brice Marden (Interview).” Art Press Spécial, no. 17, 1996, 84-86.

1994
Kimmelman, Michael. “A Tour That Moves From Calligraphy to Pollock.” The New York Times, June 24, 1994, C1, C28.

1991
Steir, Pat. “Brice Marden, An Interview.” In Brice Marden: Recent Drawings and Etchings. New York: Matthew Marks Gallery, 1991. (exh. cat.)

1990
Mahoney, Robert. “This Is What Things Are About.” Flash Art, November/December 1990, 116-120.

1989
Vogel, Sabine B. “Interview mit Brice Marden: ‘Ich wurde meine Malerie als konservativ bezeichnen . . .’” Artis, November 1989, 36-39.

1988
de Smecchia, Muni. “Artisti: Brice Marden.” Vogue Italia, April 1988, 136-39.

Furlong, William. “Brice Marden in Conversation with William Furlong.” Art Monthly, June 1988, 3-5.

Storr, Robert. “Interview mit Robert Storr am 24 Oktober 1986/Interview with Robert Storr on October 24, 1986.” In Rosemarie Schwarzwalder, ed. Abstrakte Malerie aus Amerika und Europa/Abstract Painting of America and Europe. Vienna: Galerie nächst St. Stephan/Klagenfurt: Ritter Verlag, 1988, 53-74.

White, Robin. “Brice Marden.” Bijutsu Techo, February 1988, 166-78.

1987
Ostrow, Sol. “Brice Marden.” BOMB Magazine, December 1987, 30-37. (Reprinted in Betsy Sussler, ed. Speak Art! The Best of BOMB Magazine’s Interviews with Artists. Australia: G + B Arts International, 1997).

Storr, Robert. “Brice Marden: Laisser à l’abstraction son mystère.” Art Press, March 1987, 13-18.

Wei, Lilly. “Talking Abstract, Part One.” Art in America, July 1987, 82-83.

1983
Bell, Tiffany, ed. “Responses to Neo-Expressionism.” Flash Art, May 1983, 42.

Necol, Jane, and Maurice Poirier, eds. “The ‘60s in Abstract: 13 Statements and an Essay.” Art in America, October 1983, 122-123.

1980
White, Robin. “Brice Marden Interview.” View, June 1980, 1-24.

1976
McCann, Cecile N. “An Interview with Brice Marden.” Artweek, December 4,1976, 15-16.

1975
de AK, Edit, Alan Moore, and Mike Robinson. “Conversation with Brice Marden.” Art-Rite, Spring 1975, 39-42.

1970
Sharp, Willoughby, ed. “Points of View: A Taped Conversation with Four Painters.” Arts, December 1970/January 1971, 41-42.


Films

1977
Brice Marden. Directed by Edgar B. Howard and Theodore R. Haimes. 22 min. Checkerboard Productions, 1977. DVD.