Brice Marden
Selected Bibliography
Books and Catalogues
2010
Weiss, Jeffrey. Brice Marden: Letters. New York: Matthew Marks Gallery, 2010.
2006
Garrels, Gary. Plane Image: A Brice Marden Retrospective. New York: The Museum of Modern Art, 2006.
2002
Kobayashi, Yotaro. Fuji Xerox Print Collection 1988 – 2002. Tokyo: Fuji Xerox Co., Ltd., 2002.
2000
Dickhoff, Wilfried. After Nihilism: Essays on Contemporary Art. New York: Cambridge University Press, 2000.
1999
Fischer, Peter, ed. Abstraction, gesture, écriture, Paintings from the Daros Collection. New York: Scalo, 1999.
Seidner, David. Artists’ Studios. Paris: Editions Assouline, 1999.
Siegel, Jeanne. Painting After Pollock. Amsterdam: Gordon and Breach Publishing, 1999.
1998
Kimmelman, Michael. Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere. New York: Random House, 1998.
1995
Lebensztejn, Jean-Claude. Ecrits sur l’art récent: Brice Marden, Malcolm Morley, Paul Sharits. Paris: Editions Aldines, 1995.
1996
Bann, Stephen. “A Cold Coming: Brice Marden’s Wager with Tradition.” In Robert Lehman Lectures on Contemporary Art No. 1, edited by Lynne Cooke and Karen Kelly. New York: Dia Center for the Arts, 1996.
1992
Kertess, Klaus. Brice Marden Paintings and Drawings. New York:
Harry N. Abrams, Inc., 1992.
Lewison, Jeremy. Brice Marden Prints 1961 – 1991, A Catalogue Raisonné. London: Tate Gallery Publications, 1992.
Richardson, Brenda. Brice Marden, Cold Mountain. Houston: Houston Fine Art Press, 1992.
1978
Nodelman, Sheldon. Marden, Novros, Rothko: Painting in the Age of Actuality. Houston: Institute for the Arts, Rice University, 1978.
Selected Articles
2011
Frederick, Jeff. “Letters from a Painter.” Art in America, January 2011, 98-101.
2010
"Brice Marden." The New Yorker, November 22, 2010, 34.
Collings, Matthew. "Kommt mal runter." Monopol, December 2010, 52-58.
Johnson, Ken. "Brice Marden." The New York Times, November 12, 2010, C30.
2009
Cotter, Holland. "Gaze East and Dream." The New York Times, January 30, 2009, C29 & C33.
Gómez, Edward. "Altered States." Art in America, April 2009, 59-65.
Singer, Fanny. "Marden." The Print Quarterly, June 2009, 195-198.
Solomon, Andrew. "The Third Mind." Artforum, September 2009, 286.
2007
Anfam, David. “Brice Marden.” Artforum, January 2007, 242-243.
Levin, Kim. “Brice Marden.” Art News, January 2007, 128.
2006
Ayers, Robert. “Brice Marden.” Art & Auction, December 2006, 56-60.
Baechler, Donald. “The Artists’ Artists.” Artforum, December 2006, 115.
Cohen, David. “A Non-Linear Path.” The New York Sun, 26 October 2006, 11.
Dorment, Richard. "Journey from 'Nebraska.'" The New York Review of Books, 21 December 2006, 8-14.
Grosz, David. “Equal Parts Intuition and Doubt.” The New York Sun, 19 October 2006, 1, 26.
Isenberg, Barbara. “For Marden, Seeing is Creating.” The Los Angeles Times, 15 October 2006, E37.
Loos, Ted. “A Subtle Sense of Place.” The New York Times, 29 October 2006, 36.
Mahoney, Robert. “Brice Marden; This is What Things Are About.” Flash Art,
November/December 2006, 104-107.
Marto, Karen. The Lay of the Land.” Culture & Travel, September/October 2006, 128-131.
Ofili, Chris with Brice Marden. “Painters Painting.” Artforum, October 2006, cover, 218, 225, 286.
Plagens, Peter. “An Old School Radical.” Newsweek, 30 October 2006, 58-59.
Rosenberg, Karen. “Taking the Long View.” New York Magazine, 4 - 11 September 2006, 62-64.
Saltz, Jerry. "The Brice is Right." Village Voice, 12 December 2006.
Schjeldahl, Peter. “True Colors.” The New Yorker, 6 November 2006, 130.
Smith, Roberta. “The Man Who Persevered When Painting Stalled.” The New York Times, 27 October 2006, 29, 32.
Stevens, Mark. “The Big Chill.” New York Magazine, 6 November 2006, 360-365.
2005
Glueck, Grace. “Art in Review; Theme and Variations.” The New York Times, 28 October 2005.
2004
Godfrey, Mark. “Dimensions Variable.” Frieze, August 2004, 117-121.
Karmel, Pepe. “The Year of Living Minimally.” Art in America, December 2004, 90-101, 149.
Loos, Ted. “Brush with Frame.” Town & Country, August 2004, 64.
Yau, John “Drawing a New Line.” Art on Paper, January/February 2004, 56-61.
2002
Aletti, Vince. “Best of 2002.” Artforum, December 2002, 112-113.
Baird, Daniel. “Attendants, Bears, and Rocks: Brice Marden at the Matthew Marks Gallery.” The Brooklyn Rail, August/September 2002, 10-11.
Burton, Johanna. “Brice Marden: Attendants, Bears, and Rocks.” Time Out New York, 13-20 June 2002, 56.
Bussagli, Marco. “In Vetrina le carte espressive di Marden” (The expressive work of Marden on view). Avvenire, 20 January 2002.
Clerici, Dedi Ferrari. “Un artista moderno nell’Antica Stamperia” (A modern Artist at the Antica Stamperia). Esperienza, February 2002.
Coen, Ester. “Marden, Alla ricerca della purezza con l’energia emotiva del segno” (Marden, A reevaluation of purity with the emotive energy of the line). La Repubblica, 21 January 2002.
Corbett, William. “From Boston University, A Look East.” ArtsMedia, 15 February – 15 March 2002, 10-13.
Curto, Guido. “Marden, astrattista lirico che guarda alla grecia classica” (Marden, Lyrical abstractionist who guards the classical greek). Torino Sette (LaStampa), 8 – 14 March 2002.
Faxon, Alicia. “Boston: Looking East: Brice Marden, Michael Mazur, Pat Steir.”
Art New England, June/July 2002, 31-32.
Franceschetti, Gianni. “I calligrammi de Brice Marden” (The graphic work of Brice Marden). Rinascita, 4 January 2002.
Green, Hope. “Bringing the East to the West Where the Twain Meet in Art.”
Boston University Bridge, 1 February 2002, 12.
Kernan, Nathan. “Exhibition Review.” Burlington Magazine, August 2002, 519-520.
“Kurze Wege” (Short ways). Kreiszeitung Syker Zeitung, 9 August 2002.
Lambertini, Luigi. “Guardando all’oriente” (Looking East). Corriere della Sera, 7 January 2002.
Lazzarino, Silvana. “Brice Marden, disegni e incisioni al confine tra realtà e fantasia” (Brice Marden, drawings and etchings confined between reality and fantasy). Il Giornale, 28 January 2002.
Lüddemann, Stefan. “Schaltplan der Weltkultur” (Diagram of world culture). Neue Osnabrücker Zeitung, 4 July 2002.
Matuszczyk, Franz. “Brice Marden: Das bewusste Werden des Ganzen” (Brice Marden: Self-conscious becoming of the whole). Die Glocke, 6 June 2002.
McQuaid, Cate. “Capturing Eastern Spirit in a Spectacle of Paint.” The Boston Globe, 24 January 2002, sec. D, 1, 8.
Müller, Sabine. “Die Nase voll von schwarzen Quadraten” (Up to here with black quadrants). Ruhr-Nachrichten, 6 June 2002.
Naves, Mario. “An Excess of Refinement.” New York Observer, 3 June 2002, 20.
Newhall, Edith. “Body Painting (Brice Marden at Matthew Marks Gallery).”
New York Magazine, 6 May 2002, 91.
Paglieri, Marina. “L’arte di due metropolis per un omaggio a Marden” (Two cities pay homage to Marden). La Repubblica, 13 March 2002.
Positano, Anna Maria. “Brice Marden: Works on Paper 1964 – 2001. Istituto Nazionale per la Grafica.” Art on Paper, September/October 2002, 99.
Rose, Andrea. “Die Liebe des Künstlers zum Detail” (The artist’s love of detail). Westfälische Nachrichten, 6 June 2002.
Saltz, Jerry. “Circuit Party, Brice Marden’s Subway Maps from Shangri-La.”
Village Voice, 4 June 2002, 65.
Schjeldahl, Peter. “Into the Rainbow, Brice Marden’s Abstractions.” The New Yorker, 3 June 2002, 96-97.
Siegel, Katy. “Brice Marden.” Artforum, September 2002, 204-205.
Smith, Roberta. “A Profusion of Painting, Very Much Alive.” The New York Times, 10 May 2002, E31, E43.
Stevens, Mark. “Skin Deep (Brice Marden at Matthew Marks Gallery).” New York Magazine, 27 May 2002, 48.
“Vier Mal Landesmuseum” (Four exhibitions at the Landesmuseum). Westfälische Nachrichten, July 12 2002.
von Hase, Bettina. “Full Beam.” Art Review, March 2002, 66-71.
Weis, Matthias. “Papiergesten” (Paper works). Westfälischer Anzeiger, 27 June 2002.
2001
Blanc, Dominique. “Quand les artistes collectionnant.” Oeil, July/August 2001, 60-67.
Bruschi, Valentina. “Marden, tra classicità e filosofia Zen” (Marden, between Classical and philosophica Zen). Il Messaggero, 23 December 2001.
Civello, Renato. “L’opera grafica da Brice Marden” (The graphic work of Brice Marden). Secolo d’Italia, 30 December 2001.
Goodman, Wendy. “A Lofty Marriage.” New York Magazine, 9 April 2001, 47–53.
Loyaute, Benjamin. “Avignon: Collections d’artistes.” Connaissance des Arts, July/August 2001, 17.
Mario de Candia. “Astria minimali una vetrina su Marden” (Minimal abstraction a window to Marden). Trovaroma, 7 December 2001.
Pratesi, Ludovico. “Brice Marden, 40 anni d’arte Usa in settanta disegna” (Brice Marden, 40 years of American art in seventy drawings). La Repubblica, 14 December 2001.
Salustri, Marco. “Vetrine all Calcografia, arriva Marden” (Marden arrives at the Calcografia). Il Tempo, 14 December 2001.
Sassi, Edoardo. “Il lato lugubre di Marden” (The gloomy side of Marden). Corriere della Sera, 29 December 2001.
2000
Baker, Kenneth. “Method to His Monochromes.” San Francisco Chronicle, 2 February 2000, sec. C, 1, 3.
“Brice Marden.” Das Kunstmagazin, December 2000, 26.
Cappellazzo, Amy. “A Modern Master Comes to Miami.” Ocean Drive, January 2000, 280-281.
Carroll, Sandi. “Marden Finds Life of Art a Joy.” New Smyrna Beach Observer, 26 January 2000, sec. 1, 1, 3A.
Cork, Richard. “Richard Cork’s Choice: Brice Marden.” The Times, 18 November 2000, 27.
Criqui, Jean-Pierre. “Handmade’s Tale, International Shorts Preview.” Artforum, September 2000, 77.
Cumming, Laura. “The Brice is Right: After a 20 Year Gap, Brice Marden’s Abstracts Go on Display in London. About Time.” The Observer, 19 November 2000, 10.
Darwent, Charles. “Shy, Assertive, Even Lonely, His Wiggly Lines Are Moody Trails; Brice Marden Serpentine Gallery, London.” The Independent on Sunday, 26 November 2000, 5.
Dorment, Richard. “One Look and You Feel You Could Look Forever.” The Daily Telegraph, 15 November 2000, 26.
Glover, Michael. “Abstraction’s Rich Possibilities . . .” The Independent, 21 November 2000, 10.
Goedhuis, Michael. “Michael Goedhuis Talks to Brice Marden.” Asian Art News, March 2000, 16-18.
Gregg, Gail. “An Offhand Sublime.” Art News, March 2000, 130-133.
Hackworth, Nick. “Toeing A New Line, Brice Marden, Serpentine Gallery.” Evening Standard, 23 November 2000.
Hay, David. “The Scene Heats Up Under the Miami Sun.” The New York Times, 27 February 2000, Arts and Leisure, 1, 51-52.
Hemming, Sarah. “Brice Marden, Serpentine Gallery.” Daily Express, 17 November 2000.
Kent, Sarah. “Line Dancing, A Decade of Brice Marden’s Spiky Abstracts.” Time Out London, 29 November – 6 December 2000, 57.
Lambirth, Andrew. “Weaving Like A Serpent.” Royal Academy Magazine, Winter 2000.
McEwen, John. “Nature Makes the Abstract Seem Almost Natural.” Sunday Telegraph Review, 3 December 2000, 8.
Packer, William. “Curls and Loops Wriggle Their Way.” Financial Times, 28 November 2000, 13.
Searle, Adrian. “Give Us A Swirl . . . ” The Guardian, 21 November 2000, 12.
Hamlin, Jesse, and James Sullivan. “It’s Party Time at Yerba Buena and SF MoMA.” San Francisco Chronicle, 31 January 2000, sec. D, 3.
Taylor, Tanis. “Art, Brice Marden (Serpentine Gallery).” Metro, 17 November 2000.
Thomas, Mary. “Marden’s Meditative Side Shines in Vibrant Exhibit at Carnegie.” Pittsburgh Post-Gazette, 13 May 2000, sec. B, 10.
Wilson, Ellen S. “An Artist Reinvents Himself: Brice Marden, Work of the 1990s.” Inside Carnegie, May/June 2000, 16.
Wood, Tony. “A Twist Away from the Edge (Brice Marden at the Serpentine Gallery).” Times Literary Supplement, 8 December 2000, 20.
1999
“Brice Marden, Works of the 1990s: Paintings, Drawings, and Prints (Hirshhorn Museum and Sculpture Garden.” Journal of the Print World (Summer 1999): 21.
Cohen, David. “New York and Washington: Brice Marden.” Burlington Magazine, August 1999, 504-506.
Cotter, Holland. “Monumental Pleasure in a Capital of Art Treasures.” The New York Times, 6 August 1999, sec. E, 37, 39.
Dietsch, Deborah K. “Forward Motion.” South Florida Sun-Sentinel, 19 December 1999, sec. D, 1, 10.
Koldehoff, Stefan. “Georg Baselitz, Cy Twombly, Brice Marden, Sigmar Polke.” Das Kunstmagazin, December 1999, 22-27.
Kutner, Janet. “Strokes of Genius.” Dallas Morning News, 12 February 1999, Guide, 57.
———. “Marden Explores Brushes with Freedom.” Dallas Morning News, 14 February 1999, sec. C, 1, 10.
———. “Marden Show Gives DMA a Welcome Jolt of the Current.” Dallas Morning News, 21 February 1999, sec. C, 7.
Mason, Brook S. “Marden’s Momentum.” Art News, June 1999, 66.
Naves, Mario. “Five Painters (Brice Marden Drawings at the Whitney Museum of American Art).” New Criterion (February 1999): 48-52.
O’Sullivan, Michael. “What you Make of It – and More.” The Washington Post, June, 51.
Richard, Paul. “Putting It All on the Lines.” The Washington Post, 30 May 1999, sec. G, 1, 10.
Richardson, Brenda. “What Happens When A Revered Minimalist Radically Changes?" Vogue, February 1999, 154, 156.
Richardson, John. “Brice Marden’s Abstract Heart.” Vanity Fair, May 1999, 168-177, 201-203.
Shiff, Richard. “Brice Marden, Dallas Museum of Art.” Artforum, May 1999, 173.
Schwabsky, Barry. “Brice Marden, Work of the 1990s (at the Dallas Museum of Art).” Artforum, January 1999, 47.
Spagnesi, Licia. “Marden: la Mia Danza con le Muse.” Arte, April 1999, 106-109.
Turner, Elisa. “Accomplished Abstract Career Comes into Focus.” Miami Herald, 19 December 1999, sec. M, 5.
Tyson, Janet. “Poetry in Paint.” Fort Worth Star-Telegram, 23 February 1999, sec. E, 1, 2.
Weil, Rex. “Brice Marden, Hirshhorn Museum and Sculpture Garden.” Art News, November 1999, 197.
1998
Cotter, Holland. “Exhibitions in the Boston Area (Brice Marden at the Fogg Art Museum).” The New York Times, 7 August 1998, sec. E, 33.
Hayt, Elizabeth. “Brash American Intruders Amid l’Élégance.” The New York Times, 25 January 1998, 41, 46.
Mundy, Michael. “Mogul Home (Peter Morton).” W Magazine, October 1998, 374.
Tuchman, Phyllis. “Behind the Lines, The Art and Spirit of Brice Marden.” Bostonia, Spring 1998, 15-19.
Vogel, Carol. “Building a Collection (Whitney Museum of American Art).” The New York Times, 30 October 1998, sec. E, 32.
1997
Bryson, Norman. “XLVII Venice Biennale.” Art/Text, November 1997 - January 1998, 32-35.
“Brice Marden (at Kunstverein, München).” Architectural Digest, June/July 1997.
“Brice Marden (at Matthew Marks Gallery).” The New Yorker, 9 June 1997, 24.
Gilbert-Rolfe, Jeremy. “Editor’s Choice, Brice Marden’s ‘The Muses’ at the Venice Biennale.” BOMB Magazine, Fall 1997, 18.
Gopnik, Adam. “The Repressionists.” The New Yorker, 14 July 1997, 86-88.
Reginato, James. “Marden’s Retreat.” W Magazine, November 1997, 246-253.
Shone, Richard. “Venice Biennale and Other Exhibitions.” Burlington Magazine, September 1997, 651-653.
Trepp, Judith. “Brice Marden, Winterthur Kunstmuseum.” Art News, November 1997, 241.
1996
Desai, Vishakha N. “Reorienting Ourselves to Asian Art.” Art News, November 1996, 152.
Jones, Ronald. “Brice Marden.” Frieze, February 1996, 73-74.
Levin, Kim. “Brice Marden (at Matthew Marks Gallery).” Village Voice, 16 January 1996, 8.
Rosenblum, Robert. “Painters’ Drawings.” Architectural Digest, October 1996, 164.
Schwabsky, Barry. “Brice Marden (at Matthew Marks Gallery).” Artforum, January 1996, 80.
Wei, Lilly. “Brice Marden at PaceWildenstein and Matthew Marks.” Art in America, March 1996, 95.
1995
Busse, Klaus-Peter. “’I am Nature,’ Forms of Interpretation of Nature III, Brice Marden.” Kunst + Unterricht, June 1995, 10-11.
Karlins, N.F. “Snail Trails Across Flagstones: The Latest Work of Brice Marden.” The Westsider, 28 December 1995 – 3 January 1996, 13.
Karmel, Pepe. “Alternative Versions II.” The New York Times, 17 February 1995, sec. C, 30.
Kertess, Klaus. “The Art of the Matter: Curating the Whitney Biennial,” interview by Jack Bankowsky, Artforum, January 1995, 66-71, 104, 109.
Koepplin, Dieter. “Zu Ende gezeichnet.” Basler Magazin, 8 July 1995, 9.
Lewis, Jim. “Maximum Marden.” Bazaar, October 1995, 270-272, 290, 294.
Mitchell, Deborah. “The Brice of Fame.” Vanity Fair, December 1995, 13.
Plagens, Peter. “The Impossible Exhibition (1995 Biennial at the Whitney Museum of American Art).” Newsweek, 3 April 1995, 68.
Siegel, Jeanne. “Brice Marden, Art and Place, ‘Souvenir de Grèce.’” Art International/Art Today, September/October 1995, 71-82.
Smith, Roberta. “Brice Marden (at Matthew Marks Gallery).” The New York Times, 17 November 1995, sec. C, 28.
Stein, Karen. “Brice Marden (at Matthew Marks Gallery).” New York Magazine, 11 September 1995, 60-61.
Varnedoe, Kirk, with Franceso Clemente, Brice Marden, and Richard Serra. “Cy Twombly: An Artist’s Artist.” Res, Autumn 1995, 163-180.
“Whitney Biennial.” Atelier, July 1995, 2-18.
Wylie, Charles. “Brice Marden: ‘Uxmal,’ 1992-1993.” St. Louis Art Museum Bulletin, Winter 1995, 32-33.
Yablonsky, Linda. “Brice Marden (at Matthew Marks Gallery).” Time Out New York, 25 October 25 – 1 November 1995.
1994
Gardner, Paul. “‘Call It a Mid-Life Crisis.’” Art News, April 1994, 140-143.
Hofleitner, Johanna. “Brice Marden: Weiner Secession, Vienna.” Flash Art, Summer 1994, 134.
Lorent, Claude. “Dématérialisation spatialiste de Marden à Meyer.” Art & Culture, April 1994, 22-23.
Zaya, Octavio. “El proceso creativo entrevista con Brice Marden.” Atlantica, Spring 1994, 34-39.
1993
Bass, Ruth. “Brice Marden (at Matthew Marks Gallery).” Art News, September 1993, 169.
Drolet, Owen. “Brice Marden, Matthew Marks Gallery.” Flash Art, October 1993, 86.
Fernandez-Santos, Elsa. “El Reina Sofia abre el ano artístico con 74 obras de Brice Marden inspiradas en China.” El País, 13 January 1993.
Hindry, Ann. “Brice Marden, les rigueurs de couleur.” Beaux-Arts Magazine, June 1993, 44-49.
Kimmelman, Michael. “Brice Marden, Matthew Marks Gallery.” The New York Times, 21 May 1993.
Mead, Andrew. “A Full Emptiness, Klaus Kertess’s Brice Marden: Paintings and Drawings.” Modern Painters, Spring 1993, 107.
Pearl, Jed. “Mostly Marden.” The New Criterion (September 1993): 60-63.
1992
“Brice Marden, ‘Cold Mountain Series Zen Studies 1-6.’” Print Collectors Newsletter, January/February 1992, 211-215.
Burn, Guy. “Brice Marden, Tate Gallery, London.” Arts Review, April 1992, 106.
Cuvelier, Pascaline. “Des projecteurs, des chiffres, des tortillons. . .et quelques batons.” Liberation, 24 July 1992.
“The Documenta of the Dog.” Art in America, September 1992, 88-89.
Dorsey, John. “Brice Marden’s Point of View.” Baltimore Sun, 25 October 1992.
———. “Retrospective shows Brice Marden’s Many Artistic Styles.” Baltimore Sun, 27 October 1992.
Francis, Richard. “Brice Marden, Tate Gallery, London.” Burlington Magazine, May 1992, 321-322.
Gilmour, Pat. “The Prints of Brice Marden.” Print Collector’s Newsletter, May/June 1992, 49-52.
Gopnik, Adam. “What Comes Naturally (Brice Marden at Dia Center for the Arts).” The New Yorker, 20 July 1992, 66-69.
Kuspit, Donald. “Brice Marden, Dia Center for the Arts.” Artforum, January 1992, 97-98.
Mahoney, Robert. “Brice Marden/DIA Center for the Arts.” Flash Art, January/February 1992, 129.
Marchand-Kiss, Christophe. “Brice Marden, Portrait.” Beaux-Arts Magazine, July/August 1992, 91-93.
Richard, Paul. “Caught in the Mirror of a Black Square.” The Washington Post, 27 November 1992.
Richardson, Brenda. “Heart Print: Brice Marden’s ‘Cold Mountain’ Paintings.” Tricycle: The Buddhist Review, Fall 1992, 58-63. (Excerpted from Brice Marden, Cold Mountain. Houston: Houston Fine Art Press, 1992)
Spears, Dorothy. “Brice Marden.” Arts, January 1992, 63.
Westfall, Stephen. “Marden’s Web.” Art in America, March 1992, 95-99.
Yau, John. “Brice Marden’s Cold Mountain: Drawing from Pollock.” Artspace, January/April 1992, 48-50.
1991
Anfam, David. “Brice Marden at Matthew Marks.” Burlington Magazine, August 1991, 570.
“Art: Brice Marden (‘Grove Group’ at Gagosian Gallery.” The New Yorker, 4 February 1991, 9.
Gardner, Paul, ed. “What Artists Like About the Art They Like When They Don’t Know Why, (Pat Steir on Brice Marden).” Art News, October 1991, 116-121.
Gookin, Kirby. “Brice Marden, Gagosian Gallery.” Artforum, April 1991, 119-120.
Handy, Ellen. “New York in Review: Brice Marden (at Matthew Marks).” Arts, October 1991, 92.
Hirsch, Faye. “Brice Marden, Gagosian Gallery.” Arts, April 1991, 76.
Hughes, Robert. “Lines That Go for a Walk.” Time Magazine, 4 November 1991, 96-97.
Kertess, Klaus. “Painting Hot Staying Cool.” Elle, November 1991, 118-122.
Kimmelman, Michael. “Brice Marden Reveals His Connections.” The New York Times, 14 April 1991, 35.
———. “Brice Marden.” The New York Times, 24 May 1991, 26.
Larson, Kay. “Art (Brice Marden at Matthew Marks Gallery).” New York Magazine, 10 June 1991, 65-66.
———. “Different Strokes,” New York Magazine, 21 October 1991, 74-83.
(reprinted (in Japanese) in Atelier, February 1992, 46-56)
———. “Far Out (Brice Marden at Gagosian Gallery).” New York Magazine, 25 February 1991, 111-113.
———. “Six Threads.” Atelier, October 1991, 39-44.
Maschke, Kathy L. “The Revelation of Brice Marden: Designs for the Stained Glass Windows of the Basel Cathedral,” Glass Magazine, Summer 1991, 28-35.
Rubenstein, Meyer Raphael. “Brice Marden.” Art News, September 1991, 123.
Schjeldahl, Peter. “Out of Yourself.” Village Voice, 12 November 1991, 104.
Smith, Roberta. “Brice Marden Moves Ahead by Turning Back.” The New York Times, 20 October 1991, 37.
———. “Revisiting the 70s in Brice Marden’s ‘Grove Group.’” The New York Times, 18 January 1991, sec. C, 28.
Spitz, Bob. “Different Strokes.” Mirabella, November 1991, 95-96.
Taylor, Paul. “Marden’s Metamorphosis.” Connoisseur, October 1991, 20-25, 108-111.
Tuchman, Phyllis. “Marden’s Latest Abstracts Achieve Unusual Animation.” New York Newsday, 14 June 1991, 80.
Yau, John. “Brice Marden, Shell Drawings, Venus.” Grand Street no. 40 (1991): 65-81.
1990
Bell, Tiffany. “Les peintures monochromes de Robert Mangold et Brice Marden.” Artstudio, Spring 1990, 98-107.
Cohen, Ronny. “Minimal Prints.” Print Collector’s Newsletter, May/June 1990, 42-46.
DeLynn, Jane. “Traditional Life, Non-Traditional Art: Helen and Brice Marden.” Avenue, February 1990, 72-73.
Moritz, Charles, ed. “Brice Marden.” Current Biography, August 1990, 42-45.
Russell, John. “No, the Louvre Wasn’t Broke, but Fixing It Is a Fine Idea.” The New York Times, 5 August 1990, 29, 31.
Yarrow, Andrew L. “Minimalism and the Guggenheim.” The New York Times, 17 February 1990, sec. 1, 15.
1989
Clark, Vicky A. “Post-Modernism in the 1988 International.” Carnegie Magazine, July/August 1989, 12-16.
Endres, Uela. “Brice Marden, Galerie Werner, Cologne.” Das Kunstwerk, September 1989, 93.
Loock, Ulrich. “Brice Marden-Plane Image.” Artis, November 1989, 30-35.
Winter, Peter. “Cologne-Dusseldorf: Corrective Measures.” Art International, Autumn 1989, 59-62.
Yau, John. “Making His Mark.” Vogue, July 1989, 190-95.
1988
Adams, Brooks. “Un Leger pour les années 80.” Art Press, July/August 1988, 4-9.
Batchelor, David. “Brice Marden, Anthony D’Offay.” Artscribe, November/December 1988, 4-9.
Brenson, Michael. “Brice Marden’s Webs in Action over a Void.” The New York Times, 15 April 1988, sec. C, 29.
Ellis, Stephen. “Brice Marden at Mary Boone.” Art in America, June 1988, 157-158.
McGeown, Martin. “Brice Marden, Galerie Anthony d’Offay,” Art Press, July 1988, 78.
Yau, John. “Brice Marden.” Flash Art, October 1988, 92-95.
1987
Bann, Stephen. “Brice Marden: Vom Materiellen zum Immateriellen” Kunstforum International, March/April 1987, 170-176. (Reprinted from Brice Marden: Paintings, Drawings, Etchings 1975 – 1980. Amsterdam: Stedelijk Museum, 1981)
Caley, Shaun. “Brice Marden, Mary Boone Gallery.” Flash Art, Summer 1987, 92.
Cameron, Dan. “Seven Types of Criticality.” Arts, May 1987, 14-17.
Draxler, Helmut. “Vienna: ‘Abstrakte Malerie,’ Galerie Nachst St. Stephan.” Artforum, May 1987, 163.
Flam, Jack. “Old Artists, New Styles.” Wall Street Journal, 25 March 1987, 28.
Mahr, Peter. “European and American Abstract Painting, Nachst St. Stephan.” Artscribe, March/April 1987, 89-90.
Poirer, Maurice. “Brice Marden, Mary Boone.” Art News, Summer 1987, 201-202.
Schiess, Robert. “Glasscheiben fur das Basler Munster: ein Sterben auf Amtswegen.” Kunst-Bulletin des Schweizerischen Kunstvereins, December 1987, 16-19.
Schwabsky, Barry. “Brice Marden, Mary Boone.” Artscribe, September/October 1987, 77-79.
Smith, Roberta. “Art: New Oil Paintings by Brice Marden at Boone.” The New York Times, 20 March 1987, sec. C, 23.
Yau, John. “Brice Marden, Mary Boone Gallery.” Artforum, Summer 1987, 118.
1986
Bell, Tiffany. “Drawing with Respect to Painting.” Arts, June 1986, 123-124.
Brenson, Michael. “They Seek Spiritual Meaning in an Age of Skepticism.” The New York Times, 11 May 1986, sec. 2, 37, 41.
Christoph, Horst. “Die Leibe zur geometrie.” Profil, 10 November 1986, 88-89.
Hindry, Ann. “Brice Marden: l’orée du tableau.” Artstudio, Summer 1986, 48-55.
Madoff, Steven Henry. “The Return of Abstraction.” Art News, January 1986, 80-85.
Wilson, William. “A MoCA Show to Hold Your Breath By.” The Los Angeles Times, 22 June 1986, Calendar, 110.
1985
Harris, Susan A. “Brice Marden.” Arts, January 1985, 40.
Hughes, Robert. “Careerism and Hype Amidst the Image Haze.” Time Magazine, 17 June 1985, 78-83.
Imhoff, Paul. “Neue Glasfenster für Basler Münster: Welcher Kunstler bekommt den Auftrag?” Basler Zeitung, 24 July 1985, 17.
Liebmann, Lisa. “Brice Marden-The ‘Duse’ of Minimalism.” Parkett no. 7 (1985): 37-44.
Meyer, Franz. “Brice Marden’s Design for Stained Glass.” Parkett no. 7 (1985): 44-49.
Pellizzi, Francesco. “For Brice Marden: Twelve Fragments on Surface (and Some Afterthoughts).” Parkett no. 7 (1985): 50-63.
Poirer, Maurice. “Color-Coded Mysteries.” Art News, January 1985, 52-61.
Ratcliff, Carter. “How to Study the Paintings of Brice Marden.” Parkett no. 7 (1985): 22-36.
Raynor, Vivien. “An Invitational (Condeso/Lawler Gallery).” The New York Times, 26 July 1985, sec. C, 22.
Ricard, Rene. “An Art of Regret.” Artforum, Summer 1985, 86-91.
Russell, John. “Modern Art Museums: The Surprise is Gone.” The New York Times, 4 August 1985, sec. 2, 1, 25.
Schjeldahl, Peter. “98A Boundary Road.” House and Garden, June 1985, 136-139, 210.
Storr, Robert. “Brice Marden: Double Vision.” Art in America, March 1985, 118-125.
1984
Migayrou, Frédéric. “Brice Marden: Les Tonalités du Contact.” Artistes, October 1984, 4-15.
Russell, John. “Art: Brice Marden’s Building Blocks of Color.” The New York Times, 12 October 1984, sec. C, 22.
1983
Baker, Kenneth. “The Elective ‘Affinities’: Taking Stock of Anti-Expressionism.” Boston Phoenix, 21 June 1983, sec. 3, 5.
Henry, Gerrit. “Brice Marden, Pace.” Art News, January 1983, 20-22.
Price, Aimée Brown. “Artist’s Dialogue: A Conversation with Brice Marden.” Architectural Digest, May 1983, 50, 54, 58-59.
“Prints and Photographs Published.” Print Collectors Newsletter, September/October 1983, 144.
Ratcliff, Carter. “Manet et l’Amerique.” Art Press, July/August 1983, 20-22.
Smith, Roberta. “Reductivism Redux.” Village Voice, 22 February 1983, 89.
Storr, Robert. “Brice Marden at the Pace Gallery.” Art in America, January 1983, 120-121.
1982
Millberg, Steve. “What’s an Art Gallery Doing in this Factory?” Omaha-World Herald, 12 December 1982, 4, 6-7, 11.
Russell, John. “Art: Marden on Marble, on Canvas and on Paper.” The New York Times, 12 November 1982, sec. C, 20.
Smith, Roberta. “Abstraction: Simple and Complex.” Village Voice, 23 November 1982, 106.
1981
Bumpus, Judith. “Brice Marden: Paintings, Drawings and Prints 1974-80.” Connoisseur, May 1981, 14.
Cork, Richard. “Art on Show.” New Standard, 11 June 1981, 18.
Frank, Elizabeth. “Brice Marden at Pace.” Art in America, January 1981, 123-124.
French-Frazier, Nina. “Brice Marden.” Art International, January/February 1981, 140-142.
Gilmour, Pat. “Brice Marden, Whitechapel Art Gallery.” Art Review, 22 May 1981, 215.
Godfrey, Tony. “Brice Marden at the Whitechapel.” Artscribe, June 1981, 57.
Januszczak, Waldemar. “Brice Marden, Whitechapel Art Gallery.” The Guardian, 20 May 1981.
Lucie-Smith, Edward. “London Letter: Brice Marden.” Art International, August/September 1981, 70-72.
McEwen, John. “Par Excellence.” Spectator, 13 June 1981, 111-131.
Petzal, Monica. “Brice Marden, Robert Mangold.” Art Monthly, June 1981, 10-11.
Phillips, Antonia. “Squares for the Spirit: Brice Marden, Whitechapel Art Gallery.” Times Literary Supplement, 12 June 1981, 670.
Ratcliff, Carter. “Mostly Monochrome.” Art in America, April 1981, 111-131.
Zutter, Jorg. “Brief aus den Niederlanden: Kunst als Resultat Kultureller und Politischer Energien.” Kunstforum International, May/August 1981, 341-345.
1980
“Art & Language I: Brice Marden, Over J. Gilbert-Rolfe’s ‘Brice Marden’s Schilderkunst,’ (Artforum, Oktober 1974).” Museumjournaal (August 1980): 200-209.
Ashbery, John. “Art: Brice Marden.” New York Magazine, 13 October 1980, 60.
Cavaliere, Barbara. “Brice Marden:Pace.” Arts, December 1980, 54-55.
Foster, Hal. “Brice Marden, Pace Gallery.” Artforum, December 1980, 72-73.
Hale, Niki. “Marden’s Greek Landscape: Minimalist Lay of the Land.” Art/World, 17 October – 14 November 1980, 1, 13.
———. “Of a Classic Order: Brice Marden’s ‘Thira.’” Arts, October 1980, 152-153.
Kramer, Hilton. “Brice Marden (The Pace Gallery).” The New York Times, 10 October 1980, sec. C, 24.
Larson, Kay. “Avant to Be in Style.” Village Voice, 8-14 October 1980, 85.
Lebensztejn, Jean-Claude. “Mumû: autour de cinq ‘Annonciations’ de Marden.” Avant-Guerre sur l’art etc. no. 1 (1980): 9-20.
Staniszewski, Mary Anne. “Brice Marden (The Pace Gallery).” Art News, December 1980, 190.
Zimmer, William. “Brice Marden, Pace Gallery.” Soho Weekly News, 15-21 October 1980, 78.
1979
Buonagurio, Edgar. “Brice Marden.” Arts, February 1979, 32.
Godfrey, Tony. “The Human Presence in Recent Abstract Painting.” Aspects, Autumn 1979.
Keeffe, Jeffrey. “Generation.’ Susan Caldwell Gallery,” Artforum, May 1979, 60-61
Lawson, Thomas. “Painting in New York: An Illustrated Guide.” Flash Art, October/November 1979, 4-11.
Leder, Dennis. “Five Annunciations.” America, 3 February 1979, 74-75.
“Prints and Photographs Published.” Print Collectors Newsletter, November 1979, 162.
1978
Ashbery, John. “A Few Choice Openings: Brice Marden.” New York Magazine, 2 October 1978, 130.
Bell, Jane. “Brice Marden (The Pace Gallery).” Art News, November 1978, 183-84.
Cavaliere, Barbara. “Art Reviews: Brice Marden (The Pace Gallery).” Arts, December 1978, 22-23.
Gibson, Eric, “Brice Marden, The Pace Gallery.” Art International, November/December 1978, 69-70.
Kasher, Steven. “The Substance of Paper.” Artforum, March 1978, 26-28.
Zimmer, William. “Vehicles for Rare Color.” Soho Weekly News, 5 October 1978, 96.
1977
Betz, Margaret. “New Editions.” Art News, September 1977, 104.
“Brice Marden, ‘Five Threes.’” Print Collector’s Newsletter, November/December 1978, 145.
Findley, Elizabeth. “All Life’s Stages Intriguing to Him.” Providence Sunday Journal, 27 November 1977, H9.
Larson, Philip. “Aquatints Again.” Print Collector’s Newsletter, July/August 1977, 61-65.
1976
Ashbery, John. “A Few Choice Openings (Brice Marden at Pace).” New York Magazine, 2 October 1976, 130.
Bann, Stephen. “Adriatics à propos of Brice Marden.” 20th Century Studies, December 1976, 116-29.
Bourdon, David. “Art: Brice Marden.” Village Voice, 19 April 1976, 104.
Kutner, Janet. “The Visceral Aesthetic of a New Decade’s Art,” Arts, December 1976, 100-103.
Perrone, Jeff. “Brice Marden, Sperone Westwater Fischer.” Artforum, June 1976, 65-66.
Robins, Corinne. “Empty Paintings.” Soho Weekly News, 22 April 1976, 19, 20.
Russell, John. “Brice Marden (Sperone Westwater Fischer Gallery).” The New York Times, 10 April 1976, 13.
Sargent-Wooster, Ann. “Brice Marden (Sperone Westwater Fischer Gallery).” Art News, Summer 1976, 177.
Smith, Roberta.“Drawing Now (and Then).” Artforum, April 1976, 52-59.
1975
Battcock, Gregory. “Art in America: Confusione.” Domus, March 1975, 55.
Blok, Cor. “Holland.” Studio International, July/August 1975, 74-75.
Bourdon, David. “You Can’t Tell a Painter by His Colors.” Village Voice, 24 March 1975, 94.
Bremer, Nina. “Brice Marden.” Pantheon, July/August/September 1975, 276.
Crichton, Fenella. “Hester van Royen Gallery, London: Exhibit.” Art International, April 1975, 39-40.
Davis, Douglas. “Keeping the Eye Busy.” Newsweek, 31 March 1975, 68-69.
Dippel, Rini. “Fundamental Schilderkunst: Aspekten van Recente Ontwikkelingen in de Abstrakte Kunst.” Museumjournaal (April 1975): 57-62.
Evett, Kenneth. “Kenneth Evett on Art: Death Wish.” The New Republic, 17 May 1975, 30-32.
Helfer, Judith. “Abstrakte Kunst-Reduziert, Brice Marden: Guggenheim Museum.” Aufbau, 28 March, 10.
Hess, Thomas B. “Brice Marden.” New York Magazine, 7 April 1975, 70.
“Knoedler Contemporary Prints Gallery, New York: Exhibit.” Arts, March 1975, 12.
Kramer, Hilton. “Marden Art at the Guggenheim, Painter Points Way for Color-Field Abstraction.” The New York Times, 15 March 1975, 15.
Kutner, Janet. “Brice Marden, David Novros, Mark Rothko: The Urge to Communicate Through Non-Imagistic Painting.” Arts, September 1975, 61-63.
———. “Scene in Art: Three Artist Show Spans Forty Years.” Dallas Morning News, 4 May 1975, sec. C, 8.
Larson, Philip. “Minneapolis: Brice Marden at Locksley/Shea.” Arts, January 1975, 23.
Perreault, John. “Color: Problems & Solutions.” Soho Weekly News, 13 March 1975, 15.
Pleynet, Marcel. “De Pictura, ‘De la couleur à la ligne,’ De la peinture comme enseigne.” Peinture: Cahiers, Theoriques, December 1975, 13-53.
Ramsden, Mel. “Jeremy Gilbert-Rolfe’s As-Silly-As-You-Can-Get ‘Brice Marden’s Painting,’ (Artforum, October 1974).” The Fox, April 1975, 8-14.
Ratcliff, Carter. “Abstract Painting, Specific Space: Novros and Marden in Houston.” Art in America, September/October 1975, 84-88.
Smith, Roberta. “Brice Marden, Bykert Gallery.” Artforum, January 1975, 63-64.
von Hoesterey, Ingeborg. “Brice Marden (Guggenheim Museum).” Art International, 15 June 1975, 77.
Wortz, Melinda. “Fourteen Abstract Painters.” Artweek, 3 May 1975, 1, 20.
1974
Ashton, Dore. “The Fort Worth Art Museum, Brice Marden: Drawings 1963 – 1973.” Fort Worth Star-Telegram, 10 November 1974, sec. A, 25.
Bell, Jane. “Ten Painters in New York, Michael Walls.” Arts, October 1974, 62.
Bourdon, David. “The Mini-Conceptual Age.” Village Voice, 17 October 1974, 40, 43.
Cane, Louis. “Sur la Peinture de Brice Marden.” Peinture: Cahiers, Theoriques, February 1974, 46-49.
Dreiss, Joseph. “Brice Marden.” Arts, June 1974, 58-59.
Gilbert-Rolfe, Jeremy. “Brice Marden, Bykert Gallery.” Artforum, June 1974, 68-69.
———. “Brice Marden, David Novros, Bykert Gallery Downtown.” Artforum, May 1974, 64.
———. “Brice Marden’s Painting.” Artforum, October 1974, 30-38.
Herrera, Hayden. “Brice Marden (Bykert, Uptown).” Art News, Summer 1974, 110-11.
———. “David Novros, Brice Marden (Bykert, Downtown).” Art News, April 1974, 97-98.
Hess, Thomas B. “Hello, Old Paint.” New York Magazine, 22 April 1974, 72-74.
———. “On the Sunny Side of the Street.” New York Magazine, 11 March 1974, 74-75.
———. “Rules of the Game, Part II: Marden and Rockburne.” New York Magazine, 11 November 1974, 101-102.
Hughes, Robert. “Eight Cool Contemporaries.” Time Magazine, November 1974, 98, 100.
“Huit Jeunes Artistes au MoMA.” Art Press, December 1974/January 1975, 22-23.
Kozloff, Max. “Traversing the Field. . . Eight Contemporary Artists at MoMA.” Artforum, December 1974, 44-49.
Morris, Lynda. “Strata: Paintings, Drawings and Prints.” Studio International, February 1974, 92-93.
Nemy, Enid. “Artists’ Families Needing Aid Get It from Rauschenberg’s Group.” The New York Times, 25 September 1974, 46.
Prokopoff, Stephen. “A Logic of Vision.” Arts, September 1974, 45-47.
Russell, John. “8 of Today’s Artists Exhibit at the Modern.” The New York Times, 9 October 1974, 52.
Schjeldahl, Peter. “New Abstract Painting: A Variety of Feelings.” The New York Times, 13 October 1974, 29.
Shorr, Harriet. “Brice Marden at Bykert.” Art in America, May/June 1974, 104-105.
1973
Anderson, Alexandra C. “Brice Marden at Bykert.” Art in America, May/June 1973, 99-100.
Battaglia, Carlo. “Tre Artisti: Ryman, Marden, Bell.” Qui Arte Contemporanea, June 1973, 24-26.
Borden, Lizzie. “Brice Marden, Bykert Gallery.” Artforum, May 1973, 76-77.
Crimp, Douglas. “New York Letter.” Art International, Summer 1973, 89-90.
Goldberg, Lenore, Whee Kim, Roberta Pancoast Smith, and Paul Stitelman. “The Whitney Biennial: Four Views.” Arts, March 1973, 63-66.
Gruterich, Marlis. “Brice Marden.” Heute Kunst, October 1973, 29.
Hess, Thomas B. “Exhibitions Noted.” New York Magazine, 19 March 1973, 75.
Mayer, Rosemary. “Attitudes Toward Materials, Content, and the Personal.” Arts, May/June 1973, 63-66.
———. “Group Show, Bykert.” Arts, March 1973, 72.
McCann, Cecile N. “Brice Marden’s Classic Rectangles.” Artweek, 24 February 1973, 3.
Pozzi, Lucio. “Colore e Superficie.” DATA, Winter 1973, 86-91.
Rosenbloom, Paul A. “Group Show at 16 Place Vendome, Paris.” Studio International, September 1973, 103-104.
Siegel, Jeanne. “Brice Marden (Bykert).” Art News, April 1973, 79.
Smith, Roberta Pancoast. “Brice Marden’s Painting.” Arts, May/June 1973, 36-41.
1972
Ashbery, John. “Grey Eminence.” Art News, March 1972, 26-27, 64-66.
Boice, Bruce. “The Quality Problem.” Artforum, October 1972, 68-70.
Borden, Lizzie. “Cosmologies.” Artforum, October 1972, 45-50.
———. “Group Drawing Show, Bykert Gallery.” Artforum, February 1972, 88.
Kramer, Hilton. “Art: German Documenta.” The New York Times, 1 July 1972, 11.
———. “Documenta 5: The Bayreuth Of the Neo-Dadaists.” The New York Times, 9 July 1972, 15.
Kurtz, Bruce. “Documenta 5: A Critical Preview.” Arts, Summer 1972, 30-37.
Pincus-Witten, Robert. “Ryman, Marden, Manzoni: Theory, Sensibility, Mediation.” Artforum, June 1972, 50-53.
Ratcliff, Carter. “Adversary Spaces.” Artforum, October 1972, 40-44.
———. “New York Letter.” Art International, 20 April 1972, 31.
———. “Once More, with Feeling.” Art News, Summer 1972, 35-37, 67-69.
Wolmer, Denise. “Brice Marden, Bykert.” Arts, April 1972, 65.
1971
Masheck, Joseph. “Brice Marden, Bykert Gallery.” Artforum, January 1971, 72.
Ratcliff, Carter. “New York Letter.” Art International, 20 February 1971, 69.
1970
Ashton, Dore. “Young Abstract Painters: Right On!” Arts, February 1970, 31-35.
Domingo, Willis. “Brice Marden (Bykert).” Arts, December 1970/January 1971, 58.
———. “Color Abstraction: A Survey of Recent American Painting.” Arts, December 1970/January 1971, 34-40.
Glueck, Grace. “Art: Drawings by All-Star Cast.” The New York Times, March 1970, 25.
———. “From Master to Modular: New York Gallery Notes.” Art in America, November/December 1970, 167-68.
Gruen, John. “Brice Marden (Bykert).” The New York Times, 30 November 1970, 57.
Müller, Grégoire. “After the Ultimate.” Arts, March 1970, 28-31.
Nemser, Cindy. “Marden and Duran at Bykert.” Arts, March 1970, 62.
Ratcliff, Carter. “Brice Marden, Robert Duran (Bykert).” Art News, March 1970, 63.
———. “Brice Marden (Bykert).” Art News, December 1970, 58.
———. “New York Letter.” Art International, 20 May 1970, 76.
Richardson, Brenda. “Reports: Bay Area Surveys.” Arts, September/October 1970, 52.
Wasserman, Emily. “Brice Marden, Robert Duran, Bykert Gallery.” Artforum, April 1970, 79.
1969
Ashton, Dore. “New York Commentary.” Studio International, February 1969, 95.
———. “New York Commentary.” Studio International, July/August 1969, 29.
Brunelle, Al. “Brice Marden (Bykert).” Art News, January 1969, 24.
Davis, Douglas M. “’This is the Loose Paint Generation’: The New Painting Harks Back to Abstract Expressionism.” National Observer, 4 August 1969, 20.
Kritzwiser, Kay. “Other Galleries.” Toronto Globe and Mail, 29 November 1969, 26.
Peppiatt, Michel. “Paris.” Art International, November 1969, 56.
Rosenstein, Harris. “Brice Marden (Bykert).” Art News, May 1969, 69.
Sable, Jared. “Objects of Contemplation.” Toronto Telegram, 29 November 1969, 4.
1968
Battcock, Gregory. “Brice Marden.” Arts, February 1968, 66.
———. “The Moral Integrity of Smudges.” New York Free Press, 25 January 1968, 10.
“Brice Marden Art in New York.” Time Magazine, 26 January 1968.
Burton, Scott. “Brice Marden (Bykert).” Art News, February 1968, 14-15.
Constable, Rosalind. “The Gallery of the Year.” New York Magazine, 20 May 1968, 39-42.
Perreault, John. “Art.” Village Voice, 18 January 1968, 36.
———. “Art.” Village Voice, 13 June 1968, 15.
Picard, Lil. “Brief aus New York.” Das Kunstwerk, February/March 1968, 77.
Wasserman, Emily. “Brice Marden, Bykert Gallery.” Artforum, March 1968, 57-58.
1967
Kosuth, Joseph. “Bykert Group.” Arts, Summer 1967, 58-59.
Lippard, Lucy R. “Rebelliously Romantic?” The New York Times, 4 June 1967, sec. D, 25.
———. “The Silent Art.” Art in America, January/February 1967, 58-63.
Rose, Barbara. “Group Show, Bykert.” Artforum, November 1967, 59-60.
Rosenstein, Harris. “Bykert.” Art News, Summer 1967, 66.
———. “Total and Complex: Three Young Colorists.” Art News, May 1967, 52-54, 67-68.
1966
Andre, Carl. “Brice Marden Paintings, Bykert Gallery: Two Part Review.” 57th Street Review, 15 November 1966, insert after p. 6.
Glueck, Grace. “Brice Marden (Bykert).” The New York Times, 3 December 1966, 14.
Goldin, Amy. “Brice Marden, Bykert Gallery.” 57th Street Review, 15 November 1966, 7.
———. “Brice Marden (Bykert).” Art News, December 1966, 14.
Gollin, Jane. “Brice Marden (Bykert).” Art News, November 1966, 15.
Lippard, Lucy R. “Rejective Art.” Art International, 20 October 1966, 33-36.
Books by the Artist
2010
Letters with text by Jeffrey Weiss. New York: Matthew Marks Gallery, 2010.
2006
Paintings on Marble with text by Lisa Liebmann. New York: Matthew Marks Gallery, 2006.
2002
Attendants, Bears, and Rocks with text by Jean-Pierre Criqui. New York: Matthew Marks Galllery, 2002.
1997
Chinese Work with an interview and text by Jonathan Hay. New York: Matthew Marks Gallery, 1997.
1995
Brice Marden with text by David Rimanelli. New York: Matthew Marks Gallery, 1995.
1993
Paintings Drawings Etchings. New York: Matthew Marks Gallery, 1993.
1991
Cold Mountain Studies with text by Heiner Bastian. Munich, Paris, London: Schirmer/Mosel, 1991.
Recent Drawings and Etchings with an interview by Pat Steir. New York: Matthew Marks Gallery, 1991.
1984
Reporter’s Notebook: Drawings Made in Greece, Summer 1981. New York: Pace Gallery Publications, 1984.
1974
Suicide Notes. Lausanne, Switzerland: Editions des Massons s.a., 1974.
Statements, Texts, Reproductions, and Cover Designs by the Artist
1996
[Statement]. In Brice Marden. Zurich: Thomas Ammann Fine Art AG, 1996. (exh. cat.)
Selz, Peter, and Kristine Stiles, eds. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Berkeley: University of California Press, 1996.
1993
[Statement]. In “Matisse: ‘He’s Kind of Cast a Spell on Me.’” Art News, April 1993, 150.
1989
[Statement]. In “Statements by Alex Katz, Frank Stella, Brice Marden, Elizabeth Murray and Bill Jensen on Willem de Kooning.” Art Journal, Fall 1989, 234-236.
1985
“Collaboration Brice Marden.” Parkett no. 7 (1985): cover, 1, 3-4, 18-19, insert.
1984
“Album: Brice Marden.” (reproductions, Hydra 1 – 4, 1983), Arts, October 1984, 40-41.
[Statement]. In American Art Since 1970. New York: Whitney Museum of American Art, 1984, 82. (exh. cat.)
“Notes 1979-82/84.” In Brice Marden: Recent Work. New York: The Pace Gallery, New York, 1984. (exh. cat.)
1983
“Two Drawings.” (reproduction), Artforum, September, pp. 58-59.
1982
[Statement]. In Ted Castle. “A Bouquet of Mistakes (Artists Talk About Their Work.” Flash Art, Summer 1982, 54-55.
1981
[Statements]. In Brice Marden: Paintings, Drawings, Etchings 1975-80. Amsterdam: Stedelijk Museum, 1981, 33, 45-46. (exh. cat.)
[Statements]. In Brice Marden: Paintings, Drawings, and Prints 1975-1980. London: Whitechapel Art Gallery, 1981, 54-57. (exh. cat.)
Two Drawings (reproduction). Cover, Winter 1981, 26-27.
1980
[Statements]. In Vision 4: Word of Mouth. Oakland, Calif.: Crown Point Press/San Francisco: The Museum of Conceptual Art, 1980. (set of three LP recordings of prepared talks by twelve artists taped on Ponape, South Pacific, with illustrated booklet)
1979
“5 Lines for Klaus, 4/30/79.” In Brice Marden: Zeichnungen/Drawings 1964-1978. Munich: Kunstraum, 1979, 12. (exh. cat.)
1978
[Statements]. In Brice Marden: Recent Paintings and Drawings. New York: The Pace Gallery, 1978. (exh. cat.)
1976
[Statements]. In Private Notations: Artists’ Sketchbooks, II. Philadelphia: Philadelphia College of Art, 1976. (exh. cat.)
1975
“Technical Statement.” In Brice Marden. New York: The Solomon R. Guggenheim Museum, 1975, 28. (exh. cat.)
[Statement]. In Fundamentele Schilderkunst/Fundamental Painting. Amsterdam: Stedelijk Museum, 1975, 42. (exh. cat.)
[Statement]. In Jean-Claude Lebensztejn, ed. “Eight Statements (on Matisse).” Art in America, July/August 1975, 72-73.
1974
[Statements]. In Jennifer Licht, ed. Eight Contemporary Artists. New York: The Museum of Modern Art, 1974, 46. (exh. cat.)
#11, 1974. (cover reproduction). The Paris Review, Winter, 1974.
1973
“Statement and Proposal: ‘Star (for Patti Smith).’” In Options and Alternatives: Some Directions in Recent Art. New Haven, Conn.: Yale University Art Gallery, 1973. (exh. cat.) (Reprinted in Some Recent Americans. New York: The Museum of Modern Art, 1974, 50. (exh. cat.))
1972
[Statement]. In Bruce Kurtz, ed. “Documenta 5: A Critical Preview.” Arts, Summer 1972, 43.
“Selected from Notes 1971-72.” In Yvon Lambert, Actualité d’un bilan. Paris: Yvon Lambert, 1972, 91-94. (exh. cat.)
1971
“Notes: A Mediterranean Painting.” In The Structure of Color. New York: Whitney Museum of American Art, 1971, 20. (exh. cat.)
[Statement]. In Invitational. Amherst, Mass.: University Art Gallery, University of Massachusetts, 1971. (exh. cat.)
“Three Deliberate Greys for Jasper Johns.” Art Now: New York, March 1971.
[Cover design]. Clark Coolidge. The So: Poems 1966. New York: Adventures in Poetry, 1971.
1967
[Statement]. In Carl Andre, ed. “New in New York: Line Work.” Arts, May 1967, 49-50.
1963
“Statements and Photographs.” Master’s Thesis, Yale University, New Haven, Conn., 1963.
Interviews
2006
Roggeman, Anouchka. “Des tremplins pour l’esprit.” L’oeil, February 2006, 55-56.
2002
Martin, Chris. “In Conversation: Brice Marden.” The Brooklyn Rail, August/September 2002, 12-13.
2000
Brown, Mick. “Driven to Abstraction.” The Daily Telegraph, 28 October 2000, sec. A, 1, 11.
1999
D’Arcy, David. “Artist’s Interview: Brice Marden, Heir Presumptive to Pollock.” The Art Newspaper, April 1999, 17.
Enright, Robert. “The Sensuous Puritan, The Art of Brice Marden.” Border Crossings, May 1999, 14-27.
1998
Katz, Vincent. “Curiously Determined Objects.” Art On Paper, January/February 1998, 27-31.
Zhang, Yiguo. “Brice Marden and Chinese Calligraphy.” In Brushed Voices: Calligraphy in Contemporary China. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 1998, 125-132. (exh. cat.)
1997
Hay, Jonathan. “An Interview with Brice Marden.” In Chinese Work. New York: Matthew Marks Gallery, 1997, 19-31. (exh. cat.)
1996
Fricke, Marion and Roswitha. “Brice Marden (Interview).” Art Press Spécial no. 17 (1996): 84-86.
1994
Kimmelman, Michael. “A Tour That Moves From Calligraphy to Pollock.” The New York Times, 24 June 1994, sec. C, 1, 28.
1991
Steir, Pat. “Brice Marden, An Interview.” In Brice Marden: Recent Drawings and Etchings. New York: Matthew Marks Gallery, 1991. (exh. cat.)
1990
Mahoney, Robert. “This Is What Things Are About.” Flash Art, November/December 1990, 116-120.
1989
Vogel, Sabine B. “Interview mit Brice Marden: ‘Ich wurde meine Malerie als konservativ bezeichnen . . .’” Artis, November 1989, 36-39.
1988
de Smecchia, Muni. “Artisti: Brice Marden.” Vogue Italia, April 1988, 136-39.
Furlong, William. “Brice Marden in Conversation with William Furlong.” Art Monthly, June 1988, 3-5.
Storr, Robert. “Interview mit Robert Storr am 24 Oktober 1986/Interview with Robert Storr on October 24, 1986.” In Rosemarie Schwarzwalder, ed. Abstrakte Malerie aus Amerika und Europa/Abstract Painting of America and Europe. Vienna: Galerie nächst St. Stephan/Klagenfurt: Ritter Verlag, 1988, 53-74.
White, Robin. “Brice Marden.” Bijutsu Techo, February 1988, 166-78.
1987
Ostrow, Sol. “Brice Marden.” BOMB Magazine, December 1987, 30-37. (Reprinted in Betsy Sussler, ed. Speak Art! The Best of BOMB Magazine’s Interviews with Artists. Australia: G + B Arts International, 1997).
Storr, Robert. “Brice Marden: Laisser à l’abstraction son mystère.” Art Press, March 1987, 13-18.
Wei, Lilly. “Talking Abstract, Part One.” Art in America, July 1987, 82-83.
1983
Bell, Tiffany, ed. “Responses to Neo-Expressionism.” Flash Art, May 1983, 42.
Necol, Jane, and Maurice Poirier, eds. “The ‘60s in Abstract: 13 Statements and an Essay.” Art in America, October 1983, 122-123.
1980
White, Robin. “Brice Marden Interview.” View, June 1980, 1-24.
1976
McCann, Cecile N. “An Interview with Brice Marden.” Artweek, 4 December 1976, 15-16.
1975
de AK, Edit, Alan Moore, and Mike Robinson. “Conversation with Brice Marden” Art-Rite, Spring 1975, 39-42.
1970
Sharp, Willoughby, ed. “Points of View: A Taped Conversation with Four Painters.” Arts, December 1970/January 1971, 41-42.
Films
1977
Brice Marden. Directed by Edgar B. Howard and Theodore R. Haimes. 22 min. Checkerboard Productions, 1977. DVD.