Monographs

1992 Klaus Kertess. Brice Marden Paintings and Drawings. New York: Harry N.
Abrams, Inc.
Jeremy Lewison. Brice Marden Prints 1961 – 1991, A Catalogue Raisonné.
London: Tate Gallery Publications.
Brenda Richardson. Brice Marden, Cold Mountain. Houston: Houston Fine
Art Press.

Books by the Artist

1974 Suicide Notes. Lausanne, Switzerland: Editions des Massons s.a.

1984 Reporter's Notebook: Drawings Made in Greece, Summer 1981. New York: Pace
Gallery Publications.

1991 Cold Mountain Studies. (With text by Heiner Bastian). Munich, Paris, London:
Schirmer/Mosel.

Statements, Texts, Reproductions, and Cover Designs by the Artist

1963 "Statements and Photographs." Master's Thesis, Yale University, New Haven,
Connecticut.

1967 [Statement]. In Carl Andre, ed. "New in New York: Line Work." Arts, May,
pp. 49-50.

1971 "Notes: A Mediterranean Painting." In The Structure of Color. New York:
Whitney Museum of American Art, p. 20. (exh. cat.)
[Statement]. In Invitational. Amherst: University Art Gallery, University of
Massachusetts, n. p. (exh. cat.)
"Three Deliberate Greys for Jasper Johns." Art Now: New York, March, n. p.
[Cover design]. Clark Coolidge. The So: Poems 1966. New York: Adventures in
Poetry.

1972 [Statement]. In Bruce Kurtz, ed. "Documenta 5: A Critical Preview." Arts,
Summer, p. 43.
"Selected from Notes 1971-72." In Yvon Lambert, Actualité d'un bilan. Paris:
Yvon Lambert, pp. 91-94. (exh. cat.)

1973 "Statement and Proposal: 'Star (for Patti Smith).'" In Options and
Alternatives: Some Directions in Recent Art. New Haven: Yale University
Art Gallery, n. p. (exh. cat.) (Reprinted in Some Recent Americans. New
York: The Museum of Modern Art, 1974, p. 50, exh. cat.)

1974 [Statements]. In Jennifer Licht, ed. Eight Contemporary Artists. New York:
The Museum of Modern Art, p. 46. (exh. cat.)
#11, 1974. (cover reproduction). The Paris Review, Winter.

1975 "Technical Statement." In Brice Marden. New York: Solomon R. Guggenheim
Museum, p. 28. (exh. cat.)
[Statement]. In Fundamentele Schilderkunst/Fundamental Painting. Amsterdam:
Stedelijk Museum, p. 42. (exh. cat.)
[Statement]. In Jean-Claude Lebensztejn, ed. "Eight Statements (on Matisse)." Art
in America, July/August, pp. 72-73.

1976 [Statements]. In Private Notations: Artists' Sketchbooks, II. Philadelphia:
Philadelphia College of Art, n. p. (exh. cat.)

1978 [Statements]. In Brice Marden: Recent Paintings and Drawings. New York:
The Pace Gallery, n. p. (exh. cat.)

1979 "5 Lines for Klaus, 4/30/79." In Brice Marden: Zeichnungen/Drawings
1964-1978. Munich: Kunstraum, p. 12. (exh. cat.)

1980 [Statements]. In Vision 4: Word of Mouth. Oakland, California: Crown Point
Press/San Francisco: The Museum of Conceptual Art, 1980, n.p. (set
of three LP recordings of prepared talks by twelve artists taped on Ponape,
South Pacific, with illustrated booklet)

1981 [Statements]. In Brice Marden: Paintings, Drawings, and Prints 1975-
1980. London: Whitechapel Art Gallery, pp. 54-57. (exh. cat.)
[Statements]. In Brice Marden: Paintings, Drawings, Etchings 1975-80.
Amsterdam: Stedelijk Museum, pp. 33, 45-46. (exh. cat.)
Two Drawings. (reproduction), Cover, Winter, pp. 26-27.

1982 [Statement]. In Ted Castle. "A Bouquet of Mistakes (Artists Talk About Their
Work." Flash Art (Italy), Summer, pp. 54-55.

1983 "Two Drawings." (reproduction), Artforum, September, pp. 58-59.

1984 [Statement]. In American Art Since 1970. New York: Whitney Museum
of American Art, p. 82. (exh. cat.)
"Notes 1979-82/84." In Brice Marden: Recent Work. New York: The
Pace Gallery, New York, n. p. (exh. cat.)
"Album: Brice Marden." (reproductions, Hydra 1 – 4, 1983), Arts, October,
pp. 40-41.

1989 [Statement]. In "Statements by Alex Katz, Frank Stella, Brice Marden, Elizabeth
Murray and Bill Jensen on Willem de Kooning." Art Journal, Fall, pp. 234-
236.

1993 [Statement]. In "Matisse: 'He's Kind of Cast a Spell on Me.'" Art News, April,
p. 150.

1996 [Statement]. In Brice Marden. Zurich: Thomas Ammann Fine Art AG, n. p.
(exh. cat.)
Kristine Stiles and Peter Selz, eds. Theories and Documents of Contemporary
Art: A Sourcebook of Artists' Writings. Berkeley: University of California
Press.

Interviews

1970 Willoughby Sharp, ed. "Points of View: A Taped Conversation with Four
Painters." Arts, December 1970/January 1971, pp. 41-42.

1975 Alan Moore, Edit de Ak, and Mike Robinson. "Conversation with Brice
Marden" Art-Rite (New York), Spring, pp. 39-42.

1976 Cecile N. McCann. "An Interview with Brice Marden." Artweek (Oakland,
California), December 4, pp. 15-16.

1980 Robin White. "Brice Marden Interview." View (Crown Point Press, Oakland,
California), June, pp. 1-24.

1983 Tiffany Bell, ed. "Responses to Neo-Expressionism." Flash Art (International
Edition), May, p. 42.
Maurice Poirier and Jane Necol, eds. "The '60s in Abstract: 13 Statements and an
Essay." Art in America, October, pp. 122-123.

1987 Robert Storr. "Brice Marden: Laisser à l'abstraction son mystère." Art Press
(Paris), March, pp. 13-18.
Lilly Wei. "Talking Abstract, Part One." Art in America, July, pp. 82-83.
Sol Ostrow. "Brice Marden." BOMB Magazine (New York), December, pp. 30-
37. (Reprinted in Betsy Sussler, ed. Speak Art! The Best of BOMB
Magazine's Interviews with Artists. Australia: G + B Arts International, 1997).

1988 Robin White. "Brice Marden." Bijutsu Techo (Tokyo), February, pp. 166-78.
Muni de Smecchia. "Artisti: Brice Marden." Vogue Italia, April, pp. 136-39.
William Furlong. "Brice Marden in Conversation with William Furlong." Art
Monthly (London), June, pp. 3-5.
Robert Storr. "Interview mit Robert Storr am 24 Oktober 1986/Interview with
Robert Storr on October 24, 1986." In Rosemarie Schwarzwalder, ed.
Abstrakte Malerie aus Amerika und Europa/Abstract Painting of America and
Europe. Vienna: Galerie nächst St. Stephan/Klagenfurt: Ritter Verlag, pp. 53-
74.

1989 Sabine B. Vogel. "Interview mit Brice Marden: 'Ich wurde meine Malerie als
konservativ bezeichnen . . .'" Artis (Germany), November, pp. 36-39.

1990 Robert Mahoney. "This Is What Things Are About." Flash Art (International
Edition), November/December, pp. 116-120.

1991 Pat Steir. "Brice Marden, An Interview." In Brice Marden: Recent Drawings
and Etchings. New York: Matthew Marks Gallery, n. p. (exh. cat.)

1994 Michael Kimmelman. "A Tour That Moves From Calligraphy to Pollock." New
York Times, June 24, sec. C, pp. 1, 28.

1996 Marion and Roswitha Fricke. "Brice Marden (Interview)." Art Press Spécial
(Paris), no. 17, pp. 84-86.

1997 Jonathan Hay. "An Interview with Brice Marden." In Chinese Work. New York:
Matthew Marks Gallery, pp. 19-31. (exh. cat.)

1998 Vincent Katz. "Curiously Determined Objects." Art On Paper (New York),
January/February, pp. 27-31.

Yiguo Zhang. "Brice Marden and Chinese Calligraphy." In Brushed Voices:
Calligraphy in Contemporary China. New York: Miriam and Ira D. Wallach
Art Gallery, Columbia University, pp. 125-132. (exh. cat.)

1999 David D'Arcy. "Artist's Interview: Brice Marden, Heir Presumptive to Pollock."
The Art Newspaper, April, p. 17.
Robert Enright. "The Sensuous Puritan, The Art of Brice Marden." Border
Crossings (Canada), May, pp. 14-27.

2000 Mick Brown. "Driven to Abstraction." The Daily Telegraph (London), October
28, sec. A, pp. 1, 11.

2002 Chris Martin. "In Conversation: Brice Marden." The Brooklyn Rail (New York),
August/September, pp. 12-13.

2006 Anouchka Roggeman. "Des tremplins pour l'esprit." L'oeil (Paris), February, pp.
55-56.

Books on the artist

1978 Sheldon Nodelman. Marden, Novros, Rothko: Painting in the Age of Actuality.
Houston: Institute for the Arts, Rice University.

1995 Jean-Claude Lebensztejn. Ecrits sur l'art récent: Brice Marden, Malcolm
Morley, Paul Sharits. Paris: Editions Aldines.

1996 Stephen Bann. "A Cold Coming: Brice Marden's Wager with Tradition." In
Robert Lehman Lectures on Contemporary Art No. 1. Lynne Cooke and Karen
Kelly, eds. New York: Dia Center for the Arts.

1998 Michael Kimmelman. Portraits: Talking with Artists at the Met, the Modern,
the Louvre, and Elsewhere. New York: Random House.

1999 Peter Fischer, ed., with contributions by Yve-Alain Bois, Enrique Juncosa,
Rosalind Krauss, Richard D. Marshall, and Brenda Richardson.
Abstraction, gesture, écriture, Paintings from the Daros Collection.
Zurich/Berlin/New York: Scalo.
David Seidner. Artists' Studios. Paris: Editions Assouline.
Jeanne Siegel. Painting After Pollock. Amsterdam: Gordon and Breach
Publishing.

2000 Wilfried Dickhoff. After Nihilism: Essays on Contemporary Art. Cambridge,
England; New York; Melbourne; Madrid: Cambridge University Press.

2002 Yotaro Kobayashi. Fuji Xerox Print Collection 1988 – 2002. Tokyo: Fuji Xerox
Co., Ltd.

Films

1977 Edgar B. Howard and Theodore R. Haimes, directors. Brice Marden. New York:
Checkerboard Productions.

Selected Articles

1966 Lucy R. Lippard. "Rejective Art." Art International, October 20, pp. 33-36.
Carl Andre. "Brice Marden Paintings, Bykert Gallery: Two Part Review."
57th Street Review, November 15, insert after p. 6.
Amy Goldin. "Brice Marden, Bykert Gallery." 57th Street Review, November
15, p. 7.
Jane Gollin."Brice Marden (Bykert)." Art News, November, p. 15.
Grace Glueck. "Brice Marden (Bykert)." New York Times, December 3, p. 14.
Amy Goldin. "Brice Marden (Bykert)." Art News, December, p. 14.

1967 Lucy R. Lippard. "The Silent Art." Art in America, January/February, pp. 58-63.
Harris Rosenstein. "Total and Complex: Three Young Colorists." Art News, May
1967, pp. 52-54, 67-68.
Lucy R. Lippard. "Rebelliously Romantic?" New York Times, June 4, sec. D, p.
25.
Joseph Kosuth. "Bykert Group." Arts, Summer, pp. 58-59.
Harris Rosenstein. "Bykert." Art News, Summer, p. 66.
Barbara Rose. "Group Show, Bykert." Artforum, November, pp. 59-60.

1968 John Perreault. "Art." Village Voice, January 18, p. 36.
Gregory Battcock. "The Moral Integrity of Smudges." New York Free Press,
January 25, p. 10.
"Brice Marden Art in New York." Time Magazine, January 26.
Gregory Battcock. "Brice Marden." Arts, February, p. 66.
Scott Burton. "Brice Marden (Bykert)." Art News, February, pp.14-15.
Lil Picard. "Brief aus New York." Das Kunstwerk (Stuttgart), February/March, p.
77.
Emily Wasserman. "Brice Marden, Bykert Gallery." Artforum, March, pp. 57-58.
Rosalind Constable. "The Gallery of the Year." New York Magazine, May 20, pp.
39-42.
John Perreault. "Art." Village Voice, June 13, p. 15.

1969 Al Brunelle. "Brice Marden (Bykert)." Art News, January, p. 24.
Dore Ashton. "New York Commentary." Studio International, February, p. 95.
Harris Rosenstein. "Brice Marden (Bykert)."Art News, May, p.69.
Dore Ashton. "New York Commentary." Studio International, July/August,
p. 29.
Douglas M. Davis. "'This is the Loose Paint Generation': The New Painting
Harks Back to Abstract Expressionism." National Observer (Washington,
DC), August 4, p. 20.
Kay Kritzwiser. "Other Galleries." Toronto Globe and Mail, November 29, p. 26.
Jared Sable. "Objects of Contemplation." Toronto Telegram, November 29, p. 4.
Michel Peppiatt. "Paris." Art International, November, p. 56.

1970 Dore Ashton. "Young Abstract Painters: Right On!" Arts, February, pp. 31-35.
Grace Glueck. "Art: Drawings by All-Star Cast." New York Times, March 21,
p. 25.
Grégoire Müller. "After the Ultimate." Arts, March, pp. 28-31.
Cindy Nemser. "Marden and Duran at Bykert." Arts, March, p. 62.
Carter Ratcliff. "Brice Marden, Robert Duran (Bykert)." Art News, March, p. 63.
Emily Wasserman. "Brice Marden, Robert Duran, Bykert Gallery." Artforum,
April, p. 79.
Carter Ratcliff. "New York Letter." Art International, May 20, p.76.
Brenda Richardson. "Reports: Bay Area Surveys." Arts, September/October,
p. 52.
John Gruen. "Brice Marden (Bykert)." New York Times, November 30, p. 57.
Grace Glueck. "From Master to Modular: New York Gallery Notes." Art in
America, November/December, pp. 167-68.
Carter Ratcliff. "Brice Marden (Bykert)." Art News, December, p. 58.
Willis Domingo. "Brice Marden (Bykert)." Arts, December 1970/January 1971,
p. 58.
-----. "Color Abstraction: A Survey of Recent American Painting." Arts,
December 1970/January 1971, pp. 34-40.

1971 Joseph Masheck. "Brice Marden, Bykert Gallery." Artforum, January, p. 72.
Carter Ratcliff. "New York Letter." Art International, February 20, p. 69.

1972 Lizzie Borden. "Group Drawing Show, Bykert Gallery." Artforum, February,
p. 88.
John Ashbery. "Grey Eminence." Art News, March, pp. 26-27, 64-66.
Carter Ratcliff. "New York Letter." Art International, April 20, p. 31.
Denise Wolmer." Brice Marden, Bykert." Arts, April, p. 65.
Robert Pincus-Witten. "Ryman, Marden, Manzoni: Theory, Sensibility,
Mediation." Artforum, June, pp. 50-53.
Hilton Kramer. "Art: German Documenta." New York Times, July 1, p. 11.
----------. "Of the Newo-Dadaists." New York Times, July 9, p. 15.
Carter Ratcliff. "Once More, with Feeling." Art News, Summer, pp. 35-37, 67-69.
Bruce Kurtz. "Documenta 5: A Critical Preview." Arts, Summer, pp. 30-37.
Bruce Boice. "The Quality Problem." Artforum, October, pp. 68-70.
Lizzie Borden. "Cosmologies." Artforum, October, pp. 45-50.
Carter Ratcliff. "Adversary Spaces." Artforum, October, pp. 40-44.

1973 Cecile N. McCann. "Brice Marden's Classic Rectangles." Artweek (Oakland,
California), February 24, p. 3.
Lucio Pozzi. "Colore e Superficie." DATA (Milan), Winter, pp. 86-91.
Thomas B. Hess. "Exhibitions Noted." New York Magazine, March 19, p. 75.
Lenore Goldberg, Whee Kim, Roberta Pancoast Smith, and Paul Stitelman. "The
Whitney Biennial: Four Views." Arts, March, pp. 63-66.
Rosemary Mayer. "Group Show, Bykert." Arts, March, p. 72.
Jeanne Siegel. "Brice Marden (Bykert)." Art News, April, p. 79.
Lizzie Borden. "Brice Marden, Bykert Gallery." Artforum, May, pp. 76-77.
Alexandra C. Anderson. "Brice Marden at Bykert." Art in America, May/June,
pp. 99-100.
Rosemary Mayer. "Attitudes Toward Materials, Content, and the Personal." Arts,
May/June, pp. 63-66.
Roberta Pancoast Smith. "Brice Marden's Painting." Arts, May/June,
pp. 36-41.
Carlo Battaglia. "Tre Artisti: Ryman, Marden, Bell." Qui Arte Contemporanea
(Rome), June, pp. 24-26.
Douglas Crimp. "New York Letter." Art International, Summer, pp. 89-90.
Paul A. Rosenbloom. "Group Show at 16 Place Vendome, Paris." Studio
International, September, pp.103-104.
Marlis Gruterich. "Brice Marden." Heute Kunst (Flash Art, Milan), October,
p. 29.

1974 Louis Cane. "Sur la Peinture de Brice Marden." Peinture: Cahiers, Theoriques
(France), February, pp. 46-49.
Lynda Morris. "Strata: Paintings, Drawings and Prints." Studio International,
February, pp. 92-93.
Thomas B. Hess. "On the Sunny Side of the Street." New York Magazine, March
11, pp. 74-75.
----------. "Hello, Old Paint." New York Magazine, April 22, pp. 72-74.
Hayden Herrera. "David Novros, Brice Marden (Bykert, Downtown)." Art News,
April, pp. 97-98.
Jeremy Gilbert-Rolfe. "Brice Marden, David Novros, Bykert Gallery Downtown."
Artforum, May, p. 64.
Harriet Shorr. "Brice Marden at Bykert." Art in America, May/June, pp.
104-105.
Joseph Dreiss. "Brice Marden." Arts, June, pp. 58-59.
Jeremy Gilbert-Rolfe. "Brice Marden, Bykert Gallery." Artforum, June, 68-69.
Hayden Herrera. "Brice Marden (Bykert, Uptown)." Art News, Summer,
pp. 110-11.
Enid Nemy. "Artists' Families Needing Aid Get It from Rauschenberg's Group."
New York Times, September 25, p. 46.
Stephen Prokopoff. "A Logic of Vision." Arts, September, pp. 45-47.
John Russell. "8 of Today's Artists Exhibit at the Modern." New York Times,
October 9, p. 52.
Peter Schjeldahl. "New Abstract Painting: A Variety of Feelings." New York
Times, October 13, p. 29.
David Bourdon. "The Mini-Conceptual Age." Village Voice, October 17,
pp. 40, 43.
Jane Bell. "Ten Painters in New York, Michael Walls." Arts, October, p. 62.
Jeremy Gilbert-Rolfe. "Brice Marden's Painting." Artforum, October, pp. 30-38.
Dore Ashton. "The Fort Worth Art Museum, Brice Marden: Drawings 1963 –
1973." Fort Worth Star-Telegram, November 10, sec. A, p. 25.
Thomas B. Hess. "Rules of the Game, Part II: Marden and Rockburne." New York
Magazine, November 11, pp. 101-102.
Robert Hughes. "Eight Cool Contemporaries." Time Magazine, November 11,
pp. 98, 100.
Max Kozloff. "Traversing the Field. . . Eight Contemporary Artists at MoMA."
Artforum, December, pp. 44-49.
"Huit Jeunes Artistes au MoMA." Art Press (Paris), December 1974/January
1975, pp. 22-23.

1975 Philip Larson. "Minneapolis: Brice Marden at Locksley/Shea." Arts, January,
p. 23.
Roberta Smith. "Brice Marden, Bykert Gallery." Artforum, January, pp. 63-64.
John Perreault. "Color: Problems & Solutions." Soho Weekly News (New York),
March 13, p. 15.
Hilton Kramer. "Marden Art at the Guggenheim, Painter Points Way for Color-
Field Abstraction." New York Times, March 15, p. 15.
David Bourdon. "You Can't Tell a Painter by His Colors." Village Voice, March
24, p. 94.
Judith Helfer. "Abstrakte Kunst-Reduziert, Brice Marden: Guggenheim
Museum." Aufbau (Germany), March 28, p. 10.
Douglas Davis. "Keeping the Eye Busy." Newsweek, March 31, pp. 68-69.
Gregory Battcock. "Art in America: Confusione." Domus, March, p. 55.
"Knoedler Contemporary Prints Gallery, New York: Exhibit." Arts, March,
p. 12.
Thomas B. Hess. "Brice Marden." New York Magazine, April 7, p. 70.
Rini Dippel. "Fundamental Schilderkunst: Aspekten van Recente Ontwikkelingen
in de Abstrakte Kunst." Museumjournaal (The Netherlands), April, pp. 57-62.
Mel Ramsden. "Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get 'Brice
Marden's Painting,' (Artforum, October 1974)." The Fox (New York), April,
pp. 8-14.
Fenella Crichton. "Hester van Royen Gallery, London: Exhibit." Art
International, April, pp. 39-40.
Melinda Wortz. "Fourteen Abstract Painters." Artweek (Oakland, California),
May 3, pp. 1, 20.
Janet Kutner. "Scene in Art: Three Artist Show Spans Forty Years." Dallas
Morning News, May 4, sec. C, p. 8.
Kenneth Evett. "Kenneth Evett on Art: Death Wish." New Republic, May 17,
pp. 30-32.
Ingeborg von Hoesterey. "Brice Marden (Guggenheim Museum)." Art
International, June 15, p. 77.
Cor Blok. "Holland." Studio International, July/August, pp. 74-75.
Nina Bremer. "Brice Marden." Pantheon (Munich), July/August/September, p.
276.
Janet Kutner. "Brice Marden, David Novros, Mark Rothko: The Urge to
Communicate Through Non-Imagistic Painting." Arts, September, pp. 61-63.
Carter Ratcliff. "Abstract Painting, Specific Space: Novros and Marden in
Houston." Art in America, September/October, pp. 84-88.
Marcel Pleynet. "De Pictura, 'De la couleur à la ligne,' De la peinture comme
enseigne." Peinture: Cahiers, Theoriques (France), December, pp. 13-53.

1976 John Russell. "Brice Marden (Sperone Westwater Fischer Gallery)." New York
Times, April 10, p. 13.
David Bourdon. "Art: Brice Marden." Village Voice, April 19, p. 104.
Corinne Robins. "Empty Paintings." Soho Weekly News (New York), April 22,
pp. 19, 20.
Roberta Smith."Drawing Now (and Then)." Artforum, April, pp. 52-59.
Jeff Perrone. "Brice Marden, Sperone Westwater Fischer." Artforum, June, pp.
65-66.
Ann Sargent-Wooster. "Brice Marden (Sperone Westwater Fischer Gallery)." Art
News, Summer, p. 177.
John Ashbery. "A Few Choice Openings (Brice Marden at Pace)." New York
Magazine, October 2, p. 130.
Stephen Bann. "Adriatics à propos of Brice Marden." 20th Century Studies
(University of Kent at Canterbury, England), December, pp. 116-29.
Janet Kutner. "The Visceral Aesthetic of a New Decade's Art," Arts, December,
pp. 100-103.

1977 Philip Larson. "Aquatints Again." Print Collector's Newsletter, July/August,
pp. 61-65.
Margaret Betz. "New Editions." Art News, September, p. 104.
Elizabeth Findley. "All Life's Stages Intriguing to Him." Providence Sunday
Journal, November 27, p. H 9.
"Brice Marden, 'Five Threes.'" Print Collector's Newsletter, November/
December, p. 145.

1978 Steven Kasher. "The Substance of Paper." Artforum, March, pp. 26-28.
John Ashbery. "A Few Choice Openings: Brice Marden." New York Magazine,
October 2, p. 130.
William Zimmer. "Vehicles for Rare Color." Soho Weekly News (New York),
October 5, p. 96.
Jane Bell. "Brice Marden (The Pace Gallery)." Art News, November, pp. 183-84.
Gibson, Eric, "Brice Marden, The Pace Gallery." Art International, November/
December, pp. 69-70.
Barbara Cavaliere. "Art Reviews: Brice Marden (The Pace Gallery." Arts,
December, pp. 22-23.

1979 Dennis Leder. "Five Annunciations." America (New York), February 3, pp.
74-75.
Edgar Buonagurio. "Brice Marden." Arts, February, p. 32.
Jeffrey Keeffe. "Generation.' Susan Caldwell Gallery," Artforum, May, pp. 60-61
Tony Godfrey. "The Human Presence in Recent Abstract Painting." Aspects
(United Kingdom), Autumn, n. p.
Thomas Lawson. "Painting in New York: An Illustrated Guide." Flash Art
(International Edition), October/November, pp. 4-11.
"Prints and Photographs Published." Print Collectors Newsletter, November, p.
162.

1980 Jean-Claude Lebensztejn. "Mumû: autour de cinq 'Annonciations' de Marden."
Avant-Guerre sur l'art etc., (Saint-Etienne, France), no. 1, pp. 9-20.
"Art & Language I: Brice Marden, Over J. Gilbert-Rolfe's 'Brice Marden's
Schilderkunst,' (Artforum, Oktober 1974)." Museumjournaal (The
Netherlands), August, pp. 200-209.
Kay Larson. "Avant to Be in Style." Village Voice, October 8-14, p. 85.
Hilton Kramer. "Brice Marden (The Pace Gallery)." New York Times, October 10,
sec. C, p. 24.
John Ashbery. "Art: Brice Marden." New York Magazine, October 13, p. 60.
William Zimmer. "Brice Marden, Pace Gallery." Soho Weekly News (New York),
October 15-21, p. 78.
Niki Hale. "Marden's Greek Landscape: Minimalist Lay of the Land." Art/World,
October 17/November 14, pp. 1, 13.
----------. "Of a Classic Order: Brice Marden's 'Thira.'" Arts, October, pp. 152-
153.
Barbara Cavaliere. "Brice Marden:Pace." Arts, December, pp. 54-55.
Hal Foster. "Brice Marden, Pace Gallery. Artforum, December, pp. 72-73.
Mary Anne Staniszewski. "Brice Marden (The Pace Gallery)." Art News,
December, p. 190.

1981 Elizabeth Frank. "Brice Marden at Pace." Art in America, January, pp. 123-124.
Nina French-Frazier. "Brice Marden." Art International, January/February, pp.
140-142.
Carter Ratcliff. "Mostly Monochrome." Art in America, April, pp. 111-131.
Waldemar Januszczak. "Brice Marden, Whitechapel Art Gallery." The
Guardian (London), May 20.
Pat Gilmour. "Brice Marden, Whitechapel Art Gallery." Art Review (United
Kingdom), May 22, p. 215.
Judith Bumpus. "Brice Marden: Paintings, Drawings and Prints 1974-80."
Connoisseur, May, p. 14.
Jorg Zutter. "Brief aus den Niederlanden: Kunst als Resultat Kultureller und
Politischer Energien." Kunstforum International (Germany), May/August, pp.
341-345.
Richard Cork. "Art on Show." New Standard (London), June 11, p. 18.
Antonia Phillips. "Squares for the Spirit: Brice Marden, Whitechapel Art
Gallery." Times Literary Supplement (London), June 12, p. 670.
John McEwen. "Par Excellence." Spectator (London), June 13, pp. 111-131.
Tony Godfrey. "Brice Marden at the Whitechapel." Artscribe (United Kingdom),
June, p. 57.
Monica Petzal. "Brice Marden, Robert Mangold." Art Monthly (United
Kingdom), June, pp. 10-11.
Edward Lucie-Smith. "London Letter: Brice Marden." Art International,
August/September, pp. 70-72.

1982 John Russell. "Art: Marden on Marble, on Canvas and on Paper." New York
Times, November 12, sec. C, p. 20.
Roberta Smith. "Abstraction: Simple and Complex." Village Voice, November 23,
p. 106.
Steve Millberg. "What's an Art Gallery Doing in this Factory?" Omaha-World
Herald (Nebraska), December 12, pp. 4, 6-7, 11.

1983 Gerrit Henry. "Brice Marden, Pace." Art News, January, pp. 20-22.
Robert Storr. "Brice Marden at the Pace Gallery." Art in America, January, pp.
120-121.
Roberta Smith. "Reductivism Redux." Village Voice, February 22, p. 89.
Aimée Brown Price. "Artist's Dialogue: A Conversation with Brice Marden."
Architectural Digest, May, pp. 50, 54, 58-59.
Kenneth Baker. "The Elective 'Affinities': Taking Stock of Anti-Expressionism."
Boston Phoenix, June 21, sec. 3, p. 5.
Carter Ratcliff. "Manet et l'Amerique." Art Press (Paris), July/August, pp. 20-22.
"Prints and Photographs Published." Print Collectors Newsletter, September/
October, p. 144.

1984 John Russell. "Art: Brice Marden's Building Blocks of Color." New York Times,
October 12, sec. C, p. 22.
Frédéric Migayrou. "Brice Marden: Les Tonalités du Contact." Artistes,
October, pp. 4-15.

1985 Susan A. Harris. "Brice Marden." Arts, January, p. 40.
Maurice Poirer. "Color-Coded Mysteries." Art News, January, pp. 52-61.
Robert Storr. "Brice Marden: Double Vision." Art in America, March, pp. 118-
125.
Robert Hughes. "Careerism and Hype Amidst the Image Haze." Time Magazine,
June 17, pp. 78-83.
Peter Schjeldahl. "98A Boundary Road." House and Garden, June, pp. 136-139,
210.
Paul Imhoff. "Neue Glasfenster für Basler Münster: Welcher Kunstler bekommt
den Auftrag?" Basler Zeitung, July 24, p. 17.
Vivien Raynor. "An Invitational (Condeso/Lawler Gallery)." New York Times,
July 26, sec. C, p. 22.
John Russell. "Modern Art Museums: The Surprise is Gone." New York Times,
August 4, sec. 2, pp. 1, 25.
Rene Ricard. "An Art of Regret." Artforum, Summer, pp. 86-91.

1986 "Collaboration Brice Marden." Parkett, January, cover, pp. 1, 3-4, 18-19, insert.
(no text).
Lisa Liebmann. "Brice Marden-The 'Duse' of Minimalism." Parkett, January, pp.
37-44.
Franz Meyer. "Brice Marden's Design for Stained Glass." Parkett, January, pp.
44-49.
Francesco Pellizzi. "For Brice Marden: Twelve Fragments on Surface (and Some
Afterthoughts)." Parkett, January, pp. 50-63.
Carter Ratcliff. "How to Study the Paintings of Brice Marden." Parkett, January,
pp. 22-36.
Steven Henry Madoff. "The Return of Abstraction." Art News, January, pp. 80-
85.
Michael Brenson. " They Seek Spiritual Meaning in an Age of Skepticism." New
York Times, May 11, sec. 2, pp. 37, 41.
William Wilson. "A MoCA Show to Hold Your Breath By." Los Angeles Times,
June 22, Calendar, p. 110.
Tiffany Bell. "Drawing with Respect to Painting." Arts, June, pp. 123-124.
Ann Hindry. "Brice Marden: l'orée du tableau." Artstudio (France), Summer, pp.
48-55.
Horst Christoph. "Die Leibe zur geometrie." Profil (Vienna), November 10, pp.
88-89.

1987 Roberta Smith."Art: New Oil Paintings by Brice Marden at Boone." New York
Times, March 20, sec. C, p. 23.
Jack Flam. "Old Artists, New Styles." Wall Street Journal, March 25, p. 28.
Stephen Bann. "Brice Marden: Vom Materiellen zum Immateriellen" Kunstforum
International, March/April, pp. 170-176. (Reprinted from Brice Marden:
Paintings, Drawings, Etchings 1975 – 1980. Amsterdam: Stedelijk Museum,
1981)
Peter Mahr. "European and American Abstract Painting, Nachst St. Stephan."
Artscribe (United Kingdom), March/April, pp. 89-90.
Dan Cameron. "Seven Types of Criticality." Arts, May, pp. 14-17.
Helmut Draxler. "Vienna: 'Abstrakte Malerie,' Galerie Nachst St. Stephan."
Artforum, May, p. 163.
Shaun Caley. "Brice Marden, Mary Boone Gallery." Flash Art (International
Edition), Summer, p. 92.
Maurice Poirer. "Brice Marden, Mary Boone." Art News, Summer, pp. 201-202.
John Yau. "Brice Marden, Mary Boone Gallery." Artforum, Summer, p. 118.
Barry Schwabsky. "Brice Marden, Mary Boone." Artscribe (United Kingdom),
September/October, pp. 77-79.
Robert Schiess. "Glasscheiben fur das Basler Munster: ein Sterben auf
Amtswegen." Kunst-Bulletin des Schweizerischen Kunstvereins (Switzerland),
December, pp. 16-19.

1988 Michael Brenson. "Brice Marden's Webs in Action over a Void." New York
Times, April 15, sec. C, p. 29.
Stephen Ellis. "Brice Marden at Mary Boone." Art in America, June, 157-158.
Martin McGeown. "Brice Marden, Galerie Anthony d'Offay," Art Press (Paris),
July, p. 78.
Brooks Adams. "Un Leger pour les années 80." Art Press (Paris), July/August,
pp. 4-9.
John Yau."Brice Marden." Flash Art (International Edition), October, pp. 92-95.
David Batchelor. "Brice Marden, Anthony D'Offay." Artscribe (United
Kingdom), November/ December, pp. 4-9.

1989 John Yau. "Making His Mark." Vogue, July, pp. 190-95.
Vicky A. Clark. "Post-Modernism in the 1988 International." Carnegie Magazine
(Pittsburgh), July/August, pp. 12-16.
Uela Endres. "Brice Marden, Galerie Werner, Cologne." Das Kunstwerk
(Stuttgart), September, p. 93.
Peter Winter. "Cologne-Dusseldorf: Corrective Measures." Art International,
Autumn, pp. 59-62.
Ulrich Loock. "Brice Marden-Plane Image." Artis (Bern), November, pp. 30-35.

1990 Jane DeLynn. "Traditional Life, Non-Traditional Art: Helen and Brice Marden."
Avenue (New York), February, pp. 72-73.
Andrew L. Yarrow. "Minimalism and the Guggenheim." New York Times,
February 17, sec. 1, p. 15.
Tiffany Bell. "Les peintures monochromes de Robert Mangold et Brice Marden."
Artstudio (Paris), Spring, pp. 98-107.
Ronny Cohen. "Minimal Prints." Print Collector's Newsletter, May/June, pp.
42-46.
John Russell. "No, the Louvre Wasn't Broke, but Fixing It Is a Fine Idea."
New York Times, August 5, pp. 29, 31.
Charles Moritz, ed. "Brice Marden." Current Biography, August, pp. 42-45.

1991 Roberta Smith. "Revisiting the 70s in Brice Marden's 'Grove Group.'" New York
Times, January 18, sec. C, p. 28.
"Art: Brice Marden ('Grove Group' at Gagosian Gallery." The New Yorker,
February 4, p. 9.
Kay Larson. "Far Out (Brice Marden at Gagosian Gallery)." New York
Magazine, February 25, pp. 111-113.
Kirby Gookin. "Brice Marden, Gagosian Gallery." Artforum, April, pp. 119-120.
Faye Hirsch. "Brice Marden, Gagosian Gallery." Arts, April, p. 76.
Michael Kimmelman. "Brice Marden Reveals His Connections." New York
Times, April 14, p. 35.
----------. "Brice Marden." New York Times, May 24, p. 26.
Kay Larson. "Art (Brice Marden at Matthew Marks Gallery)." New York
Magazine, June 10, pp. 65-66.
Phyllis Tuchman. "Marden's Latest Abstracts Achieve Unusual Animation."
New York Newsday, June 14, p. 80.
David Anfam. "Brice Marden at Matthew Marks." Burlington Magazine, August,
p. 570.
Kathy L. Maschke. "The Revelation of Brice Marden: Designs for the Stained
Glass Windows of the Basel Cathedral," Glass Magazine, Summer, pp. 28-35.
Meyer Raphael Rubenstein. "Brice Marden." Art News, September, p. 123.
Roberta Smith. "Brice Marden Moves Ahead by Turning Back." New York Times,
October 20, p. 37.
Kay Larson. "Different Strokes," New York Magazine, October 21, pp. 74-83.
(reprinted in Japanese in Atelier (Tokyo), February 1992, pp. 46-56)
Paul Taylor. "Marden's Metamorphosis." Connoisseur, October, pp. 20-25, 108-
111.
Paul Gardner, ed. "What Artists Like About the Art They Like When They Don't
Know Why, (Pat Steir on Brice Marden)." Art News, October, pp. 116-121.
Ellen Handy. "New York in Review: Brice Marden (at Matthew Marks)." Arts,
October, p. 92.
Kay Larson. "Six Threads." Atelier (Tokyo), October, pp. 39-44.
Robert Hughes. "Lines That Go for a Walk." Time Magazine, November 4, pp.
96-97.
Klaus Kertess. "Painting Hot Staying Cool." Elle, November, pp. 118-122.
Bob Spitz. "Different Strokes." Mirabella, November, pp. 95-96.
Peter Schjeldahl. "Out of Yourself." Village Voice, November 12, p. 104.
John Yau. "Brice Marden, Shell Drawings, Venus." Grand Street (New York),
no. 40, pp. 65-81.

1992 Donald Kuspit. "Brice Marden, Dia Center for the Arts." Artforum, January,
pp. 97-98.
Dorothy Spears. "Brice Marden." Arts, January, p. 63.
Robert Mahoney. "Brice Marden / DIA Center for the Arts." Flash Art
(International Edition), January/February, p. 129.
"Brice Marden, 'Cold Mountain Series Zen Studies 1-6.'" Print Collectors
Newsletter, January/February, pp. 211-215.
John Yau. "Brice Marden's Cold Mountain: Drawing from Pollock." Artspace,
January/April, pp. 48-50.
Stephen Westfall. "Marden's Web." Art in America, March, pp. 95-99.
Guy Burn. "Brice Marden, Tate Gallery, London." Arts Review (London),
April, p. 106.
Richard Francis. "Brice Marden, Tate Gallery, London." Burlington Magazine,
May, pp. 321-322.
Pat Gilmour. "The Prints of Brice Marden." Print Collector's Newsletter,
May/June, pp. 49-52.
David Pagel. "A Trio of Masterpiece Makers." Los Angeles Times, May 7.
Christophe Marchand-Kiss. "Brice Marden, Portrait." Beaux-Arts Magazine,
July/August, pp. 91-93.
Adam Gopnik. "What Comes Naturally (Brice Marden at Dia Center for the
Arts)." The New Yorker, July 20, pp. 66-69.
Pascaline Cuvelier. "Des projecteurs, des chiffres, des tortillons. . .et quelques
batons." Liberation (Paris), July 24.
Brenda Richardson. "Heart Print: Brice Marden's 'Cold Mountain' Paintings."
Tricycle: The Buddhist Review, Fall, pp. 58-63. (excerpted from Brice Marden,
Cold Mountain. Houston: Houston Fine Art Press, 1992)
"The Documenta of the Dog." Art in America, September, pp. 88-89.
John Dorsey. "Brice Marden's Point of View." Baltimore Sun, October 25.
----------. "Retrospective shows Brice Marden's Many Artistic Styles."
Baltimore Sun, October 27.
Paul Richard. "Caught in the Mirror of a Black Square." Washington Post,
November 27.

1993 Elsa Fernandez-Santos. "El Reina Sofia abre el ano artístico con 74 obras de Brice
Marden inspiradas en China." El País (Madrid), January 13.
Andrew Mead. "A Full Emptiness, Klaus Kertess's Brice Marden: Paintings and
Drawings." Modern Painters (United Kingdom), Spring, p.107.
Michael Kimmelman. "Brice Marden, Matthew Marks Gallery." New York
Times, May 21.
Ann Hindry. "Brice Marden, les rigueurs de couleur." Beaux-Arts Magazine,
June, pp. 44-49.
Ruth Bass. "Brice Marden (at Matthew Marks Gallery)." Art News, September,
p. 169.
Jed Pearl. "Mostly Marden." The New Criterion, September, pp. 60-63.
Owen Drolet. "Brice Marden, Matthew Marks Gallery." Flash Art (International
Edition), October, p. 86.

1994 Paul Gardner. " 'Call It a Mid-Life Crisis.'" Art News, April, pp. 140-143.
Claude Lorent. "Dématérialisation spatialiste de Marden à Meyer." Art &
Culture (Belgium), April, pp. 22-23.
Octavio Zaya. "El proceso creativo entrevista con Brice Marden." Atlantica
(Spain), Spring, pp. 34-39.
Johanna Hofleitner. "Brice Marden: Wiener Secession, Vienna." Flash Art
(International Edition), Summer, p. 134.

1995 Jack Bankowsky [interviews Klaus Kertess]. "The Art of the Matter: Curating the
Whitney Biennial." Artforum, January, pp. 66-71, 104, 109.
Pepe Karmel. "Alternative Versions II." New York Times, February 17, sec. C, p.
30.
Charles Wylie. "Brice Marden: 'Uxmal,' 1992-1993." St. Louis Art Museum
Bulletin, Winter, pp. 32-33.
Peter Plagens. "The Impossible Exhibition (1995 Biennial at the Whitney
Museum of American Art)." Newsweek, April 3, p. 68.
Klaus-Peter Busse. "'I am Nature,' Forms of Interpretation of Nature III, Brice
Marden." Kunst + Unterricht (Germany), June, pp. 10-11.
Dieter Koepplin. "Zu Ende gezeichnet." Basler Magazin, July 8, p. 9.
"Whitney Biennial." Atelier (Tokyo), July, pp. 2-18.
Jeanne Siegel. "Brice Marden, Art and Place, 'Souvenir de Grèce.'" Art
International/Art Today (Greece), September/October, pp. 71-82.
Karen Stein. "Brice Marden (at Matthew Marks Gallery)." New York Magazine,
September 11, pp. 60-61.
Jim Lewis. "Maximum Marden." Bazaar, October, pp. 270-272, 290, 294.
Linda Yablonsky. "Brice Marden (at Matthew Marks Gallery)." Time Out (New
York), October 25 – November 1.
Roberta Smith. "Brice Marden (at Matthew Marks Gallery)." New York Times,
November 17, sec. C, p. 28.
Kirk Varnedoe with Franceso Clemente, Brice Marden, and Richard Serra. "Cy
Twombly: An Artist's Artist." Res (Cambridge, Massachusetts), Autumn, pp.
163-180.
N.F. Karlins. "Snail Trails Across Flagstones: The Latest Work of Brice
Marden." The Westsider (New York), December 28, 1995 – January 3, 1996,
p. 13.
Deborah Mitchell. "The Brice of Fame." Vanity Fair, December, p. 13.

1996 Barry Schwabsky. "Brice Marden (at Matthew Marks Gallery)." Artforum,
January, p. 80.
Kim Levin. "Brice Marden (at Matthew Marks Gallery)." Village Voice,
January 16, p. 8.
Ronald Jones. "Brice Marden." Frieze, February, pp.73-74.
Lilly Wei. "Brice Marden at PaceWildenstein and Matthew Marks." Art in
America, March, p. 95.
Robert Rosenblum. "Painters' Drawings." Architectural Digest, October, p. 164.
Vishakha N. Desai. "Reorienting Ourselves to Asian Art." Art News, November,
p. 152.

1997 "Brice Marden (at Matthew Marks Gallery)." The New Yorker, June 9, p. 24.
"Brice Marden (at Kunstverein, München)." Architectural Digest (Germany),
June/July, n. p.
Adam Gopnik. "The Repressionists." The New Yorker, July 14, pp. 86-88.
Richard Shone. "Venice Biennale and Other Exhibitions." Burlington
Magazine, September, pp. 651-653.
Norman Bryson. "XLVII Venice Biennale." Art/Text (Australia), November
1997-January 1998, pp. 32-35.
James Reginato. "Marden's Retreat." W Magazine (New York), November, p.
246-253.
Judith Trepp. "Brice Marden, Winterthur Kunstmuseum." Art News, November,
p. 241.
Jeremy Gilbert-Rolfe. "Editor's Choice, Brice Marden's 'The Muses' at the
Venice Biennale." BOMB Magazine (New York), Fall, p. 18.

1998 Elizabeth Hayt. "Brash American Intruders Amid l'Élégance." New York Times,
January 25, pp. 41, 46.
Phyllis Tuchman. "Behind the Lines, The Art and Spirit of Brice Marden."
Bostonia (Boston University), Spring, pp. 15-19.
Holland Cotter. "Exhibitions in the Boston Area (Brice Marden at the Fogg Art
Museum)." New York Times, August 7, sec. E, p. 33.
Michael Mundy. "Mogul Home (Peter Morton)." W Magazine, October, p. 374.
Carol Vogel. "Building a Collection (Whitney Museum of American Art)."
New York Times, October 30, sec. E, p. 32.

1999 Barry Schwabsky. "Brice Marden, Work of the 1990s (at the Dallas Museum of
Art)." Artforum, January, p. 47.
Mario Naves. "Five Painters (Brice Marden Drawings at the Whitney Museum
of American Art)." New Criterion, February, pp. 48-52.
Brenda Richardson. "What Happens When A Revered Minimalist Radically
Changes?" Vogue, February, pp. 154, 156.
Janet Kutner. "Strokes of Genius." Dallas Morning News, February 12, Guide,
p. 57.
----------. "Marden Explores Brushes with Freedom." Dallas Morning News,
February 14, sec. C, pp. 1, 10.
----------. "Marden Show Gives DMA a Welcome Jolt of the Current." Dallas
Morning News, February 21, sec. C, p. 7.
Janet Tyson. "Poetry in Paint." Fort Worth Star-Telegram, February 23, sec. E,
pp. 1, 2.
Licia Spagnesi. "Marden: la Mia Danza con le Muse." Arte (Italy), April, pp.
106-109.
Paul Richard. "Putting It All on the Lines." Washington Post, May 30, sec. G,
pp. 1, 10.
John Richardson. "Brice Marden's Abstract Heart." Vanity Fair, May, pp. 168-
177, 201-203.
Richard Shiff. "Brice Marden, Dallas Museum of Art." Artforum, May, p. 173.
Michael O'Sullivan. "What you Make of It – and More." Washington Post, June,
p. 51.
Brook S. Mason. "Marden's Momentum." Art News, June, p. 66.
David Cohen. "New York and Washington: Brice Marden." Burlington
Magazine, August, pp. 504-506.
Holland Cotter. "Monumental Pleasure in a Capital of Art Treasures." New York
Times, August 6, sec. E, pp. 37, 39.
"Brice Marden, Works of the 1990s: Paintings, Drawings, and Prints (Hirshhorn
Museum and Sculpture Garden." Journal of the Print World, Summer, p. 21.
Rex Weil. "Brice Marden, Hirshhorn Museum and Sculpture Garden." Art News,
November, p. 197.
Stefan Koldehoff. "Georg Baselitz, Cy Twombly, Brice Marden, Sigmar Polke."
Das Kunstmagazin (Hamburg), December, pp. 22-27.
Deborah K. Dietsch. "Forward Motion." South Florida Sun-Sentinel, December
19, sec. D, pp. 1, 10.
Elisa Turner. "Accomplished Abstract Career Comes into Focus." Miami Herald,
December 19, sec. M, p. 5.

2000 Amy Cappellazzo. "A Modern Master Comes to Miami."Ocean Drive (Miami),
January, pp. 280-281.
Sandi Carroll. "Marden Finds Life of Art a Joy." New Smyrna Beach Observer
(Florida), January 26, sec. 1, pp. 1, 3A.
James Sullivan and Jesse Hamlin. "It's Party Time at Yerba Buena and SF
MoMA." San Francisco Chronicle, January 31, sec. D, p. 3.
Kenneth Baker. "Method to His Monochromes." San Francisco Chronicle,
February 2, sec. C, pp. 1, 3.
David Hay. "The Scene Heats Up Under the Miami Sun." New York Times,
February 27, Arts and Leisure, pp. 1, 51-52.
Michael Goedhuis. " Michael Goedhuis Talks to Brice Marden." Asian Art
News, March, pp. 16-18.
Gail Gregg. "An Offhand Sublime." Art News, March, pp. 130-133.
Ellen S. Wilson. "An Artist Reinvents Himself: Brice Marden, Work of the
1990s." Inside Carnegie (Pittsburgh), May/June, p. 16.
Mary Thomas. "Marden's Meditative Side Shines in Vibrant Exhibit at
Carnegie." Pittsburgh Post-Gazette, May 13, sec. B, p. 10.
Jean-Pierre Criqui. "Handmade's Tale, International Shorts Preview." Artforum,
September, p. 77.
Richard Dorment. "One Look and You Feel You Could Look Forever." The Daily
Telegraph (London), November 15, p. 26.
Sarah Hemming. "Brice Marden, Serpentine Gallery." Daily Express (London),
November 17.
Tanis Taylor. "Art, Brice Marden (Serpentine Gallery)." Metro (London),
November 17.
Richard Cork. "Richard Cork's Choice: Brice Marden." The Times (London),
November 18, p. 27.
Laura Cumming. " The Brice is Right: After a 20 Year Gap, Brice Marden's
Abstracts Go on Display in London. About Time." The Observer (London),
November 19, p. 10.
Michael Glover. "Abstraction's Rich Possibilities . . ." The Independent
(London), November 21, p. 10.
Adrian Searle. "Give Us A Swirl . . . " The Guardian (London,) November 21, p.
12.
Nick Hackworth. "Toeing A New Line, Brice Marden, Serpentine Gallery."
Evening Standard (London), November 23.
Charles Darwent. "Shy, Assertive, Even Lonely, His Wiggly Lines Are Moody
Trails; Brice Marden Serpentine Gallery, London." The Independent on
Sunday (London), November 26, p. 5.
William Packer. "Curls and Loops Wriggle Their Way." Financial Times
(London), November 28, p. 13.
Sarah Kent. "Line Dancing, A Decade of Brice Marden's Spiky Abstracts."
Time Out (London), November 29 – December 6, p. 57.
"Brice Marden." Das Kunstmagazin (Hamburg), December, p. 26.
John McEwen. "Nature Makes the Abstract Seem Almost Natural." Sunday
Telegraph Review (London), December 3, p. 8.
Tony Wood. "A Twist Away from the Edge (Brice Marden at the Serpentine
Gallery)." Times Literary Supplement (London), December 8, p. 20.
Andrew Lambirth. "Weaving Like A Serpent." Royal Academy Magazine,
Winter, n. p.

2001 Wendy Goodman. "A Lofty Marriage." New York Magazine, April 9, pp. 47 – 53.
Dominique Blanc. "Quand les artistes collectionnant." Oeil (France), July/
August, pp. 60-67.
Benjamin Loyaute. "Avignon: Collections d'artistes." Connaissance des Arts
(France), July/August, p. 17.
Mario de Candia. "Astria minimali una vetrina su Marden" (Minimal abstraction
a window to Marden). Trovaroma (Rome), December 7.
Ludovico Pratesi. "Brice Marden, 40 anni d'arte Usa in settanta disegna" (Brice
Marden, 40 years of American art in seventy drawings). La Repubblica
(Rome), December 14.
Marco Salustri. "Vetrine all Calcografia, arriva Marden" (Marden arrives at the
Calcografia). Il Tempo (Rome), December 14.
Valentina Bruschi. "Marden, tra classicità e filosofia Zen" (Marden, between
Classical and philosophica Zen). Il Messaggero (Rome), December 23.
Edoardo Sassi. "Il lato lugubre di Marden" (The gloomy side of Marden).
Corriere della Sera (Rome), December 29.
Renato Civello. "L'opera grafica da Brice Marden" (The graphic work of Brice
Marden). Secolo d'Italia (Rome), December 30.

2002 Gianni Franceschetti. "I calligrammi de Brice Marden" (The graphic work of
Brice Marden). Rinascita (Rome), January 4.
Luigi Lambertini. "Guardando all'oriente" (Looking East). Corriere della Sera
(Rome), January 7.
Marco Bussagli. "In Vetrina le carte espressive di Marden" (The expressive work
of Marden on view). Avvenire (Rome), January 20.
Ester Coen. "Marden, Alla ricerca della purezza con l'energia emotiva del
segno" (Marden, A reevaluation of purity with the emotive energy of the
line). La Repubblica (Rome), January 21.
Silvana Lazzarino. "Brice Marden, disegni e incisioni al confine tra realtà e
fantasia" (Brice Marden, drawings and etchings confined between reality
and fantasy). Il Giornale (Rome), January 28.
Cate McQuaid. "Capturing Eastern Spirit in a Spectacle of Paint." The Boston
Globe, January 24, sec. D, pp. 1, 8.
Dedi Ferrari Clerici. "Un artista moderno nell'Antica Stamperia" (A modern
Artist at the Antica Stamperia). Esperienza (Rome), February.
Hope Green. "Bringing the East to the West Where the Twain Meet in Art."
Boston University Bridge, February 1, p. 12.
William Corbett. "From Boston University, A Look East." ArtsMedia, February
15 – March 15, pp. 10-13.
Guido Curto. "Marden, astrattista lirico che guarda alla grecia classica" (Marden,
Lyrical abstractionist who guards the classical greek). Torino Sette (La
Stampa), March 8 – 14.
Marina Paglieri. "L'arte di due metropolis per un omaggio a Marden" (Two cities
pay homage to Marden). La Repubblica (Turin), March 13.
Edith Newhall. "Body Painting (Brice Marden at Matthew Marks Gallery)."
New York Magazine, May 6, p. 91.
Roberta Smith. "A Profusion of Painting, Very Much Alive." New York Times,
May 10, sec. E, pp. 31, 43.
Mark Stevens. "Skin Deep (Brice Marden at Matthew Marks Gallery)." New
York Magazine, May 27, p. 48.
Alicia Faxon. "Boston: Looking East: Brice Marden, Michael Mazur, Pat Steir."
Art New England, June/July, pp. 31-32.
Mario Naves. "An Excess of Refinement." New York Observer, June 3, p. 20.
Peter Schjeldahl. "Into the Rainbow, Brice Marden's Abstractions." The New
Yorker, June 3, pp. 96-97.
Jerry Saltz. "Circuit Party, Brice Marden's Subway Maps from Shangri-La."
Village Voice, June 4, p. 65.
Franz Matuszczyk. "Brice Marden: Das bewusste Werden des Ganzen" (Brice
Marden: Self-conscious becoming of the whole). Die Glocke (Gütersloh),
June 6.
Sabine Müller. "Die Nase voll von schwarzen Quadraten" (Up to here with black
quadrants). Ruhr-Nachrichten (Münster), June 6.
Andrea Rose. "Die Liebe des Künstlers zum Detail" (The artist's love of detail).
Westfälische Nachrichten (Münster), June 6.
Johanna Burton. "Brice Marden: Attendants, Bears, and Rocks." Time Out (New
York), June 13-20, p. 56.
Matthias Weis. "Papiergesten" (Paper works). Westfälischer Anzeiger
(Warstein), June 27.
Stefan Lüddemann. "Schaltplan der Weltkultur" (Diagram of world culture).
Neue Osnabrücker Zeitung (Osnabrueck), July 4.
"Vier Mal Landesmuseum" (Four exhibitions at the Landesmuseum).
Westfälische Nachrichten (Münster), July 12.
"Kurze Wege" (Short ways). Kreiszeitung Syker Zeitung (Germany), August 9.
Nathan Kernan. "Exhibition Review." Burlington Magazine, August, pp. 519-
520.
Daniel Baird. "Attendants, Bears, and Rocks: Brice Marden at the Matthew
Marks Gallery." The Brooklyn Rail, August – September, pp. 10-11.
Katy Siegel. "Brice Marden." Artforum, September, pp. 204-205.
Anna Maria Positano. "Brice Marden: Works on Paper 1964 – 2001. Istituto
Nazionale per la Grafica." Art on Paper, September/October, p. 99.
Vince Aletti. "Best of 2002." Artforum, December, pp. 112-113.

2004 John Yau. "Drawing a New Line." Art on Paper, January/February, pp. 56-61.
Bettina von Hase. "Full Beam." Art Review, March, pp. 66-71.
Mark Godfrey. "Dimensions Variable." Frieze, August, pp. 117-121.
Ted Loos. "Brush with Frame." Town & Country, August, p. 64.
Pepe Karmel. "The Year of Living Minimally." Art in America, December, pp.
90-101, 149.

2005 Grace Glueck. "Art in Review; Theme and Variations." New York Times, October
28, n.p.
2006 Baechler, Donald. "The Artists' Artists." ArtForum (December 2006) p. 115

Cohen, David. "A Non-Linear Path." The New York Sun (October 26, 2006) p. 11.
Isenberg, Barbara. "For Marden, Seeing is Creating." The Los Angeles Times (October 15, 2006) E37.

Grosz, David. "Equal Parts Intuition and Doubt." The New York Sun (October 19, 2006) p1, 26.

Loos, Ted. "A Subtle Sense of Place." The New York Times (October 29, 2006) p. 36.

Mahoney, Robert. "Brice Marden; This is What Things Are About." Flash Art (November-December 2006) p. 104-107.

Marto, Karen. The Lay of the Land." Culture & Travel (September/October 2006) pp 128-131.

Ofili, Chris with Brice Marden. "Painters Painting." Art Forum (October 2006) cover, p. 218, 225, 286.
Plagens, Peter. "An Old School Radical." Newsweek ()ctober 30, 2006) p 58-59.

Rosenberg, Karen. "Taking the Long View." New York Magazine. (September 4-11, 2006) p. 62-64.

Schjeldahl, Peter. "True Colors." The New Yorker (November 6, 2006) p. 130.

Smith, Roberta. "The Man Who Persevered When Painting Stalled." The New York Times (October 27, 2006) p. 29, p. 32.

Stevens, Mark. "The Big Chill." New York Magazine (November 6, 2006) p. 360-365.